"The either/OAR series of and/OAR continues to take unexpected twists and turns while slowly but surely unveiling the intended perimeter of it's conceptual focus - this time a magic realism trip via the world of atmospheric avant-jazz. Distare Sonanti is the second album by the highly synergistic Di Domenico / Henriksen / Yamamoto trio whose first CD titled Clinamen was released in 2010 by the Off label based in Belgium. Now, in 2012 and/OAR is very pleased and honored to present this second mas…
"We know Belgian-based pianist Giovanni Di Domenico from his album with Tetterapadequ, and his recent collaboration with Alexandra Grimal, Seminare Vento. On this album, he is joined by John Ruocco on clarinet, Ananta Roosend on violin, Anja Naucler on cello, Claus Kaarsgaard on bass.The music is slow, intimate, precise, and quite expressive. The album starts with solo piano, an eery melody, with sparse notes of the right hand repeating a bluesy phrase. Yet it starts for real with the second pie…
*2022 stock.* Italian piano player Giovanni di Domenico and Catalan drummer Oriol Roca, have been musical partners for fifteen years. They started playing in duo in 2010 to explore the sound possibilities of their instruments, focusing on silence, density and space in music, through improvised fragments and some original compositions. Their first studio album is now released on Belgian label Spocus Records.
Since their meeting in the Hague in the Netherlands in 2002, Alexandra Grimal and Giovanni di Domenico have been playing together regularly. Since 2011 they have been offering several subtle and inspired tête-à-têtes: Ghibli, Chergui and Down the Hill, which was released on January 19th, 2020. Ghibli, around a repertoire composed by the Italian pianist, released on the Sans Bruit label in 2011, the music navigates on the mineral lines of Alexandra Grimal's saxophones that come to rest and intert…
*2022 stock.* Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet and regularly play in duet settings with Giovanni di Domenico, as versatile an adventurer as Alexandra is, both in his musical choices and collaborations. Three years after their first recording together (2011's Ghibli on the Sans Bruit label), Chergui was recorded over two nights at the Théâtre du Châtelet (Paris, Fran…
"Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet Giovanni di Domenico over the Alps, who has woven her a series of compositions where they locate/find the ironic meander of their dialogues. A sophisticated "chamber" jazz music that yet seems to flow so naturally... One forgets the music writing to only catch the emotion of the moment."Alexandra Grimal: soprano saxophoneGiovanni di…
Four hypnotic piano iterations, a sublime cascade of keys that swells with a transcendent majesty, releasing the instrument from its harmonic shackles thru a deceptively simple gesture. Highest recommendation!
**200 copies** "An exploration of sound, from near and far / From concrete to abstract, being attentive, focused and patient… / Living each moment / A bird in the sky, an insect on my camera case / The sun appears and disappears with the clouds / A global vision from the tiny and distant / Just to hear…" - Ludovic Medery, 9 June 2015"One can tell what this disc is about by focusing on the capital letters. eMERgences is about the sea. In a piece of semantic irony, the artist’s last name also cr…
**300 copies** While g a b b r o, Hanne De Backer’s baritone sax project, used a no frills duo concept for its debut album, things take a different turn on Granular. With Marc De Maeseneer again by her side, this album also involves fellow Belgian experimentalist Raphael Malfliet on electric bass, as well as singular vocalist Agnes Hvizdalek.Taken from studio recordings, as well as the quartet’s performance at 2018’s Summer Bummer Festival, Granular turns fragmentation and attention for detail, …
Stunning! **300 copies** Pianist and composer Fred Van Hove (°1937) was involved in the Big Bang of European free improvisation (Machine Gun by the Peter Brötzmann Octet), but also became one of Europe’s finest and most underestimated improvisers. Mostly known for his 70’s trio with Brötzmann and Han Bennink, Van Hove’s trajectory over the past four decades has been one of the brilliant, but unsung stories of the music.The new Dropa Disc release Fred Van Hove At 80 is an effort to rectify this i…
