Music from Germany

In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…

In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…

In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…

In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…

28 ideas in 28 tracks. Pure electronic music. Limited edition of 150 copies.

Edition of 300. Featuring Alexander von Schlippenbach and Aki Takase both on piano, recorded at Cafe Amores in Yamaguchi. Japan in August of 1995. Although Ms. Takase and Mr. Schlippenbach have been married for many years (she moved to Berlin in 1987), it seems as if their music collaborations began in the early 1990’s. There are some half dozen or so discs of duos (1993, ’94 & 2014), a trio/quartet (from 2005), the Berlin Contemporary Jazz Orchestra (BCJO) (1993 & 1996), collaborations with Sve…

**Edition of 300 copies** Interweaving pairs the legendary Alexander von Schlippenbach on grand piano and Dag Magnus Narvesen on drums, who is 45 years his junior. The two first worked together when Schlippenbach was a guest of Norway’s Kitchen Ensemble (one of many descendants of GUO) in 2013 and the precedent for this project is Schlippenbach’s longtime duo with Swedish drummer Sven-Åke Johansson. This is a highly percussive Schlippenbach in tandem with Narvesen’s skittering accompaniment, or …

2013 Release. Recorded live in front of a small audience on May 15th, 2011 at Eklisia - an old chapel built in the 17th century in Gümüşlük, a small village near Bodrum - this improvisation features the Konstrukt collective - which is Korhan Futacı (tenor & soprano saxophones), Umut Çağlar (electric guitar), Özün Usta (double bass, djembe, gong, bells), Korhan Argüden (drums) - incredibly enriched by the presence of Peter Brötzmann (on tenor), Hüseyin Ertunç (acoustic piano, küstüfon, gong), Doğ…

Herbert Eimert was a German music renaissance man, with his expertise ranging from theory to composition, editing, radio production, and criticism. He wrote numerous books on music theory, worked for years at the British occupational forces run Nordwestdeutscher Rundfunk. It was there in 1951 that he established a studio for electronic music that he ran until 1961, which hosted recordings from Stockhausen, Xenakis, and Cornelius Cardew, among others. This brilliant work begins on side A with 'Ep…

"Music Is the Healing Force of the Universe is a powerful and often ignored recording from the Albert Ayler catalog. It is a prophetic statement dealing with guilt, confusion, sorrow, and hopes of redemption. A powerful rhythm section of Bobby Few on piano, Stafford James and James Folwell on bass, (Folwell on electric fender bass), and Muhammad Ali on drums manage to take a backseat to the prominent vocals of Ayler's business associate and girlfriend Mary Parks, listed on the record as Mary Mar…

Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as Tangerine Dream, The Cosmic Jokers and Ash Ra Tempel before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno and Alphaville… just to name a few.Klaus Schulze’s proto moog-syn…

LImited to 150 copies on clear vinyl. Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged and mastered by Siegmar Fricke at Pharmakustik studio. The album contains high doses of hydraulically driven energy generated by the complex analogue equipment. Microformed soundpools of cold extrusion collide with vol…

Exact LP repro edition of The Can iconic hi-energy debut LP, privately self released on their own Music Factory imprint in 1969. A grey-area edition of this stone classic. "Though Monster Movie was the first full-length album in what would become a sprawling and often genre-defining discography, Can were on a level well ahead of the curve even in their most formative days. Recorded and released in 1969, Monster Movie bears many of the trademarks that Can would explore as they went on, as well as…

2014 release, edition of 300. “The three pieces of ‘Fahl’ are the results of a never ending recycling (not remixing!) of one and the same structure recorded deep in the past. That means recycling of recyclings of recyclings… With ‘Fahl’ the series comes to a temporary end to be continued sometime. The idea behind this esthetic strategy is the question: why further on creating genuine music? Our recent digital and analog tools enable us to derive nearly every sonic event from nearly every o…

LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been invo…

'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.

Re-release of the originally 1974 released Klaus Schulze classic album Timewind, includes generous bonus and a 16-page booklet. Evolving slowly but deliberately over the course of each album side, Timewind has been deemed an electronic version of an Indian raga. It resembles in many ways a longer variation of the third track from Tangerine Dream's classic 1974 album Phaedra, 'Movements of a Visionary', but it remains a transitional work somewhere between the krautrock of Schulze's earlier output…

Aside from having attained legendary status through their own solo material, Germany's timeless Popol Vuh were instrumental in the development and cult-like status of director Werner Herzog's most respected pictures. Throughout the 70s and 80s, guided by a legendary Klaus Kinski as his main actor, Herzog and Popol Vuh were responsible for a new outlook on cinema and, importantly, on the importance of soundtracks. Through a mixture of pioneering electronics, Krautrock and komische, the band were …

**very last copies** Private edition, limited to 100 copies "A documentation of a music happening recorded at Judson Hall, NYC. Sept 8-9, 11-13, 1964 with a stellar line-up that includes James Tenney on piano, David Behrman, Max Neuhaus, Alvin Lucier, Allan Kaprow, Nam June Paik, Allen Gingsberg and Jackson Mac Low. The idea, Allan Kaprow director explained, is “a collage of music and action”. The music was electronic, but the action was clearly electrifying as Karlheinz Stockhausen’s Originale …

Edition of 300 copies, newly remastered for optimal sound.The meeting of Masahiko Sato with Albert Mangelsdorff in a recording studio was planned in summer ‘71. Sato, Japan’s leading pianist, had recorded with Wolfgang Dauner, Attila Zoller, Jean-Luc Ponty, Gary Peacock and Charles Mingus. He wanted to play on a record with Albert Mangelsdorff and as both were invited for the Berlin Jazz Festival 1971 there was a good opportunity to record them there. This – first released as an original ENJA pr…