S/W
Future music duo Second Woman's sophomore full-length for Spectrum Spools further hones their distinctive fusion of shape-shifting software sculpture and tessellated footwork. Shivering digital textures oscillate with and against algorithmically m…
Pythagoron
Bridging the worlds of fine art, drug culture, high New Age thinking, and musical Minimalism, Pythagoron’s sole LP is a near perfect artifact of its era - a mysterious sonic wonder, emerging from the fog of time. Privately issued in 1977 - sold via a…
Invisible(s) Archipelago(s) #1 – Serendib rhythms
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains soun…
Lokrum Patterns
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains soun…
Scare Me Not
Inveterate soundwalker Audrius Simkunas/Sala has revisited familiar places of his childhood where corroded soviet relicsare long asleep…from this winter intense trip reminiscent of Lovecraft’s universe, comes “scare me not“…
Aldaris
Rihards Bražinskis & Raitis Upens are long time associates operating in the sphere of the Baltic experimental music & art scene. They produced already some very fine field recordings/musique concrète under the collective moniker of Phonic Psychomimes…
Everywhere At The End Of Time - Stage 2
The second of six LPs issued under the title Everywhere At The End of Time, cataloguing The Caretaker’s fictional first person account of life with early onset dementia. This second stage takes a more wistful tack as our protagonist gradually realise…
Eye Chant
Originally issued in 1986. You can see the sounds her voice makes. The literal depiction of this, a photograph of Michele Mercure with an eyeball in her mouth, is removed in the updated album art. The original graphic elements are left to suspend, s…
The Last Man in Europe
Reality had the honour of working with pioneering electronic composer Zbigniew Karkowski on two occasions. In 2007, as part of the Recording Angel Ensemble’s accompaniment to Wojciech Has’ film “The Saragossa Manuscript” at the National Film Theatre …
At the Salt Museum
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting mach…
And Who Sees the Mystery
Gilles Aubry, field recordings, electronics.“And who sees the mystery” is a music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound process…
Synthesizer Pop for a New Age: 1974-1978
"Flannelgraph Records is very proud to present what we personally consider some of the best synthesizer instrumentals ever created, somehow unreleased for 40 years! A music educator, composer and more, Don Muro is one of the good guys. On this releas…
Riflesso
Filtro was born in 2016 from the meeting of Angelo Bignamini and Luca De Biasi already active in the Italian psychedelic and noise scene (The Great Sanuites, Sukkia, Satantango, etc). In the grammatic of Riflesso magnetic tapes articulate with modula…
New Zealand Electronic Music
Well I’ll be - I went to Auckland in May of this year with the sole intent of finding a copy of the “New Zealand Electronic Music” set - well; and to play a killer show w/ Pumice and Dean Roberts / Guy Treadgold - which naturally was nowhere to be fo…
Electronic Music
This could very well be the most obscure Creel Pone yet; a reproduction of an uncirculated 1966 10” record prepped by the shadowy Madison Avenue agency "T R F MUSIC, INC." of "Electronic Music" by Czech composer Vaclav Nelhybel, during which the Co…
After Guernica
Once again the “boxes from Reykjavik” have started arriving on Thursday mornings like clockwork; let’s start up again not with an outright explosion of lost Tape-Psych damage - to give us all time to recover - but with a rather remarkable set of su…
La Jolla Good Friday I-II
Reproduction of this 1981 LP featuring two wasted / buzzing / side-long / go-nowhere early Computer-controlled Analogue Synthesizer pieces - rendered via Ed Kobrin's "Hybrid IV" setup - captured on March 28th, 1975 & sounding not unlike an airplane…
Music To Wash Dishes By
Nice to see this 1982 “Private Press” LP by Chicagoland’s Tom Cameron in the program; I’ve long felt this was one of the better “One Man Against the World ... with Synthesizer” LPs self-financed during the late-70s / early-80s. Each side features a…
Sondern die Sterne sind's
Creel-pro of this mid-70s Aulos lp, with Klaus Ager’s three-part “Sondern die Sterne sind's” - recorded in the “Computer Music” studio at EMS Stockholm from 1974-1976 as well as the Electronic Studio at Salzburg’s “Hochschule Mozarteum” - slowly un…
Ze Wörmnest
Lovely. Here’s a Creelpro of Jonas Palm’s 1980 Piglet-label outing “Ze Wörmnest,” widely considered as one of the canonic crater-dwellings of early 80s “Minimal Synth” pedagogy. To wit, here’s a perfectly zenzible stammer by John “Inzane” Olson, re…