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Music from Italy

Si puo' essere piu' bastardi dell'ispettore Cliff?
Previously unreleased complete edition for this explosive jazz-funk score by Italian maestro Riz Ortolani, written in 1973 for the poliziotteschi film, “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”).Only two tracks from this soundtrack were ever released, and as a result is now an extremely rare and sought-after C.A.M. 7" - but that was enough to create the legend... Four Flies Records is honored to have been granted access to the original C.A.M. mas…
Manhattan Baby
Subsound Records is proud to present the first release of their new-born sub-label Sub Ost, concentrated on original soundtracks only. For the first time on vinyl is the complete original soundtrack to Lucio Fulci's Manhattan Baby, written in 1982 by Fabio Frizzi. Available in limited 180g vinyl. Comes with deluxe cover with a printed inner sleeve including original artwork.
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Muu/Nh 31.4.1982 / Menses 30.2.1982
First ever official CD re-issue of Maurizio Bianchi two albums recorded in 1982. "When in the summer of 1982 I bought a device for the echoes, my twisted idea was to transform pre-recorded sounds into something inaudible and shocking, while keeping intact the original intensity. And so I proceeded to transform Menses and Moerder Unter Uns in two bloody clumps of foggy echoes and dark reverberations. Thus they were birthed the two works in question, which came to light in very few copies, only fo…
Early Experiments of Intense Pathological Sounds
Atrax Morgue is the brainchild of Marco Corbelli as sound project started in the early nineties and focused in various areas related to the field of psychopathology: murder, violent death, sadism, necrophilia, schizophrenia and insanity. The primary influences come from projects as Brighter Death Now and Whitehouse, pioneers of a minimal, evil and visceral electronic; and from the legendary projects Mauthausen Orchestra and The Sodality. The main manifesto of Atrax Morgue is the analysis o…
Vision's Fugitives
Franco Falsini's Sensations' Fix are one of the most mysterious and enthralling entities to come out of the rich italian 70's prog rock scene. Unless many of their contemporaries such as PFM, Le Orme or Osanna, which leaned heavily on the British sound of prog giants Emerson Lake & Palmer, Genesis or Soft Machine, Sensations'Fix music was always more akin to the experimental tendencies of German krautrock bands like Neu!, Can, Amon Duul II or the more adventurous directions those musicians took …
Gente di Rispetto
"Gente Di Rispetto"is a dramatic 1975  film directed by Luigi Zampa and starring Franco Nero, Jennifer O'Neil, James Mason. Rotten atmosphere surrounding a young teacher who moves from Sondrio in Sicily. Here the young woman finds a home at the powerful lawyer Bellocampo’s house and  she has a love affair with Professor Belcore. Her life is in constant danger after being finished in the gears of a very dangerous human society ... Ennio Morricone has been able to perfectly represent in mus…
Il Mio Nome è Nessuno
"Il mio nome è Nessuno" (My name is Nobody) is an atypical western, difficult to classify as it’s placed halfway between the founders of the genre of the '60s and the comedies of the following decade. Sponsored and partly directed by Sergio Leone, it came out in 1973 and received a great success, thanks to the presence of the actors Terence Hill and Henry Fonda, in a perfect balance between a light-hearted side and the more serious one proper of the 'spaghetti western' genre. The other ele…
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Notturno
Goblin's name is very popular since the year of "Profondo Rosso" (1975), but even those who know them in depth "Notturno" remains an almost completely unknown chapter within their vast discography. The production the music was composed for was edited in two versions, a theatrical one released in 1983 and a television one in seven episodes that was broadcasted only three years later.Led at the time by Fabio Pignatelli (bass), Maurizio Guarini (keyboards) and Antonio Marangolo (saxophone), w…
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Questa specie d'amore
**special price, limited offer from the label**“Questa specie d’amore” is a 1972 movie by Alberto Bevilacqua, here in a dual role of writer and director, since the film is taken from his book by the same name. Two years after “La Califfa”, Bevilacqua confirmed Ugo Tognazzi as the main actor and Ennio Morricone as soundtrack composer. While the first one confirms himself as an exceptional protagonist, in the dual role of father and son, the second is not far behind, as the author of a beaut…
La Musica Di Puccio Roelens
