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On Awofofora, Marion Brown folds funk, reggae and Afro‑Caribbean rhythm into his mature structural language, using grooves not as decoration but as architecture for golden‑toned alto lines and quietly radical collective improvisation.
Digging deep into the catalog of Cramps records, Dialogo returns with another stunning entry in their reissue series dedicated to the seminal imprint, the Croatian composer Martin Davorin Jagodić’s 1975 masterstroke, "Tempo Furioso (Tolles Wetter)". A bristling work of monumental scale at the vanguard of electroacoustic composition and musique concrète, its stunning two sides, created by his sinfully under-recognized associate of Groupe de Recherches Musicales, reshapes history at every turn. Is…
30th anniversary edition. Revised and expanded printed book edition of The Crack In The Cosmic Egg. Thirty years after its original publication, Steve Freeman and Alan Freeman return to print with an anniversary edition of their encyclopaedic work on Krautrock - the most comprehensive and authoritative ever published on the subject. A long-awaited return: previous printed editions have been out of print for years and are now collector's items.
This new edition - A4, perfect-bound, 404 pages - is…
Glasgow-born Alex Fergusson is one of the great invisible architects of British post-punk, a guitarist and songwriter who kept turning up at the precise moment history was being made, then stepping back into the wings. He co-founded Alternative TV with fanzine editor Mark Perry in 1977, writing Love Lies Limp and Action Time Vision before slipping away. He produced early singles for Orange Juice and artists on the Postcard Records label. He was the musical engine behind Psychic TV from their fou…
On 29th April 1982, the final year degree show at the Royal College of Art in London gave birth to a project that had no clear precedent. The Death and Beauty Foundation, initiated that day by Val Denham alongside Mike Wells, Nick Coombe, Stuart Jane, Elita Denham, and Antal Nemeth, began as a performance/action group with experimental sound. The first recordings — the "Darlington Tapes" — were made by Denham and Andrew McKenzie of The Hafler Trio in 1982, establishing a connection to the wider …
On Air Time, Air - Henry Threadgill, Fred Hopkins and Steve McCall - hit their 1977 stride, stretching from tightly coiled themes to wide-open improvisation, turning the sax-bass-drums trio into a restless, three-way imagination engine.
Adrian Smith of Luton spent three years playing in punk-inflected bands with his brother Derek (Those Nervous Surgeons, Half Nervous) before retreating alone to a bedroom and a synthesizer in 1979. What emerged was something no one in his immediate environment was making: long, atmospheric, analogue pieces built from hand-played sequences, emotionless production, and a palpable air of melancholia. His first two tapes, From the Silent Days and Absolutely Safe, were given only to friends, having n…
If Vol. 1 was the secret handshake, Vol. II is the full initiation rite. The anonymous Quebec duo's sophomore album landed in April 2026 with the weight of near-impossible expectations - sold-out tours across two continents, a viral KEXP session with millions of views, Pitchfork and Fantano circling the wagons - and the remarkable thing is that Angine De Poitrine didn't flinch. Six new tracks, same formula on paper - Khn's microtonal double-neck and loop pedals, Klek's ferocious yet calculated d…
Two masked creatures from Saguenay, Quebec, who communicate only in guttural alien grunts, have managed to become the most talked-about band on the planet - and the funniest part is that nobody can explain exactly why. Maybe because Angine De Poitrine - Khn de Poitrine on a custom-built double-neck microtonal guitar/bass with loop pedals, Klek de Poitrine on drums and percussion - are simply too good to ignore. Behind the papier-mâché masks, the polka-dot costumes and the pyramid hand signs lies…
Happy Today, the third album from guitarist/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time. The performance also captures a distinctly joyful night of togetherness set against the back…
Specially priced bundle drawn from the catalog of Nimbus West, the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportunity to explore one of the most vital and visionary corners of recorded jazz before it disappears from circulation for good. The bundle also includes The Tapscott Sessions Vol. 8, a touching tribute to Adele Sebastian and one of the most beautiful entri…
Trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson's album Slo-Mo Neon Luminate Hoverings is due June 12, 2026, on Nonesuch Records. The album features four new compositions by each musician as well as one collaboration. The album track “Soundcheck“ is available today and can be heard below; you can pre-order the album here. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as fa…
On Sad Songs, Scott Alexander steps away from American Music Club into a one‑man synth lab, fusing Eno‑tinged ambience, noir synth‑pop and fuzzed‑out psychedelia into a solitary, homespun detour that never repeats itself.
On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previously unreleased and now arriving like a dispatch from a parallel u…
*300 copies limited edition. Black sleeves with paste-on artwork and a postcard* Debut LP from a new Gothenburg duo consisting of Irma Krook (Makthaverskan) and Dan Johansson (Sewer Election). Alyssa takes elements from Irmas Military Arms 12" released a few years ago and combines it with the mind expanding synth stuff Dan has explored with the Psychic Panorama recordings recently. Adding a few larger-than-life piano bangers and whatnot, the result is a dreamy and mesmerizing night time album …
K2 is the project of Kimihide Kusafuka, born in Shizuoka, who began his musical activity in 1981 devoting himself entirely to recording noise and experimental music — before the term "noise music" as a genre had even been established. Over the following four years he released around 20 tapes on his own Kinky Tape Collection label (later renamed Kinky Musik Institute), working across several radically different noise styles simultaneously. Alongside Masami Akita (Merzbow), Hijokaidan, and Toshiji…
Melbourne based Toy Division (Dick Sallows with help from friends Phillip McKellar (Informatics) and Martin Fripp (sound engineer)) with their fantastic electronic album "Cute” from 1983. The Lp includes a Bonus 7 inch sampler with 4 more tracks previously released on other Temporary Art Tapes between 1981 and 1983.” "Toy Division's music style ranges from ‘Nulabor’ an Aussie ‘Autoban’, to an ambient 'Autumn Trees', to post punk political commentary on 'Beurit' and 'John Wayne once told me’ whi…
On Recordings 1988, YU - brothers Dwaine and David Woodliff with Gaylon - push their Austin DIY ethic to a strange, addictive peak, fusing minimal synth, post‑punk anxiety and home‑taped intimacy into songs that feel like intercepted private signals.
On Every Color Moving (1988–2003), Steve Roden’s first 15 years unfold across six discs: from noisy, searching experiments to the hushed, “lowercase” worlds that would define his quietly radical, object‑based approach to sound and space.
Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…