Music from Germany

"17th and final part in the re-release series of all early Tietchens albums between 1980—1991. Originally released on Dom Elchklang in 1991. This new version incl. 3 Bonus tracks and is another joint release by German labels Die Stadt and aufabwegen. Jewel case with full color artwork and poster booklet also feat. the original front and back cover. First edition of 600 copies. “It was just before the end of the heroic times when CV Liquidsky and I decided to record a studio album together. Almos…

The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box set, and the audio quality is quite good and the performances are outstanding. On these tracks, the group locks into one long, propulsive groove after another, blending minimalism with improvisation. Whereas "Spoon" and "Paperhouse" diverge quite a bi…

A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography

In February 2020, Sven-Åke Johansson and Thomas Kapielski released the vinyl LP Recovered under their project name Das Moabiter Duo at Fantôme Verlag. It was published on the occasion of a joint exhibition by Johansson and Kapielski at the Laura Mars Gallery, Berlin.Recovered, mixed and mastered by Frieder Butzmann, features a previously unreleased concert recording from 1983. Joint performances by Kapielski and Johansson took place in clubs like the Korrekt (Alt-Moabit, Berlin) or ‒ as part o…

Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …

In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology.  By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had founded the seminal Fax label, which was both a vehicle for his own recordings and a chance to collaborate and release recordings from like-…

"You wake up and find a room full of things, but no music. Music has to be reinvented every day. You take your instrument and play - and there it is. Others come and talk about "influences" and f... jazz and clusters and all their helpless keywords. Joe Williamson and Olaf Rupp met in Berlin, Prenzlauer Berg in 1999 and played just from their simple inner impulse. They wanted to produce the sound that had to be produced. And why shouldn't they? Every craw does it. And every rusty garden door."Ol…

Danish musician/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa. Framework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL.  Circles (Disc1: side A) is a dense, 03:45 collage of sy…

Cien Fuegos present a reissue of Sven-Åke Johansson's Schlingerland / Dynamische Schwingungen, originally released in 1972. Sven-Åke Johansson (Mariestad, Sweden, 1943) works as a composer, drummer, accordionist, poet, and visual artist. Longtime collaborator of the free improv scene in the German '60s with Kowald, Brötzmann, Schlippenbach. He contributed to numerous exhibitions, publications, and recordings. Sven-Åke Johansson - drums. Recorded 1972 in Stockholm, Schweden. Engineered by Göran F…

In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …

Alphabet explores the combinatorics between signs on one side and signals on the other. The performance, inspired by the Etymologies of Isidore of Seville twisting the scientific rigor to privilege phonetic acquaintances, revisits the strategies of representation invented by the man to tell the world around him in the digital age. Alphabet invites the spectator to immerse themselves in the multiple relationships that, through language and its digital translations, maintain words and things.After…

Alva Noto and Ryuichi Sakamoto present Two, which captures the esteemed duo’s 2018 performance at Sydney Opera House. The concert saw the pair performing new improvised work and key collaborative compositions from their joint catalogue, which has now reached five albums, one major film score and an EP.Last year the duo undertook a series of live events entitled Two at Berlin’s Funkhaus, Barcelona’s Theatre Grec (closing Sonar Festival’s 25th Anniversary), London’s Barbican Centre and Melbourne’s…

Polish label Not Two presents a new release by Alexander von Schlippenbach and Dag Magnus Narvesen recorded live at Spor 5 in Stavanger, Norwey on 3rd March 2018.Featured tracks include:1. Relay Extempore – Trackside Duologues I / Kinga2. Reveries in Monochrome – Trackside Duologues II / Strings and Barrels3. Morphing Monk – Variations over Light Blue, Work, Trinkle Trinkle and Skippy / Sic Transit4. Brass Tacks – Vantage Ad Lib / All The Things You Are / Trackside Duologues III / Something Swee…

** Edition of 300, 2019 stock** First Edition. 300 numbered copies signed by editor Toby Mott and including a 45 RPM single with a Kraftwerk interview titled ZDF Heute from April 26, 2009. A remarkable exhibition catalog, sold out on publication, published to commemorate the exhibit of 45 Kraftwerk singles from the Mott Collection. The book sports a minimalist design very much in keeping with the Kraftwerk ethic, and is illustrated in monograph style with color images of each single on the recto…

**Limited heavyweight green vinyl LP** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on 'Pinch' to the rhythm box/keyboard action o…

**300 copies**In just a couple years Dirk Serries' A New Wave Of Jazz imprint has amassed quite a collection of diverse works that may impart some new variant of jazz and electronic music. Here alongside the venerable experimental electronic composer Asmus Tietchens, who Serries has collaborated with before (under the Vidna Obmana moniker) they are fit, dynamic, and deliver something quite different from anything they’ve released prior. Over six tracks that run about forty-seven minutes the two …

**500 numbered copies, private edition** "Heather Leigh is originally from West Virginia but now lives in Scotland. She is a steel guitar player with an increasing reputation for furthering the unexplored reaches of pedal steel guitar. She combines a physical presence with a playing style which is as spontaneous as it is based on solid musicianship. She is known as a player who combines strength and sensitivity. She has received great reviews from The Wire Magazine, MOJO, Uncut, The Guardian, Th…

A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris / Gordon Clifford, Sigmund Romberg / Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie…

Mohammad Reza Mortazavi is a virtuoso percussionist known for playing traditional Persian instruments such as the tombak and daf. After developing more than thirty new striking techniques and progressing to be one of the most prominent players in Iran, Mortazavi travelled to Germany, eventually settling in Berlin to record and perform regular concerts the world over. His acclaimed performances have taken in venues such as Berlin Philharmonie and Sydney Opera House. In recent years, he has been e…

**300 copies LP version, includes CD**. Günter Schickert, krautrock maestro of echo-driven psychedelia, returns on Marmo Music one-year-and-half after the release of the Labyrinth LP. Mauerharfe consists of old and special material, which has officially never seen the light before. Berlin, August 1990, first post-wall Summer. Two friends, the locals Günter Schickert and gallerist Peter Unsicker perform a spectacular yet symbolically intimate interpretation of those epochal changing days by build…