Best sellers
La Stagione dei Sensi
* 180gr clear transparent vinyl * "La stagione dei sensi" (also known as "Season of the senses") is a 1969 film directed by Massimo Franciosa, perfect son its time: a pop-coloured cauldron, - whose screenplay had also been written by Dario Argento - which mixes mystery, sensuality, eroticism and morbid atmospheres in an exotic and fascinating context, inside of a castle on an island in the middle of the sea. Ennio Morricone's soundtrack is very varied and, in some ways, atypical; in fact, there…
Il Cerchio degli Antichi Colori
With their second album of 1981, the ensemble Zeit re-propose their own vision of a new cultural multi-geographical mosaic without boundaries. The sound confirms the inspired and eclectic vein of previous work suggesting even a greater conviction and maturity of intent. The arrangements tend to dilate in more alchemical and hypnotic sequences, while the range of inspirations (Balkan music, Greek, Turkish, Persian, African etc.) and the poly-instrumentalism are even more precious and varied. Dec…
Legends In Their Own Lunchtime : An Exploration Of The Canterbury Scene (Book, Hardcover)
Hardcover, 648 pages, Hardcover! This book looks back on the golden years of the music scene that emerged out of Canterbury, Kent, in the late 1960s, spearheaded by Soft Machine and Caravan and their various offshoots, including Gong, Kevin Ayers and the Whole World, Robert Wyatt's Matching Mole, Hatfield and the North and National Health, and related bands like Egg and Gilgamesh.
Musically at the meeting point between pop, progressive rock, electric jazz and modern classical, it brought togethe…
Honnomajika~Naharu × Keiji Haino
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Monkey's Birthday
The collaboration between Anthony Moore and filmmaker David Larcher began in the late 60s, at the start of both their respective careers and lasted many years. Following on from last years release of the soundtrack to Mare’s Tail (the first collaboration with Larcher), this year sees the release of the soundtrack to his 2nd film, Monkey’s Birthday. This LP is a condensation of the essence of this 6 hour film. The sound is partly taken directly from the existing soundtrack and partly from stereo …
Se Ci Fosse La Luce Sarebbe Bellissimo
2026 (much-needed) Repress. If you could paint the world black, rediscover it with a flashlight illuminating every single detail and turn each finding into an obsession while gliding across the murk then you might stumble into Blak Saagan’s new magniloquent quest ‘Se Ci Fosse La Luce Sarebbe Bellissimo’ (If there were light it would be beautiful), a monstrous work of dedication and sound architecture that investigates and soundtracks one of the saddest and most obscure pages of Italian history: …
A l'approche du Feu Méditant
Of all the works by Jean-Claude Eloy, the 1983 "Approaching the Meditative Flame...", for 27 instrumentalists of the "Gagaku" orchestra from Japan, and two choruses of "Shômyô" Buddhist monks (a work known partially in the West by a double LP album "Harmonia Mundi") and more particularly, "Anâhata", for five traditional soloists from Japan (three instrumentalists and two monk singers), percussions, and a major electro-acoustic part (presented in different festivals in Europe) – are the two works…
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Le Monde Fabuleux Des Yamasuki
A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It so…
Caldera
*In process of stocking* NoBusiness Records presents Caldera by Sam Rivers trio (Sam Rivers, Anthony Cole, Dug Matthews). Recorded on March 9, 2002 at Freeport-McMoRan Theatre, Contemporary Arts Center, New Orleans
A Treatise On Ethnography
*200 copies limted edition * Brume/C Renou: Analog & digital electronics, percussion, metal, DIY wind instruments, amputated electric guitar, acoustic guitar, voice, electronic toys, tape (reel to reel & cassette), field recording, 60's radio, tv, effects, etc... + mix.Pat' Blanch: paintings (front/back cover). Necessary thanks to Ferns Recordings and Paul Lavigne for making this project possible.Comp./Rec./Mix. at Brume Rec., between 2020 & 2022.
Ambient 1 (Music For Airports)
Brian Eno's Ambient album from 1982. Standard 1 LP version.. Though not the earliest entry in the genre (which Eno makes no claim to have invented), ‘Ambient 1 (Music For Airports)’ was the first album ever to be explicitly labelled ‘ambient music’. Eno had previously created similarly quiet, unobtrusive music on albums ‘Evening Star’, ‘Discreet Music’, and Harold Budd's ‘The Pavilion of Dreams’ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gav…
Hidden Sea
Tristan da Cunha are: Francesco Vara - guitar, sampler, laptop Luca Scotti - drums, cymbals, ocean drum
Requies
A monstrous blast of jazz noise energy by the combustible trio with Sunn 0)))’s Stephen O’Malley and David Sandström of hardcore punks, Refused, on the mighty Rune Grammofon.
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Transference
In the ever-expanding constellation of transnational electroacoustic collaboration, Marja Ahti and Manja Ristić present Transference, a profound investigation into the movement and transformation of energy between distant practices and places, arriving August 8, 2025 via Erstwhile Records. Transference emerges as what the artists describe as "a dialogue of sonic gestures and traces of visits to places and the spirit that occupies them." This collaboration transcends geographical boundaries to cr…
The Complete Night: Live at the Stone NYC
The complete first concert of the two-trumpet quartet of Herb Robertson and Dave Ballou with Drew Gress and Tom Rainey, recorded at The Stone NYC in June 2007: the first set reissued, the second issued for the first time.
The Black Ark + Dogon A.D.
Special discounted Bundle. Two of the greatest free jazz records ever laid to tape, back where they belong. Superior Viaduct reissues Noah Howard's The Black Ark and Julius Hemphill's Dogon A.D. — both from 1972, both inexplicably scarce for decades, both essential.
The Black Ark finds Howard backed by a towering ensemble — Norris Jones (Sirone), Arthur Doyle, Leslie Waldron, Earl Cross, Juma Sultan, Mohammed Ali — in four tracks that move from hard-blown spiritual fire to lyrical catharsis. Des…
Sounds Heard from the Moon Part 2
** Hand numbered edition of 250 ** There is a profound resonance between the practices of Nam June Paik and Park Jiha - separated by generations yet united by a shared impulse to dissolve boundaries between Korean tradition and contemporary expression. Paik, the pioneer of video art, wove shamanic ritual and Buddhist philosophy into the fabric of technological media; Park Jiha channels ancient instrumental voices through the sensibility of experimental minimalism. Both artists inhabit a liminal …
Suicidal Super Power
Furthermore, from prefectures and coral shores emerges a handmade zine—Red Factory Decapitation—that explores industrialised dishonour, the counter-system of ancient rituals, and the notion of an honourable death as a means of securing passage into the afterlife. It portrays an estranged warrior class whose melancholy is gradually eclipsed by ruinous hysteria, culminating in the amplification of maniacal laughter.