**600 copies** Belgium's psychedelic blues folk master Ignatz returns with his band for a second album on Ultra Eczema. These are songs to get lost in and confused by. Tripped-out blues folk that sounds like Les Rallizes Dénudés feedback in 100% Egyptian cotton. Ignatz is the alter ego of Bram Devens. He has been releasing albums since 2005 on Kraak, Feeding Tube and Fonal Records. Previously only playing solo, now he plays and records with De Stervende Honden, which includes Erik Heestermans on…
**300 copies** Hōryū-ji, or else, the Learning Temple of the Flourishing Law is one of the powerful Seven Great Buddhist Temples in Japan. Hōryū-ji is built with entasis, which - in architecture - is the application of a convex curve to a surface for aesthetic purposes. It also serves an engineering function regarding strength, the key word of this collaboration that brought together Sakata, Yermenoglou, Di Domenico and Damianidis in a two-days live concert meeting in Duende jazz club at Thessal…
**250 copies** W. Ravenveer – Erwin Van Looveren – has been a friend for over 20 years. Erwin is a magnet and connoisseur of strange and obscure music, and prone to nervous sweating should you mention a band or weirdo he doesn’t know. His early guitar gigs (as Schidzoid) are the stuff of legend, a reputation largely based on altercations with members of the audience. Having thumped everyone in sight, Erwin’s focus shifted to buying and mastering synthesizers with his customary zeal. After self-p…
"Insalata Statica" (Silent Water, 2017), Giovanni Di Domenico's first solo album, allowed the Italian pianist based in Brussels to free himself from his abundant creativity by proposing six dense movements. It took him five years to record and produce this first record. With "Zuppa di pazienza", recorded and produced in five months, Di Domenico worked much faster, but the result is that these compositions are more thorough. Reduced to two, the movements are more refined, taking the time to devel…
**Reissue of killer album from 1980 - the album's first reissue on vinyl** Originally released in January 1980, the second album from (Crammed founder) Marc Hollander’s band was more intense and experimental than Aksak Maboul’s debut album, yet often as playful. Containing complex written sections, free improv, and a wild variety of elements, Bandits was recorded with a band comprising revered UK musicians Fred Frith & Chris Cutler, and is described by All Music Guide as “a pinnacle of the…
Filmmaker Jef Mertens brings a raw, urgent, and unpolished vision focusing on a band that has spent almost four decades defining and redefining not just their music, but the boundaries of music itself. Band members Don Dietrich, Donald Miller, and Jim Sauter tell their story with the help of artists, writers, photographers, and filmmakers that include noted critic Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, groundbreaking Japanese noise unit Hijokaidan, and Switzerland's master…
2015 release. Recorded at the height of their powers as the leading free jazz trio in Europe, 1971 includes some of the hottest and heaviest music ever made by Peter Brötzmann, starting with an inflammatory, incandescent 26-minute live track recorded at the New Jazz Meeting auf Burg Altena. Only available on a nearly-impossible-to-find LP sampler issued at the time by the festival, this marks the first appearance of "Just for Altena" on CD. Two more tracks come from pristine studio recordings ma…
Japanese saxophone transgressor Akira Sakata meets with his long-time collaborator and Fender Rhodes virtuoso Giovanni Di Domenico, Portuguese guitarist Manuel Mota, and drummer Mathieu Calleja for a session recorded at Les Ateliers Claus in Brussels.
Named after the Jomon period of the Japanese prehistory - when Japan was inhabited by a hunter-gatherer culture rich in tools, clay pottery, and jewelry made from bone and stone - the record features three tracks: Jomon (縄文), Kaen (火焔), and D…
A long overdue CD edition of Timo van Luijk’s first full-length album, originally released in 2002 as a small private edition LP on La Scie Dorée (Belgium). "Murrille" features a collection of extraordinary "songs" integrating a palette of acoustic instruments such as glass harmonium, flute, hand percussion, as well as voice with real time synthesis. With a host of bizarre inflections and aural investigations, Van Luijk’s music recalls some of the of the great experimentation of early krautrock,…
**200 copies ** When Timo Van Luijk isn’t working under his own name, he works under the alias Af Ursin - a project focused on structured improvisation, combining electronic and acoustic instrumentation. Itinera is his eight full length release under the moniker since 2002. The album is a stunning and challenging marvel, hearkening back to another less compromising era of electronic music - one of rigorous and complex arrangements of structure and tone. While drawing on a number of sources for i…