Best sellers
Upsetters 14 Dub Black Board Jungle
One of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engineer to that of creative artists in their own right.
GETGETGET
“Negative Music / The Poorest! If they still know silence at all, then only as holes in the continuum of noise…” — Günther Anders
Gravest Gravy
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
The Will Of Tongues
The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens.
Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…
Fukushima
The long-awaited 3rd pressing, with a revamped obi design. The birth of a new classic in contemporary Japanese spiritual jazz and modal jazz. Experience a beautiful soundscape crafted with overflowing emotion and hidden energy.
Quiet scenes fromTokyo
Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.
Mystical Obscurant
Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.
Eel Asp Flaps Feet
"Fifty years after I first encountered the music of Orchid Spangiafora, it is a pleasure to be listening to new work by this most bonny of modern sound manipulators. Like Flee Pasts Ape Elf, which we reissued in expanded form in 2013, Eel Asp Flays Feet (the title of which is an anagram of the earlier set) is an assemblage of immaculate invention. It manages to produce a unique splotch of confusing analog surrealism in an increasingly digital world, and Robert Carey (aka Orchid himself) deigned …
L'Oeuvre Electronique
2026 Small Repress. Incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 106 page book. Born between wars, Eliane Radigue’s musical journey began in the Paris studios of musique concrète OGs Pierre Schaeffer and Pierre Henry during the 1950s and 60s, experimenting with magnetic tapes, honing her craft in sound construction. But it wasn’t until the 1970s when Eliane moved to…
Sweet Love, Bitter
On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.
Dream House 78'17"
Two sides recorded in 1973. On one, Young and Zazeela sing over a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. On the other, three sine waves alone, tuned on oscillators built for the purpose by Robert Adler. The sleeve tells you to turn the treble off.
Tide Requiem for the Low Sea
*200 copies limited edition* Written, recorded, produced, mixed, and mastered by zakè. Heavyweight picture disc vinyl featuring photography by Benoît Pioulard. Housed in a deluxe, heavyweight 12" picture disc sleeve with flap. 3.5"x2" signed hype sticker. Includes a 2" square sticker featuring album artwork and a vintage 35mm unique photo slide.
Goin’ Home
Albert Ayler did it once, and only once. On February 24, 1964, in New York, on the same day as the session that would become Spirits, he recorded a program of spirituals and standards with no screaming, no glossolalia, no demolition of form: "Goin' Home", "Ol' Man River", "Down By The Riverside", "Swing Low, Sweet Chariot", "Deep River", "When The Saints Go Marchin' In", "Nobody Knows The Trouble I've Seen". Songs of suffering and salvation, played with a devotional restraint that hits harder th…
BCDeluxe
Twelve pieces for solo bass clarinet, recorded in Berlin between October 2025 and April 2026. BCDeluxe is the latest in the series of solo albums that Loveland has been quietly building over the last few years, following Mark Turner's We Raise Them To Lift Their Heads, Palle Mikkelborg's Light, and Thomas Morgan's Around You Is A Forest. One instrument, one player, nowhere to hide.
Andrew D'Angelo was raised in Seattle, where he formed the friendships with Chris Speed and Jim Black that would sh…
Black Rhythm Happening
Following his striking 1968 debut Ghetto Music, the radical trumpeter and composer Eddie Gale presented an extension of that vision continuing to seek truth and justice through his music on his magnificent 2nd Blue Note album Black Rhythm Happening, recorded in 1969. Joining the Noble Gale Musicians (Gale, saxophonist/flutist Russell Lyle, and bassists Judah Samuel and Henry Pearson) and Noble Gale Singers (including Joann Gale Stevens and Fulumi Prince) are guest musicians including alto saxoph…
不体失創造 ( Futaishitsu Souzou)
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
Ali's Smile
This record is divided into two sections. The first part is the title track and takes up most of side one. Ali's Smile was first published in 1971 and was privately released as a one-sided LP, in an edition of 99 copies. It came in a plain sleeve with a hardback copy of the spoken text, and was sold exclusively through Unicorn Bookshop in Brighton, UK. Bill Butler, the bookshop owner, was still paying off a viciously punitive fine and associated court costs imposed in 1968 after a guilty verdict…
Industrial Relations
Strung-out yet precise. Introverted but with something to say. Industrial Relations is a further unraveling of the stories untold left lingering around the Piedmont capital. Cloistered away behind one of Turin’s many crumbling doorways, a basic studio set-up alongside a scattering of found photos and a type-writer forms the backbone of this bureau.
Noticeably more barbed than its predecessor Chamber Music, drums are frayed and left to splutter. Grungy guitar chords come in at angles, occasiona…
8
Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.
"Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…
Music For Turkish Theater 1970
Huge Tip! Never before released recording of the Sensational and Banned Turkish Theater Play by James Baldwin and Engin Cezzar, Istanbul 1970. Licensed by Gökhan Akçura, author of Engin Cezzar's autobiography, who was personally entrusted with the original master tape by Engin Cezzar. "One of the most shocking and daring plays staged in Turkish theaters was banned by the Istanbul Governorship on February 7, 1970. The ban on the play, which was watched by 30,000 people in 60 days, did not last lo…