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Compositional /

Works By Stephen Paulus
Stephen Paulus's musical style is melodic and highly rhythmic. He tends to work in traditional forms, and his music is accessible to listeners possessing a wide range of tastes. Those seeking well-crafted contemporary music with a decidedly neo-Roman…
An Arthur Berger Retrospective
For over fifty years Arthur Berger's output consisted of sturdily crafted pieces that reflected the mixed lineage of Stravinsky, Schoenberg, and Copland. Born in 1912 and raised in the Bronx, he first studied at City College and New York University, …
An Idyll For The Misbegotten / Vox Balaenae / Madrigals, Books I-IV
George Crumb's (b 1929) music often juxtaposes contrasting musical styles. The references range from music of the Western art-music tradition, to hymns and folk music, to non-Western musics. Many of Crumb's works include programmatic, symbolic, mysti…
Symphony No. 4 / Session I
William Bolcom was born on May 26, 1938, in Seattle, and trained at the University of Washington and Stanford University, as well as with Darius Milhaud. He has written four symphonies, concertos for piano and for violin, chamber and solo instrumenta…
Works By Faye-Ellen Silverman And Ralph Shapey
Faye-Ellen Silverman has been prolific throughout her career. She has written a wide variety of orchestral and chamber-music works, which have been performed by major ensembles throughout America and in Europe and Asia. A graduate of Barnard College,…
String Symphony / Sunday Morning / Eagles
Perhaps best known for his vast catalogue of vocal music-operas, song cycles, and choral works-Ned Rorem (b. 1923) also has composed three symphonies, four piano concertos, and an impressive array of other orchestral and chamber works. He received th…
Symphony No. 2
The premieres of John Knowles Paine's two symphonies-the First in 1876, the Second in 1880-may be said to mark the effective beginning of the American symphonic tradition. American composer George W. Chadwick, who had been a young man in Boston in th…
Symphony No. 7/Balada: Steel Symphony
William Schuman was born in 1910 in New York. His earliest musical interests were at first confined to current popular music. In 1930, after hearing his first concert of symphonic music-Toscanini and the New York Philharmonic in a program of music by…
Piano Concerto / Variations For Orchestra
While a student at the Horace Mann School, Elliott Carter came to know Charles Ives. Carter continued his education at Harvard and then studied with Nadia Boulanger in Paris. Ives and Boulanger were formative influences: Carter's music draws on Ameri…
Piano Works
Pianist Peter Serkin is renowned for his performances and recordings of contemporary music. He has worked closely with composers such as Olivier Messiaen, Toru Takemitsu, Luciano Berio, and Peter Lieberson; he also was a founding member of the chambe…
Concerto For Oboe And Orchestra / Prism
George Rochberg seems an unlikely revolutionary, yet it was he, more than anyone else, who dealt the crushing blow to serialist orthodoxy. A student of Gian Carlo Menotti at the Curtis Institute in Philadelphia, Rochberg began as a modern mainstream …
Works By: Hugh Aitken, Aaron Copland, Walter Piston, Paul Schoenfield, Gunther Schuller
Perhaps from the habit of our nineteenth-century parlor-music tradition, perhaps from the frustration of trying to get orchestral works performed, American composers seem to have remained more active in the genre of the chamber sonata than their Euro…
Hidden Sparks
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter’'s Riconoscenza is a short work for unaccompanied violin imbu…
La Mort De Tintagiles / Five Irish Fantasies
The music of Charles Martin Loeffler (1861-1935) was a rarity in the United States. Much admired for its artistry, it was yet so individual and its Symbolist aesthetic so unusual that Loeffler acquired a reputation that set him apart from other Ameri…
Sinfonia / Symphony No. 1
John Harbison's music draws together gestures and ideas from musical worlds that reflect such favorite composers as Robert Schumann and Heinrich Schutz, the songs of George Gershwin, and the hieratic qualities of Igor Stravinsky. His work has always …
The Cloisters
The vocal music on this recording documents three generations of American music, each characterized by its own ideals yet shaped by its relationship to the past. Heard together on one disc, this music provides a glimpse of the rapid and often radical…
Piano Concerto
The Piano Concerto was Peter Lieberson's first orchestral work and was, from the outset, conceived with Peter Serkin in mind as the soloist. He wrote it after a long period of immersion in the study of Tibetan Vajrayana Buddhism. Throughout what Lieb…
Antony And Cleopatra
This is the premiere recording of Samuel Barber's Antony & Cleopatra, written for the opening of the new Metropolitan Opera House at Lincoln Center in 1966. Along with Vanessa, it is one of the peaks of Barber's output and one of the great American o…
Winter Cantata, Other Works
Vincent Persichetti's choral music plays an important part role in his output. In many ways his Mass is an orthodox a cappella Mass, its Renaissance heritage reflected in its use of a Gregorian chant as the unifying theme, and in its reliance on imit…
Concerto For Clarinet And Orchestra / Third Essay For Orchestra, Opus 47
The Third Essay was Samuel Barber’'s last completed work and its drama and lyricism are entirely characteristic of the neo-Romantic style he composed in for his entire life, a style which won him a large and faithful audience. In his avowed concern f…
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