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Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
A record that's every bit as great as you'd guess from the three artists billed on the cover -- raw guitar from Terrie Ex, offbeat alto sax from Brodie West, and some amazing percussion from the legendary Han Bennink! The record feels very free and improvised -- very much in the best spirit of other Ex/Bennink collaborations, but really taken to the next level with West's contributions -- played with a raw tone that really holds the whole thing together, and sends it back to almost ESP-l…
**Limited LP edition** The experimental project Pissoff was founded in the late 60s by multimedia-artist Eberhard Kranemann and some friends who studied together at the Düsseldorf Academy Of Fine Arts. The chaotic, loud and soundwise undisciplined band took part in various events at this location and other places. Due to the intense fluctuation of band-members the performances by Pissoff were characterized by continously changing participants and variations of the involved equipment: cello, viol…
'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…
2025 stock LL features two new arrangements by zakè. LL1 is a 21min. monolithic long-form piece, accompanied by From Overseas on guitar and bass. LL2 is an immersive, drone-laden piece that fuse field recordings and fragmented sound elements beautifully together. An incredible line-up of seven prolific producers completely reworked the two original arrangements. Bending the ambient genre to its limits, LL encompasses strokes of ambient, drone, drum & bass, electronica, and deep techno elements, …
‘The Susceptible Now’ is the new record by drummer and 2024 Pulitzer Prize winner Tyshawn Sorey, who on this occasion offers covers of some of his favourite tracks. With his trio consisting of Aaron Diehl on piano and Harish Raghavan on bass, Sorey continues in the wake of his masterful ‘Continuing’, a record that placed fourth in the 2023 rankings voted by over 150 jazz critics in the Francis Davis Poll and was described by The Guardian as: ‘5 stars: seething with reinventions of ancient magic.…
Calamita = Karkhana members Tony Elieh, Sharif Sehnaoui and Lebanese drummer Malek Rizkallah join forces with the Egyptian singer Aya Metwalli - the result is the improbable meeting between free jazz / improv, punk rock & Oum Kalthoum!
Calamita is the "rock project" of Sharif Sehnaoui and Tony Elieh, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the "free Middle Eastern music" collective Karkhana). Sehnaoui comes from a jazz and i…
2025 stock Available for the first time on our Digistak CD, James Bernard uses his proven and unique efforts in creating ethereal tones on this collection of arrangements. ‘Fragments’ [tracks 1-8] were created by using a method of composition James has been perfecting, where he takes small pieces of unreleased music that he has written stretching over the last 10 years, and runs them through different modes and methods of granular stretching and FFT processing. In some cases, the original audio …
25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including complete lyrics, original liner notes & production credits, plus an entire LP side of unreleased songs from the original 1996 version of the album. The set also includes a 36-page perfect-bound book with never- before-seen photos, a critical appreciat…
Limbo, by Viktoriia Vitrenko, is a vocal journey exploring liminality through music, inspired by Maria Kalesnikava and composed amid pandemic and war. It blends diverse vocal styles, bridging personal and universal experiences of waiting and uncertainty.
The first collaboration on record between Sarah Hennies and Tristan Kasten-Krause—a meditative dive into slow-form acoustic minimalism where resonance, rhythm, and tone dissolve into pure presence.
After-Image traces composer Lila Meretzky’s exploration of memory, color, and time through chamber, vocal, and electroacoustic works, culminating in luminous studies for strings and percussion inspired by personal and historical narratives.
2025 Stock. Limited to 500 copies, hand-numbered. Gatefold cover, textured sleeve + printed inner. This album comes with a bonus DVD featuring an audiovisual live performance at OUT OFF, Milan 1976. Milestone reissue! This work was realized in 1976; Cramps Records would have to publish it, but "Mirage" sank into the oblivion for 36 years. It's visionary as always; it has got a psychedelic attitude and an electronic expressive form. Thanks to its sensitiveness, its creativity, and its very good a…
500 copies, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. Before talking about "Psichedelica", one of the many and rare library albums signed by Piero Umiliani, we must step back in time, until June 1968, when Umiliani was working on the score of "Svezia Inferno e Paradiso" (Sweden Heaven and Hell), one of the many collaborations between director Luigi Scattini and the Maestro. In fact, a large part of the music recorded for that movie, one o…
Temporary Super Offer! Recorded 1964, 1965 & 1966 live New York. 7 Tracks, 2 tracks never on CD available. "This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which is enough to pract…
It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and personal t…
** Limited Anniversary Edition: hand numbered, limited edition light Blue double vinyl, 500 copies available! hird album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon’s darkest work lays another stone in their sonic mosaic: synths,drones, fuzz and trippy improvisations. Intense Heldon!! **
In the sprawling landscape of 1970s experimental music, few figures carved as singular a path as Richard Pinhas and his electronic storm trooper project Heldon. While their c…
Deluxe vinyl reissue of R.N.A. Organism's sole LP, remastered by Stephan Mathieu from brand new transfers of the original reel-to-reel tapes. Pressed by RTI, and housed in a hefty Stoughton tip-on sleeve, this edition also includes an expanded insert with an illuminating essay by producer Kaoru Sato. A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A. Organism’s R.N.A.O Meets P.O.P.O (first released by legendary Osaka label Vanity Records in 1980) is a hallucinatory…
When this album landed on the turntables in 1977, João Gilberto, the Nestor and father of bossa nova, had long enjoyed praise for his life’s work which was still far from complete. His straightforward, sometimes dry and rasping voice sounds out distinctively in the mezzo piano and forges his totally unique and personal style of playing Latin jazz with international appeal. With "Wave", "Triste", "Caminhos Cruzados" and "Zingaro" he brings together on this LP four splendid numbers by his congenia…