Music from Belgium

A 1972 solo album by Belgian violinist Raymond Vincent of the Wallace Collection, made as a promotional record for the Izarra liqueur: orchestral rock and chamber pieces that point toward his next band Esperanto.

Music by Peter Vermeersch's X-Legged Sally with The Smith Quartet, written for a 1996 dance production by Wim Vandekeybus and released in 1997: chamber jazz and string writing, including the 24-minute Brungle.

The live farewell of Belgian ensemble X-Legged Sally, recorded at the Cactus Club in Bruges in April 1996 for Radio 1: Peter Vermeersch's knotty pieces for horns, guitar and keyboards played with full concert energy.

The 1993 album by Belgian avant-jazz-rock ensemble X-Legged Sally, led by composer Peter Vermeersch and produced in Brooklyn by Bill Laswell: short, sharp pieces for horns, clarinet, guitar and keyboards, plus a 1996 live bonus.

The 1978 debut album by the Belgian band Isopoda from Aalst: melodic symphonic progressive rock with twelve-string guitar, flute, piano and organ, recorded at Just Born Studio in Hekelgem and first issued on Twinkle.

Brussels-based producer, composer, and field recordist Le Motel has developed a distinct body of work rooted in environmental sound, collage, and immersive electronic composition. Across releases, collaborations, and audiovisual projects, his music blends ambient textures, rhythmic experimentation, field recordings, and downtempo electronics into transportive listening experiences.Le Motel is also the founder of the Brussels label Maloca Records and has become known for projects that incorporate…

Fred Van Hove alone at the piano: Prosper, recorded live at Flöz in Berlin in 1981, and Die Letzte, recorded at Studio Casablanca in 1986, the two SAJ solo LPs on one CD.

Two familiar faces within the Kohlhaas fold—Stefano Calderano as part of the trio McCorman (2023), and Giovanni Di Domenico through his solo works "Polvere di rabbia" (2021) and "Stella Maris" (2025)—join now forces on "Caperea". Bridging Rome and Brussels, where Calderano and Di Domenico are respectively based, the record marks the first collaborative LP by the two musicians. Born from a shared sensibility and a mutual curiosity for non-linear structures, what began as a brief two-day session o…

Three new LPs from the two labels run by Timo van Luijk, Metaphon and La Scie Dorée, offered together. Robert Nasveld's self-titled LP (Metaphon 029, Signature Series III) collects the only three tape pieces the Dutch pianist and radio producer ever made, realised between 1974 and 1984 at Ton Bruynèl's studio at the Utrecht Conservatory and at the Institute for Sonology: Collage voor Anja, Soundscape and I Touch You. Edition of 300 copies. Pierre Mariétan's Musique d'été (SCIE 4126) was first pu…

*300 copies limited edition* The first Af Ursin album in a decade, this release features extraordinary Belgian vocalist and performer Bénédicte Davin. Ad Fontes is a personal response to the fractured reality of our time. Created in the wake of visible social decay, manipulation, and institutional control, the album serves as a sonic mirror to an era defined by corruption and systemic failure. Instead of preaching political manifestos or claiming to have answers, this work is an intimate persona…

Named after a now-shuttered nightspot that overlooked the beach on Italy's picturesque Tuscan coast, Maxime Denuc's 'Club Imperiale' is a work of speculative historical fiction, a record that imagines a point of creative symbiosis between the Catholic church and the ecstatic dancefloors of the early '90s.

A much needed repress of French ambient composer and lifeguard Roméo Poirier's cult debut record, Plage Arrière. Released with updated artwork, by London imprint Kit Records. Plage Arrière is a deep sea meditation on a constellation of Greek beaches across three islands. Trumpets, echo-clicks and Harold Budd-esque shimmer piano whirl together on these sand-caked missives, tumbled and re-engineered by their surroundings like seaglass. Poirier evokes the sub-aqeaous ambitions of Jürgen Müller, or …

Double Amps emerged from a very specific situation. In early February 2025 a short tour through Belgium and the Netherlands took place with Dietrichs. For those concerts a dedicated stereo setup using two amplifiers was developed. Around that configuration a structured set with taishōgoto was built – a framework that allowed space for improvisation and for the sound to unfold freely on stage. A few weeks after the tour, circumstances created the opportunity for a concentrated week of recording. …

Milk magic, cheesy rhythms, preset delirium. Magia Láctea departs from a simple setup: a Solton arranger keyboard, used not for accompaniment but as a central sequencer. Its built-in presets - Latin, Italo, and other cheesy standardised patterns - form the starting point. Two long-form improvisations unfold from this set-up. The Solton acts as both driver and instigator, pushing and entangling the Future Retro Vectra and BARP 2600 into a dense, slightly deranged ecosystem of dairy delirium. Side…

On Towers Of Silence, Adult Fantasies’ Belgi‑dirge pop blooms anew: slow‑burn songs where Nico‑ish ennui, Coil‑like dread and late‑night guitars seep through perfectly sequenced, woozy mixes that feel like memories you’re sure you never lived.

*25 copies limited edition* De mutanten processie 3: combines two live shows, first one at Grambacht Mechelen, second one at modular synth riot #9 Opek Leuven. C62 tapes pinkshell,DIY inkjet printed cover on thick paper, includes bonus track not available as download.

*2026 stock* Kontuur is a duo exploring improvisation in the space between acoustic and electronic music. It consists of Juri Jansen (drums) and Adriaan Severins (electronics), but is often expanded with fellow artists/musicians. Starting point of every Kontuur project is finding new ways to sample and re-sample existing audio/sounds in an (as-live-as-possible) electronic environment, mostly beginning from the acoustics of a drum kit. During a two year period (2019 - 2021) Kontuur recorded sever…

In the second chapter of De Mutanten Processie, W. Ravenveer once again warps, fractures, and mangles free jazz recordings into a modular synth stream of cosmic mutoid racket — this time sourced from the work of the legendary Andy Ortmann. The result is a dense clarinet noise fest dripping with alien texture. Limited edition cassette co-released by Kerm and Ravennest Recordings. Mastered by Jürgen Deblonde

*25 copies limited edition* 10 sequences recorded, improvised late at night on the elka omb 5 (one man band 5), a rare Italian arranger keyboard/synth/drum thing that is total digital from 1985 consisting of couple of fm voices and pcm drums, except for the string sounds that go through an analog bbd chorus ensemble etc. A weird thing that gets hot and has a loud inbuilt fan to cool it off. The omb 5 gets mixed into the solton commander 4000s, a rare analog power mixer/tape delay/spring reverb c…

1981 re-issue on Crammed of the excellent first experimental electronic art-rock album by Marc Hollander's projecconnected with RIO, originally released in 1977. NWW list.