This incredible record has almost everything, and explains why it's so highly regarded and sought-after. Legendary album among Italian Library junkies and euro groove hunters by the great maestro and orchestra conductor Puccio Roelens, responsible of some of the Funkiest productions made in Italy. Music swings from Jazz to Funk and Psichedelia, with loads of terrific beats, laden grooves and top breakbeats simply to die for. Breathtaking classy Psychedelic Jazz arrangements, Lounge Funk tunes an…
I Marc 4 G.L.P. 1002
The toughest session by the great I Marc 4 Italian Jazz Library combo. Killer album and easily on the top 3 from the Nelson series with no weak tracks at all. The music goes from insane Psychedelic tunes to Jazz, Funk and more Bossa and Lounge tracks with plenty of Fuzz guitars, amazing Hammond job, and totally catching drum Breaks. An insane trip into early gold Italian Psychedelic and Underground vibes with loads of laden beats and grooves with the mark of the legendary Italian quartet. The wh…
I Marc 4 G.L.P. 1001
The first volume from the Nelson Records series by the infamous Italian Jazz quartet composed of Maurizio Majorana on the bass (M), Antonello Vannucchi at the organ (A), Roberto Podio at the drums (R), and Carlo Pes (C) on the bass. Seminal, deeply Underground session by the legendary Italian Library studio combo with tones of sleazy sounds starting from the Psychedelic guitar riffs, the crazy tough Funk and the groovy sharped beats to the lovely Jazz arranged theme music influenced by Samba, Bo…
The Wind Collector
*5 very last copies just found by chance - original Divergo LP edition* As we’re becoming steadily aware, Gigi Masin and his mates made some truly beautiful music in the late ‘80s which is only just properly coming to light in recent years.  Blessed with an almost ineffable air of sophistication and a sort of Venetian play-of-light, their music had existed quietly on the fringes, minding its own business until Music From Memory illuminated their work with 2014’s gorgeous Talk To The Sea com…
Domestic Exile Collected Works 82-86
2017 repress, originally released in 2015. Ecstatic resuscitate Daniele Ciullini's "sonic polaroids" of odder '80s pop, drone, and drum machine workouts in the detached dimensions of Domestic Exile: Collected Works 82-86. Compiling the Florentine artist's standout '83 cassette plus a whole other side of compilation obscurities on vinyl for the first time, it presents a series of brilliant, isolated self-portraits by a mail art and tape scene insider (also photographer, zine publisher) who op…
Under the Victory Banner
Under the Victory Banner was first published as part of the Lp "Weltanschauung" in February 1982 by Come Organisation, UK.This limited edition box set contains the track Under The Victory Banner on 3 different formats: a 7" pressed on a violet vinyl, a violet cassette and a professionally printed CD-R. Also included is an insert with an unpublished M.B. artwork from 1980. All insert are signed by Maurizio Bianchi / M.B. Limited edition of 30 numbered copies. Ins…
Nervous Hydra / All This Has Passed Forever
Stunning split release between Maurizio Bianchi, godfather of the Italian industrial noise scene, and Abul Mogard, the much loved and hyperstitious synthesist, conjuring a spellbinding testament to the transcendent and transportive energies of electronic music.  Although appearing to starkly contrast on the surface, both artist’s work patently shares a lust for the suggestive abstraction of raw current and its pareidolia-like capacity to generate rich and uncanny emotional responses from the end…
Crazy Colours
First 200 on Mixed Colours Vinyl. Rome was, of course, the pulsing heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening in the library music world, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and …
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Galassia M81
Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades. Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, John…
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Metamorphosis
First 200 on Green Marbles Vinyl. The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring. Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term “fusion” has become really popular. This the environment in which this album …
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Superman
First 200 on Red & Orange Colours Vinyl. 1983, in the history of synths, is a key year. During the January edition of Namn(the most important music fair in the US), indeed, Miid – the standard protocol for electronic instruments interaction – was introduced to the world. Until then, programming and making synths work together was something practiced by a restricted elite of “wizards”, explorers armed with cables and analog patches, who …
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