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*2026 repress* Searching was self-recorded in Ronald’s living room on a 4-Track Tape Recorder in 1984. The recordings symbolise his engagement to cross-over everything that was known to him musically at that time. Most importantly, all recordings reflect his personal way of searching; searching for his own characteristic sound. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character. He was part of several Dutch Latin and Jazz bands, including Cascada …
*100 copies limited edition* This new chapter of the Sound Mapping series focuses on Portugal, tracing a cartography of contemporary electroacoustic practices that unfold across a wide and diverse spectrum. The compilation presents a constellation of approaches that oscillate between abstract electronics, music directly influenced by Iberian tradition, ritualistic impulses, and slow-moving electroacoustic drone. What emerges is a porous sonic territory shaped by memory, landscape, and experiment…
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in collaboration with The Living Earth Show, transforms an industrial-sized space into a resonating chamber where 136 precisely tuned strings create what can only be described as environmental music in its most literal sense. Fullman has spent decades …
*2024 stock* It's quite unusual for me to take on an existing piece. Since I've been interested in contemporary music, I've devoted myself to commissioning new pieces. This time, it's a bit different. I wanted to extend the ringers' quartet into a form reminiscent of a bagad. In C (1964) consists of 53 ordered patterns. The musicians repeat them freely and move on to the next. Terry Riley simply explains that each musician must be neither too far behind nor too far ahead of the others. This grea…
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
"This piece and group developed over the course of a year. It was presented in concert over three initial phases. The concert recorded here (second phase) occurred six months into this process. However, this is not completely accurate; in different forms, the group continues to develop. This recording documents one of many possible manifestations."With: Marcia Bassett, Barry Weisblat, Ron Stabinsky, Che Chen, Laura Ortman, C. Spencer Yeh, Michael Bullock, Andrew Lafkas, Rick Brown, Ryan Sawyer, …
In late 2014, feeling stifled by the negativity of the Australian political discourse, the narcissistic excess of social media, and facing a long summer of migraine-inducing heat, I turned to the prepared piano as a refuge. I was coming out of an intense two-year period of composing for every conceivable instrumental combination, and not sure where to go next. I felt the need to get back to basics, and create something essential, elemental. These pieces are meditations, each with its own …
"In times like ours, such an absence of the ordinary, of the real, may not exactly be a political statement. But as a social concept, this kind of music might be a beginning—a step toward a different, perhaps better, perception of the world around us. And that’s precisely what “The Art of Sound(s)“ is: Because as soon as the molecules start dancing in this chamber of reflections, art is becoming a true and selfless act of existentialism." - Rudolf Amstutz
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
John McGuire’s Double String Trios brings together three substantial works for paired string trios composed between 2012 and 2021 and conducted by Axel Lindner. The project originated when Walter Zimmermann invited Bernd Härpfer of Initiative Musik und Informatik Köln – GIMIK e.V. to arrange a concert premiere marking McGuire’s 80th birthday.
McGuire’s musical language was forged in the electronic studios of postwar Cologne, shaped by studies with Karlheinz Stockhausen and Krzysztof Penderecki, …
Extra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.
Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.
At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”).
I Think I’m Alone Now is a profound ex…
Ted Lucas' self-titled album, pressed in Detroit at Third Man Pressing. This self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. In 1972, the d…
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
Vinyl Pre-Order repress: African Skies restock ships late-March. Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue o…
Tip! *350 copies limited edition* “ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused.…