Music from United States

1992 Japanese re-issue on GNP of the 1956 album. With insert and obi.

1984 Japan-only edition on GNP Crescendo with the uncut long versions of the tracks of the 1956 album. With insert.

Original 1977 Japanese edition with different cover of the 1976 double-album. With insert and obi.

Rare original US edition on Impulse!/ABC of the 1969 album. With original innersleeve.

1995 US limited edition re-issue on Impulse!'s "The Impulse! Reissue Series" of the 1965 album featuring Marion Brown and Ted Curson. With original innersleeve.

1973 US re-issue on Impulse!/ABC of the 1965 album featuring John Tchicai. With original innersleeve.

1973 US re-issue on Impulse!/ABC of the 1967 album.

Original US edition on Impulse!/ABC of the 1969 album with a live recording from 1966. With original innersleeve.

1978 UK re-issue with different cover on Affinity of the 1969 album featuring Malachi Favors, Dave Burrell and Lester Bowie.

1978 original Japanese edition on Freedom/Trio of the 1976 album with a live recording from 1975 featuring Dave Burrell. With insert.

Original 1982 Japanese edition of the 1980 album. With obli and insert. With insert and obi.

1985 Japanese re-issue on Compendium Records of the 1976 album. With insert and obi.

Original edition on Victor with different cover from worldwide pressings of the 1972 Japan-only album. With insert.

Original Japanese edition on Milestone of the 1977 double-album featuring Tony Williams, Jack DeJohnette, Eddie Gomez and Ron Carter. With insert and obi.

Original US edition on Milestone of the 1977 album.

“If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood,…

2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, …

Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.

Black Leather Jesus, the Houston harsh noise project Richard Ramirez started in 1989, on a white 8" lathe cut: two sides of almost seven minutes, Washed and Waiting, recorded in Pennsylvania in March 2026. Thirty numbered copies.

Twenty years on, Prurient's Pleasure Ground returns in the edition it always wanted. This is the hinge record in Dominick Fernow's catalogue, the one that opened the electronic chapter of the project: the scorched power-electronics of the early years…