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**Edition of 300. In process of stocking** Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994. "Riding the rails. Down the Rhine at-night alone in a compartment making music for my-self with those Korean-shaman-cymbals given as a gift from Ho-Sun Cheon (husband of Hong-Hee Kim who later will organize the festival 'The SeOUL of Fluxus' and invite-me come-and-participate) …
On Breakthrough, Muriel Grossmann envelops her quartet in a vibrant exploration of spiritual jazz, interlacing tradition with fresh, forward momentum. The record distills Grossmann’s lyrical saxophone voice and trademark rhythmic interplay into a rich, organic sound, balancing meditative introspection and eruptive, soulful drive. Each composition furthers her pursuit of transcendence, unfolding as both a deeply personal statement and a communal celebration.
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.
Genesi (Opera in Tre Atti)" is a three-act opera composed by Franco Battiato, premiered at the Teatro Regio in Parma on April 26, 1987. This release captures the live recording from subsequent performances in late April and early May 1987, released on CD by Fonit Cetra.
The story unfolds with gods observing humanity's decline and contemplating a new flood, but they send four archangels as human messengers to Earth. The archangels discover a secretive brotherhood devoted to sacred dance and esot…
Rarities and archival treasures spanning the entire Brand X trajectory - from their earliest unreleased sessions to the final contractual obligation album - plus one of the most unjustly obscure progressive rock albums of the late 70s. A goldmine for admirers of Percy Jones, John Goodsall, and the whole Canterbury-adjacent fusion scene.
Brand X needs no introduction to fusion aficionados. Formed in 1974 by Collins, fretless bass virtuoso Percy Jones, keyboardist Robin Lumley and guitarist John G…
In 2009, the Triton venue (near Paris, France) was sold out to celebrate the 35th anniversary of Univers Zéro, an iconic band of the Rock In Opposition movement. These two exceptional concerts highlighted a radical and unique style of music, at the crossroads of new music and chamber rock, skilfully blending acoustic and electric instruments, as heard on the cult album 'Ceux du Dehors'.
Transversales Disques presents Unreleased & Rarities, a revelatory collection spanning 1972-2002 by electronic music pioneer Jean Schwarz - thirty years of secret compositions from one of the Groupe de Recherches Musicales (GRM) most dedicated yet overlooked figures. Schwarz occupied a unique position in the world of electroacoustic music, serving simultaneously as an engineer at the CNRS in the Ethnomusicology Department of the Musée de l'Homme in Paris and as a core member of the legendary GRM…
Super tip! *150 copies limited edition* Xing presents the new LP A Circle of Grey by Valerio Tricoli, eleventh release of Xong collection - artist records. The release is on white vinyl, in a limited numbered edition of 150 copies. The collector's edition consists of 20 copies accompanied by a unique cassette tape loop, titled and signed by the artist: 20 short compositions, each developed from a different sonic fragment of the record.
A Circle of Grey is an electroacoustic composition blending …
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
2026 Stock, last copies. 5LP deluxe box and a 156-page clothbound book packaged in a custom white-birch wood box, limited to 665 hand-numbered copies The book features music manuscripts and notebook pages from the musicians' archives, an extensive itinerary, the complete history of the NYAQ, artists' bios, and musical analysis. 2013 release. Five LPs of entirely uncirculated music by the New York Art Quartet, featuring Roswell Rudd, John Tchicai, and Milford Graves; the bass chair is alternativ…
** Silk-screen printed (blue color) recycled sleeve. 200 copies ** Much-needed repress of this spiritual flute jazz artifact by the mastermind Antti Vauhkonen. Originally released as a limited edition lathe-cut 10'' in a handful of copies. Cover art silkscreened on recycled cardboard-sleeves. Artwork by Arsi Keva. Mastered by Samuli Tanner. The first person to create something one may classify as instrumental music was probably alone. The mind tingles when imagining the prehistoric moment when, …
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…
Katharina Schmidt is a percussionist, composer, researcher and radio host. A frequent collaborator, her artistic portfolio includes film music, sound art installations, and radio pieces as well as multichannel compositions. After years of playing drums and piano in various bands, her solo work is influenced by indie, experimental, and improvised music.
The pieces experiment with emergent harmonies, rhythms created by interferences between sine waves, and textures abstracted from field recordings…
Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…
On Opel, Syd Barrett’s lost songs and alternate takes surface like fragments from a parallel 1968–70, exposing the raw circuitry behind The Madcap Laughs and Barrett. What was once fan lore becomes a fragile, disorienting self‑portrait in real time.
Rooted in Altman's exploratory practice, she weaves clarinet alongside a sparse palette of preparations, objects, tapes, and feedback. She crafts a series of pieces that are at once delicate and textural yet bold and expressive that reflect both the unique acoustics of the space and her subtle, inquisitive approach to sound, offering a contemplative and tactile listening experience that blurs the line between instrument, environment, and intervention.
2025 stock Trumpeter Bill Dixon and pianist Cecil Taylor, friends going back to their Truman-era school days, associated copiously in nearly every artistic fashion -- except making music together. Duets is their only meeting in studio apart from both artists appearing on Taylor's 1966 landmark Blue Note LP, Conquistador. In 1992 they made the briefest summer festival tour to Italy and France, budgeting in two additional days for this recording session. That musical output was prepared for a rele…
Recorded on 28 August 1984 at the Japan Japan Festival in Rome and originally issued the following year on the Marz label, Live At "Ex Mattatoio" In Roma captures Friction far from home but fully in their element. Playing inside the former abattoir of the Testaccio district - already a rough, resonant space in the city’s underground - Reck’s group bring the sharpened angles of Tokyo Rockers to a European audience, fusing serrated no‑wave guitar, thick, stalking bass lines, and clipped, incantato…
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
Jazz fans rejoice: Curtis Fuller's seminal debut album, New Trombone, originally released on Prestige in 1957, is back in the spotlight. At just 23 years old, the Detroit-born trombonist arrived on the scene with a fluent, innovative style that marked a bold evolution for the trombone in jazz.
Backed by an all-star quintet – Sonny Red on alto sax, Hank Jones on piano, Doug Watkins on bass, and Louis Hayes on drums – Fuller delivers a powerhouse hard-bop session. The album bursts open with three …