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On May 28, 1969, four American musicians — reed/wind players Roscoe Mitchell and Joseph Jarman, bassist Malachi Favors, and (accompanied by his wife, singer Fontella Bass) trumpeter Lester Bowie — boarded the ocean liner S.S. United States, bound for Le Havre, France. After landing five days later, they moved on to Paris, where they got to work. On August 22, 1970, in the waning days of their stay overseas, the group, with Bass on vocals, would record their second release for EMI’s Pathé Marconi…
Originally from Kingsport, Tennessee, New York-based Zoh Amba is a notable rising star in the avant-garde music scene. Growing up in the Appalachian mountains, Amba practiced saxophone to the forest that surrounded her home before she later traveled to study with David Murray in New York, and also at the San Francisco Conservatory Of Music & New England Conservatory in Boston. Today, her music is full of folk melodies, mesmerizing refrains, repeated incantations and powerfully executed Free Jazz…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
More Japanese lysergic madness ! The 1972 soundtrack for Shuji Terayama's visionary movie of the same name contains all the elements necessary to reach composer & theatre producer J.A. Caesar's intended pleasure-centers. Disturbing, but in the end truly innovative, this soundtrack is as certified gateway to the underworld in the vein of classic by Faust, Cosmic Jokers or early Amon Düül.
"This mighty soundtrack for Shuji Terayama's nihilistic movie of the same name contains all the elements nec…
Seven Up was mainly recorded at the Sinus Studio in Bern, Switzerland in August 1972. Timothy Leary was living in exile in Switzerland at the time of the album's creation, having escaped from prison in San Luis Obispo, California - the name "Seven Up" was thought up by lyricist Brian Barritt, after the group were given a bottle of the lemonade drink 7 Up that had been spiked with LSD.
Never released side-project by Ame Son leader Marc Blanc. An intriguing, marvellous mixture of acid folk, electronic experiments, provocative lyrics & slam poetries and almost post rock stridence. As usual, Monster Melodies was not cheap on the bonuses: a beautiful fanzine is included, as well as a postcard insert (see the additional pictures). Strictly limited to 1000 numbered copies with transparent blue wax.Edited for the first time, the record (1000 copies only) is a blue vinyl presented in …
Our approach to making records has always involved an exchange of individually created sounds, which are joined together through live improvisation, studio recording, and the use of diagrammatic visual scores. Over the last several years, we have been interested in expanding very small fragments of these discreet pieces of audio into long-form compositions. This process has resulted in a new approach to how we build tracks from the ground up. In this particular workflow, one of us is largely resp…
A raw, groove-driven selection of previously overlooked 1990s recordings by legendary Turkish jazz impresario Okay Temiz, compiled here for the first time.
Dive back into the primal heart of Krautrock with Amon Düül's "Experimente", a stunning collection of rare and obscure live material excavated from the same incendiary late '60s sessions that birthed their legendary debut Psychedelic Underground. This previously unreleased treasure captures the band's unbridled spontaneity, delivering a sonic assault that's as hypnotic as it is feral.
Amon Düül's jam sessions on Experimente are pure, unfiltered ritual – predominantly instrumental eruptions domin…
Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …
Originally part of 2021’s Faust Box Set release commemorating the bands 50th anniversary Momentaufnahme I and II are now set for their own stand alone release by popular demand. This is for all those that missed out on the limited edition box set release. They collect together music recorded at the band's studio - a converted schoolhouse in rural Wümme between 1971 and 1974 in a similar vein to the way in which 'The Faust Tapes’ (released in 1973) was assembled. These two albums range from minim…
The 1972 masterpiece by Chicago singer-songwriter and guitarist Terry Callier, returning here in the Music On Vinyl 180g audiophile edition. Cut at the heart of Callier's tenure on Cadet, the jazz imprint of Chess Records, What Color Is Love stands as the artistic peak of his collaboration with arranger and producer Charles Stepney, captured across three Cadet albums, Occasional Rain (1972), What Color Is Love and I Just Can't Help Myself (1974), plus a fourth project that was cut short by Stepn…
** Edition of 300 copies ** In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the hear…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Jordan Smart is internationally recognised as active member of Mammal Hands (recent UK Jazz Charts No.1, ACT Records), Sunda Arc and Vega Trails (Gondwana Records). This LP showcases a different side to Jordan’s playing and composing, marketable to fans of ambient, experimental, electronic music and jazz. Accompanying videos and poems will be released via YouTube and socials to create a more immersive experience for fans and listeners.
*200 copies limited edition* Mysterious lycanthrope and sound-explorer from Gothenburg, Sweden and surrounding forests - behind the name Ratvader is the composer Oscar Sidoff Rydelius. Discreet Music crossed paths with Oscar for the first time during 2025, a chance meeting that resulted in the enchanting 14-track album Kite now released on Gustaf Dickssons in-house imprint Frihetens Förlag. Evocative and strangely moving soundtrack-style compositions that at times feels like the medieval bastard…
On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.
*30 copies limited edition* Electroacoustic Work is a collection of experimental sound pieces recorded in 2024-2025. It includes work spanning from performance and composition to interactive installation material. A running theme between all tracks is the use of feedback. Crying Bark and Liquid Arm are concerned with feedback between performer, live electronic systems, and acoustic space. Lichen Cloud uses microphone feedback, spatialised by the tracked positions of people in the installation ro…
Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto's first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto's early development as a composer and performer, capturing a period when he was experimenting with …