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Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
* Numbered + handmade in an edition of 200 copies only; 180gr vinyl in custom-made outer (sealed), containing extensive booklet with images from performance + installation + newly commissioned essay by Akihito Yasumi (Japanese original + English translation); no digital * Takashi Inagaki’s original soundtrack score for filmmaker Takashi Ito’s Japanese-language stage adaptation of Jean Genet’s Prisoner of Love, and its parallel video installation, The Dead Dance. Genet’s final literary work recou…
restocked, Mindblowing reissue!! "The impact of Carter's music stems from his ability to straddle freely the old and the new - combining a genuine melodic/rhythmic impulse with explorations of a more purely rhythmic/harmonic nature. His tone on his instruments, especially the clarinet, is round and wooden like a song, yet there's a certain revelry in sound - textural and timbral - for its own sake. He likes to work with contrast, moving in and out of tempo, altering the flow through dynam…
*2026 stock* Deep within the heart of an ancient forest, The Wolf, The Jaguar, The Bull, The Bear, and The Raven resided. They were guardians of the woodland, protectors of balance and harmony. But one fateful night, a foreboding darkness seeped into their sacred realm, whispering tales of corruption that had plagued the planet beyond the trees. Driven by an unnerving curiosity, they made a pact to venture beyond the borders of their lush abodes and uncover the source of this malevolence. Togeth…
*2026 stock* Dødsdromen means "death well" in Danish, a stunt show in which drivers of motorcycles and miniature cars ride in a circle along a vertical wall, performing dangerous stunts due to friction and centrifugal force strength.
P.O. Jørgens - drummer, composer from Denmark known by his own legendary label "Ninth World Music" and band Mokuto trio (where he plays with Lotte Anker on saxophone and Peter Friis Nielsen on bass), collaborations with Mats Gustafsson (Torden Kvartetten) and Peter …
Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes.
Noguès, deeply rooted in Breton music y…
*300 copies limited edition* "The Glitch hype was a rather short one. But it brought together different scenes; minimal techno, sound art and electronic minimalism. Then it hit a dead end and dissolved. In the centre of Glitch we found labels like Mille Plateaux (who released the formative ”Clicks + Cuts”) and raster-noton who especially with their static series formed a sound.
The first release (2000) was by a young Andreas Tilliander who under his new moniker Mokira released the ”Cliphop” alb…
Nicolae Brînduş's Match / Soliloque 1&4 / Antifonia reissues the composer’s most eccentric works from the PHTORA cycle (1968-1972), blending collective improvisation, spectral tradition, Romanian folklore, and free jazz into a mesmerizing tapestry. Tape manipulations and reverberation add depth, while Ana Golici’s sleeve art captures the album’s vivid sensibility.
Brian Eno's pioneering Ambient album from 1975 re-pressed for 2018. Standard 1 LP version. While his earlier work with Robert Fripp on ‘No Pussyfooting’ and several selections from his own ‘Another Green World’ feature similar ideas, ‘Discreet Music’ marked a clear step toward the ambient aesthetic Eno would later codify with 1978's ‘Ambient 1: Music for Airports.’The inspiration for this album began when Eno was hospitalised after an accident. Whilst bed-ridden and listening to a record of eigh…
*2026 stock*
Anton Ponomarev: saxophone, electronicsRyoko Ono: saxophone, mixing, mastering
This record was originally released by Fort Evil Fruit (Ireland), July 15, 2022.
*100 copies limited edition* Originally released in 1986, Folk Music stands as one of the most uncompromising statements to emerge from the Japanese industrial underground. Created by Jun Konagaya after the dissolution of White Hospital, the album marked the beginning of Grim as a singular and fully autonomous project. Influenced by the early extremity of SPK and Whitehouse, Konagaya developed a sound built from metallic percussion, distorted bass pressure, detuned organ textures and heavily pro…
Suncuts emerged in 2023 from the earlier project Teufelskeller, originally founded by Anton Ponomarev in Moscow. Teufelskeller was invited to perform at the Xciting Festival in Stuttgart but due to various serious reasons the bass player and drummer were unable to go. Ponomarev brought in Swiss drummer Maxime Hänsenberger and Brazilian bassist Felipe Zenicola as replacement musicians. Both integrated quickly, and the new line-up performed the scheduled concerts. Although the three musicians had …
On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.
2014 Edition. Recouvre La Merde or to loosely translate, Cover The Shit embodies the dark and sick humour of French ‘troubadour’ of Harsh Noise Wall, Vomir. In this 3-parter, Romain Perrot unleashes a no-nonsensical torrent of unyielding wall-of-noise-harshness through 3 brain-convulsing tracks delivered in one long continuous movement. Guttural avalanche of sonic boom deluges upon the listener as the 3 long textural pieces of unpleasant roar harangue the listener into psychotic submission. The …
For this month's Electronic Sound cover story, we've picked out 101 Records Of 1981, a crucial year in the history of both electronic and alternative music, and we have a fantastic green vinyl seven-inch EP featuring post-punk heavyweights The Fall, Jah Wobble and Blurt to accompany the issue. One of the main music talking points of 1981 was the growing number of synthpop bands breaking into the UK mainstream charts, many of them climbing into the Top 10. But at the same time, there was a surge …
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto’s Xerrox series. Pioneering in his approach to digital sound and its materiality, Alva Noto (Carsten Nicolai) began his ongoing exploration of sampling, degradation and recontextualisation with the Xerrox series in 2007. Over the years, the project has evolved into one of the most distinctive bodies of work in contemporary electronic music, situated between minimalism, experimental sound art and digital abstraction.
Across five albu…
In Cosmic Music, Andy Beta traces Alice Coltrane’s journey from Detroit church pews to avant‑garde bandstands and ashram altars, revealing a visionary composer, bandleader and spiritual teacher whose work radically reshaped the possibilities of Black American music.
On The Smoke, The Smoke condense 1968’s lysergic optimism into a single, ornate LP, fusing sunshine pop hooks, baroque arrangements and studio playfulness into a seamless, dream‑like suite rather than a conventional rock album.
Nippon Cultural Broadcasting (= Bunka Hōsō) is known for airing Toshiro Mayuzumi’s composition for “Works for musique concrète X.Y.Z.” the very first Japanese work of musique concrète. Now, for the first time, the long-lost broadcast recordings produced by the director of that era are being released! These include a piece by Yori-aki Matsudaira's father, Yoritsune Matsudaira, created by repeatedly dubbing instrumental material, as well as an experimental work unique to Bunka Hōsō, produced throu…
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…