Best sellers
Contempora
Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Contempora" is a sort of collection of sketches, refl…
Let's Start
His masterpiece "A treat for those into the pioneering works of Terry Riley and Steve Reich in that this combines use of delay lines on keyboards a-la Riley with phasing techniques on voices first explored by Reich" (Mutant Sounds). Originally released in 1979, Wakhevitch's last album before definitely settling down in Auroville (India) was his most meditative and relaxed effort to date. Fruit of his 1978 stay in Israel invited by the "Mishkenot Sha’ananim" Foundation, the album was again…
Plastic Love
Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded.The Plastic Love album features songs Y…
Moon Fools / Eternal Rhythm
** "Moon Fools" LP Edition of 200 + "Ethernal Rhythm" Bonus CD ** Long awaiting to find its due place in the pantheon of 60s and 70s European progfolk, acid folk and psych folk gems that have been mushrooming over the recent years, Full Moon’s first release, Moon Fools, is finally brought back to life. Originally released in 1976, as a limited private pressing of 500 copies that were mostly sold in gigs, Moon Fools is a never-ending journey to the East, a constant interplay between darkness and …
It Means A Lot
Two individuals from faraway journeyed the world together, and were given many tiny gifts from the surroundings. Then the music came out as a matter of course, as if a thing was being put in its right place.
Wesley's Convertible Tape For The South
"The wash of flangers & shimmery reverb have been the foundation in Cali psych ever since the Byrds went electric. And while that sound might've dropped off occasionally, it never dropped out. The Velvets minimalist stylings were infused into the mix by The Dream Syndicate in the early 80's & thus a game changer was born. Clay Allison, Opal, Green On Red all took their charge from that current. Then the Shoegaze scene of the 90's looked at those bands as vectors, things got a little more drenche…
Sagittarian Domain
*2023 repress. In process of stocking* "For anyone who still associates Oren Ambarchi exclusively with the clipped, bass-heavy tones of solo electric guitar works such as Suspension, this rhythmically churning one-man-band monster of an album-length piece might seem to come out of nowhere. However, listeners who have followed the breadth of his work for the last few years (solo and in projects with collaborators from Jim O’Rourke to Stephen O’Malley and Keith Rowe to Keiji Haino) will have noted…
Bruno Nicolai for Jess Franco
Digitmovies is re-releasing on Digipack box contains 5 CD the soundtracks composed by Bruno Nicolai for the Jess Franco’s movies: “A virgin among the living dead”, “99 women”, “Nightmares come at night” and “Eugenie - De Sade'70” (on“ CDs).
In Performance
Lucky restock! After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” throug…
Zuckerzeit
Cluster was the pioneering German duo of Hans-Joachim Roedelius and Dieter Moebius. Formed on the cusp of the 1970s, they were a part of West Germany's nascent Kosmische Musik scene. The group would use restrained improvisational techniques similar to Gruppo Nuova Consonanza, working with both electric and acoustic instruments (organ, guitar, tone generators, cello, etc.) to create a singular sound that Julian Cope called "a huge beating heart, planet-sized and awesome."
Following the release of…
Fremde Zeit Addendum
4CD Box edition. Ranked #4 in the the Wire's Rewind 2012 best-of list. Three CD box collection with a 16-page booklet. "Experimental German composer Jakob Ullmann creates quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound-sources at the periphery, so as not to m…
A Railroad Spike Forms The Voice
*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…
Morton Feldman in Middelburg: Words on Music
Massive! English-German Edition in two volumes 906 pages. These lectures, discussions were within the last years of Feldman's life, he died in September 1987, these were 1985 to 1987, for the "Nieuwe Muziek" in Middleburg, and the topics, subject matter runs the entire cornocopia of post war music, modernity, complexity, post-modernity, post-truth, post metaphysics. The discussion(s) are with all top-recorgnized composers Kaija Saariho, Iannis Xenakis, pianist Geoffrey D. Madge, Louis Andriessen…
La Planete Sauvage - Original Soundtrack Recording
Alain Goraguer's all-time classic psychedelic funk soundtrack to René Laloux's 1973 animated masterpiece 'La Planète Sauvage' here on an expanded double LP edition
Everything Perfect Is Already Here
When words trail off at the beginning of Claire Rousay’s “Everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect… is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music…
Chamomile
*100 copies limited edition* The sophomore solo release of Los Angeles-based artist and producer Marine Eyes (Cynthia Bernard), moving to the esteemed Past Inside The Present after her soothing debut record, idyll, on Stereoscenic Records in March 2021. Also one half of the ambient duo, Awakened Souls, she most recently curated the mental health benefit compilation for Past Inside The Present, Healing Together. Filled with the sounds of nature and visions of the clouds and heavens above, chamomi…
parallaxis forma
"There are many things that for me make Catherine Lamb's music special. I guess first of all, it's music I turn to if I want a certain feeling/mood or experience, of time, and of sound. I've been lucky to hear a few of her recent pieces live, like the Jack Quartet playing her 'divisio spiralis' at Wigmore Hall, and of course the concerts of Explore Ensemble where we've played 'parallaxis forma' with vocalist Lotte Betts-Dean, when I also played electric guitar. For me it's this balance between a…
13th Floor Elevators: A Visual History (Book)
Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums, and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts, and forced psychiatric im…
For Jon (Fragments Of A Time To Come) 1977
*2024 stock. Custom CDr* Commissioned by the Swedish Broadcasting Corporation to enter in the 1977 Italia Prize Competition, Lars-Gunnar Bodin - For Jon (Fragments of a Time to Come) 1977 is structured as a “dramatic cantata…with vocal sections for both chorus and soloists alternating with recitatives and ‘instrumental’ interludes.” The texts are based on “’surrealistic science fiction’—testimony and reports about experience in other worlds, real or imaginary.” The liner notes provide an introdu…
Yuen Shan
CD edition. Mindblowing!!! A gorgeously dreamlike album, suspended in a timeless, spiritually resonant space ... Yuen Shan (Round Mountain in Chinese) was conceived in 1972 and finalized in 2014. It’s a musical cosmogony in four cycles based on different levels of ancient Asian spiritual principles and mechanisms. A major work in Ranta's oeuvre (his first solo release in almost 25 years), highly personal and spiritual. 16 track composition for pre-recorded sounds and live percussion perform…