Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Fuse Modulations
Thanatosis Records is proud to announce the release of Fuse Modulations, the latest work by Norwegian composer and guitarist Fredrik Rasten, performed by the innovative quartet Asterales.
In Place
American composer Kory Reeder’s 10th album In Place returns to the Grid Series heard on 2 of the 4 tracks from Reeder’s debut release on Edition Wandelweiser Records Love Songs/Duets. With raw recordings of three works from the mid-phase of this Series of 45 works, In Place is the first release exclusively containing pieces from the Grid Series and features Reeder on piano with long-time collaborators Kathleen Crabtree and Michael Moore on violas. Each track is a space to dwell, on the edge of s…
In C
* Limited edition of 750 individually numbered copies on gold vinyl. Includes insert * In the history of Western art music, few compositions have achieved the paradoxical feat of radical simplicity coupled with profound transformative power. Terry Riley's In C, composed in 1964, stands as the most deceptively modest yet revolutionary work of the twentieth century, a single page of musical notation that fundamentally altered the trajectory of American composition and established the foundation of…
Remarks On Process
Tip! Remarks on Process was recorded in May 2024 at Westbahnstudios Vienna. The project was a week-long performance workshop led by Mark Fell with members of the Austrian ensemble Studio Dan. Throughout the week, procedural systems were developed to explore group behaveiours and emergent musical aesthetics. This led to a performance on the evening of the final day which is excluded here. Each day was recorded in its entirety and this cassette contains edited excerpts from the sessions in chronol…
Veiled Erosion
Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Ve…
+The Sydney Symphony Orchestra
A meeting of worlds. A new kind of resonance. Godtet's upcoming release captures the alchemy of their landmark performance with the Sydney Symphony Orchestra at the Sydney Opera House. At once bold and nuanced, this album explores the friction between improvisation and orchestration. Where the orchestra is anchored in fully composed material, Godtet remains free – navigating the work's harmonic architecture with instinct and spontaneity. Structures are fixed, but expression is fluid.
Orchestrate…
Rispecchiato in Quarzo
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Bridge Between Spaces
A Bridge Between Spaces traces a decade of Andrew Greenwald’s singular compositional journey—across rigorously constructed sonic terrains and into freer, more intuitive musical dialogues. Drawing from two major violin cycles and culminating in the expansive title work, this album captures a shift from analytical exploration to expressive openness. With sound worlds that feel both extraterrestrial and deeply human, Greenwald’s music invites us into a landscape where metaphors fail and sound speak…
Three Circuitous Paths
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Abendland. Erstes Stundenbuch
1996 release (light storage wear) ** Gianfranco Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. The piano hints, rings out and whispers. The sound is crystal clear; essential and like a prism that divides sound into mysterious harmonics and distant resonances. "Abendland“ is a work of great musical poetry, a musical meditation by a composer warranting close attention.
Piano Studies 337
First-time reissue of Willem Nyland's rare private-press piano improvisations. The Dutch chemist-turned-Gurdjieff disciple recorded these spiritual teachings on specially tuned piano in 1960s upstate New York
Dust
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
For Those Who Wish to Sing Will Always Find a Song
One night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Loui…
Lac Noir - La Serpente 1992
Unreleased material composed by Bernard Parmegiani in 1992
How Do I Know If My Cat Likes Me
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.
Nightclouds + How Do I Know If My Cat Likes Me
From the always remarkable hands of Blank Forms come two new stunning LPs from the Stockholm based composer Ellen Arkbro: “Nightclouds”, comprising five minimalist improvisations for solo organ, and “How do I know if my cat likes me?”, made within a trio comprising Hanne Lippard and Hampus Lindwall, interweaving wry conceptualism and topical humor with poetics, voice, texture, and tone. Each absolutely brilliant and distinct, they stand as some of the most exciting works we've encountered from A…
A Dog Is a Machine for Loving
Hall’s debut merges field recordings, piano, spoken word, and spectral analysis to craft vivid soundscapes exploring kinship, intimacy, and trauma.
Watt
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.