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Music from Germany

Ege Bamyasi
**Green Vinyl** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usua…
Monster Movie
Are we there yet? After 25 years of critical reappraisal and at least 15 years of indie and post-rock bands flaunting their influence, has Can finally gotten their just desserts? I don't think so. Not just yet. Can still seem just a little bit ahead …
Soundtracks
Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "She B…
Tago Mago
Black vinyl edition You couldn't do much better than beginning with 1971's Tago Mago, freshly reissued in vinyl format. It's a colossus of an album, the product of a band that was thinking huge, pushing itself to its limits, and devoted to breaking …
Keine oase in sicht
There is no oasis in sight. What to do? Walk on. Slowly, perhaps, but steadily. Unswervingly. Ten years after the invention of „New Weird America“ (D. Keenan) and the „return of the collective“ (D. Diedrichsen), Datashock, who are now in their eleven…
Nothing Changes No One Can Change Anything
Recorded at H sei University, Tokyo, April 26, 1996. 'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the s…
Voa
Voa is a collaboration between electronic music legend Markus Popp aka Oval with several singers/musicians from all over South America. Elevator pitch: Voa offers the unreleased "A"-selection of recordings from those Salvador da Bahia sessions plus b…
Apropos Cluster
“Apropos Cluster” was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent movem…
Sulla musica
Italian only - Se consideriamo le grandi personalità del Novecento, Stockhausen si distingue come una delle forze più creative nella musica contemporanea. Figura controversa e a tratti contraddittoria Stockhausen in queste pagine mostra di essere sem…
Opened, but hardly touched
Peter Brötzmann, alto, tenor & baritone saxophone, e-flat clarinet, tarogato. Harry Miller, double bass. Louis Moholo, drums. On Opened, But Hardly Touched, the Brötzmann-Miller-Moholo combination, displays the most accessible approach of the live tr…
Trio and Duo in New Orleans
CD1: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - drums, percussion, Peter Kowald – bass. Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana / Coordinator - Eduardo Young / Engineer - John Crut…
Complete String Quartets
The three string quartets of Helmut Lachenmann, Gran Torso, Reigen seliger Geister and Grido, played by the JACK Quartet in a recording endorsed by the composer.
AuldLangSyne
Berlin based improviser Olaf Rupp combines multiple elements and parameters into one very unique and personal idiom, whether he plays acoustic or electric guitar. Recorded last year in Berlin, "AuldLangSyne" inspired by a traditional Scottish poem is…
Kang gling meeting
A DVD + 45RPM single by Vincent Epplay around the Kang Gling instrument. Recorded in Germany and France in 2013. Like a new procession music made with these bones trumpets used in Tibetan music. Gunter Schickert is a German musician who has played…
Live in New Orleans
Tenor saxophonist Edward Kidd Jordan and drummer Alvin Fielder have been a fixture in their southern outpost for nigh on forty years, but they've rarely been heard to such good effect as on Trio and Duo in New Orleans. This wonderful two CD set bring…
We Thought We Could Change the World. Conversations With Gérard Rouy
One day in 2008 an old friend of mine came to me and said, 'I want to make a film about Peter Brötzmann, do you want to be part of it?' What a question! He didn't know that much about (free) jazz and freely improvised music but from the late 70s on, …
Biotop
Originally released in 1981 on Günter Körber’s Sky Records, Biotop marked a radical and irreverent turn in the early discography of Asmus Tietchens, offering a body of work that neither conformed to the pop idioms it mimicked nor fully abandoned the …
For Adolphe Sax
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European …
More compositions
KNM Berlin, Ensemble Zwischentöne, Eberhard Blum, Agnieszka Dziubak, Gunnhildur Einarsdottir, Sven-ke Johansson, a.o. Rec.1992 - 2013. 'Italienische Vekehrsverstndigung' (1983) for seven woodwindplayers woodwind ensemble, conducted by SJ,recorded Bal…
Neu! 86
Neu!'s notorious fourth and final album is finally given a full and official issue, to be known henceforth as 'Neu! '86'. Following the untimely death of estranged bandmate Dinger in 2008, Michael Rother relinquished his uncompromising stance on the …