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The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Following his striking 1968 debut Ghetto Music, the radical trumpeter and composer Eddie Gale presented an extension of that vision continuing to seek truth and justice through his music on his magnificent 2nd Blue Note album Black Rhythm Happening, recorded in 1969. Joining the Noble Gale Musicians (Gale, saxophonist/flutist Russell Lyle, and bassists Judah Samuel and Henry Pearson) and Noble Gale Singers (including Joann Gale Stevens and Fulumi Prince) are guest musicians including alto saxoph…
Munich, Vielharmonie, 11 June 1981. Akira Sakata, two years out of the Yosuke Yamashita Trio, with his own trio, Hiroshi Yoshino on bass and Nobuo Fujii on drums, recorded digitally for Enja. Alto sax, alto clarinet and voice; four long pieces, including a version of Brigitte Fontaine's Comme à la radio.
Marking its first decade of activity, Blume returns with the first ever vinyl reissue of the seminal “New Music for Electronic and Recorded Media”, from 1977, the third and final instalment in a suite of releases that includes James Tenney’s “Postal Pieces” and Ben Vida’s “Vocal Trio”. Unquestionably among the most important collections of experimental music to emerge during the 20th Century, “New Music for Electronic and Recorded Media” is the original feminist presentation in its context, rele…
NoBusiness Records is proud to present Incantations, an extraordinary live recording featuring three uncompromising voices of free jazz and spontaneous composition: pioneering drummer Sunny Murray, visionary multi-instrumentalist Arthur Doyle, and the commanding trumpeter Rasul Siddik.
Recorded at Thelonious in Bordeaux, France, on October 21, 1999, Incantations documents a volatile and deeply intuitive musical encounter. Across five performances, the trio creates a world of shifting rhythms, fr…
René Lussier and Martin Tétreault meet Otomo Yoshihide at Victoriaville on 19 May 2008: two electric guitars, three turntables and a spy microphone in the trio's first performance together.
Urs Leimgruber, Marilyn Crispell, Joëlle Léandre and Fritz Hauser in their first concert as a quartet, Victoriaville, 15 May 1998: eight improvisations growing from small details into heated four-way exchanges.
David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.
Pierre Mariétan (1935–2025) was a prolific Swiss composer, sound artist, and pioneer in acoustic ecology who spent most of his life working in France. Over his long career, he composed more than 300 instrumental, orchestral, vocal, and electronic pieces. Mariétan studied under avant-garde legends like Pierre Boulez, Karlheinz Stockhausen, and Bernd Alois Zimmermann. In 1966, he founded GERM (Groupe d’Étude et de Réalisation Musicales), a music collective that blurred the lines between strict com…
On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.
Corbett vs. Dempsey is pleased to present The Early Quintet, featuring trumpeter Manfred Schoof's highly influential mid-sixties sextet (and occasional septet), featuring pianist Alexander Schlippenbach, tenor saxophonist Gerd Dudek, bassist Buschi Niebergall, and drummer Jaki Liebezeit. (One track adds drummer Sven-Åke Johansson.) In addition to the first CD release of the 1978 FMP record, this version includes a bonus piece, never before heard. Deep cuts from the formative moment of European f…
Special Bundle: Roberto Musci's The Loa Of Music (2LP, silver vinyl) and Roberto Musci & Giovanni Venosta's Urban And Tribal Portraits (LP, clear vinyl), both from Soave in new limited pressings of 200 copies each.
Outside Italy, Roberto Musci's name circulated for decades among a small number of collectors and almost no one else. That changed in 2016, when Music From Memory issued Tower Of Silence, a double LP gathering three decades of his work: hunting horns, gongs and strings brought back fr…
Zeena Parkins' 1992 album recorded in New York: electric harp, keyboards and tape with Ikue Mori on drums, Chris Cochrane on guitar, David Shea, and her sisters Margaret and Sara on cello, violin and voice.
Tip! Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously unreleased live recordings from a little-known but trailblazingensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP …
Fred Frith and René Lussier's duo, recorded at the 1986 Victoriaville festival and finished at Studio Victor: guitars, bass, violin, voices and tape in short, playful pieces. The CD adds four tracks recorded in New York in 1992.
This boxset contains the original soundtracks to the five core works of Andrei Tarkovsky, the master of Soviet cinema: "Ivan's Childhood", "Andrei Roublev", "Solaris", "Mirror", and "Stalker". The works by Eduard Artemyev and Vyacheslav Ovchinnikov may sound imperfect to the modern ear, but have been sympathetically remastered and presented as close as possible to how striking they would have sounded to audiences at the original film presentations. Deluxe matt-laminate boxset containing 5 x CDs …
'Σ [sigma]' is the new album by composer, saxophone player and improviser Antonio Raia. The first chapter of a trilogy dedicated to Berlin — where Raia spent several weeks recording alongside producer Francesco Donadello in different locations — 'Σ [sigma]' reflects on the relationship between body, space and sound, understood as a performative gesture closely linked to the space that hosts it.
Recorded inside the Wasserturm in Prenzlauer Berg—the oldest water tower in Berlin, built in 1877—'Σ …
Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their …
The Fall live in Auckland, August 1982, recorded by Chris Knox for Flying Nun: Marc Riley's last tour, two drummers, feedback-drenched rarities and Hex Enduction-era favourites. First vinyl reissue, with poster and notes by Roy Montgomery.