We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The third dig into Germany's synth-wave underground, 1981-86. Cold drum machines, cheap keyboards and DIY nerve from the NDW margins, a trove of minimal-wave obscurities rescued from the cassette age.
With Statica Memoria, zakè returns to Affin for his third solo album. Over the past years, his work with the label has developed into a distinct and continuing body of work, shaped by an ongoing exploration of duration, resonance and the spaces that emerge when sound is given enough time to unfold.
zakè has developed a particular way of approaching long-form ambient music. His compositions create an open environment in which listening can move freely between close attention and complete absorpti…
*200 copies limited edition* Bitter Sea collects 25 pieces from the most prolific period of composer Sean McCann’s early catalog. Recorded across California between 2008 and 2011, this two-disc set draws from tapes, CDrs, live recordings, and previously unreleased material. McCann made roughly 40 developmental albums during these years, mostly while living in San Francisco’s Sunset District and studying audio for film. Working from a small studio apartment, he recorded this wave of albums with v…
Ahead of their final studio album 'Danceteria' coming out later this month, we have the one and only Soft Cell on the cover of the latest Electronic Sound. There's a 16-page Marc Almond interview inside the magazine and we're bundling the issue with an exclusive blue vinyl seven-inch by the synthpop superstars. Make sure you don't miss out on this!
As most of you will know, Marc Almond's Soft Cell partner Dave Ball died nearly 12 months ago, just two days after they'd finished recording a new a…
Tokyo-based producer aus debuts on Squama with his new album mere meer. Grounded in the question of how a specific environment can emerge through voice and memory, rather than through recording of an objective reality, the album stands in the tradition of modern Japanese Ambient and Kankyo Ongaku. aus is the solo project of Tokyo-born composer, producer, and curator Yasuhiko Fukuzono. His music is characterized by a precise combination of cinematic strings, acoustic instrumentation, and concrete…
After many requests to reissue the seldom heard cassette EPs and VHS releases, Akuphone compiled this archival release which illuminates the group’s early development from 2008 as enigmatic practitioners of post-apocalyptic folk and ritual psychedelia.
These recordings capture Ak’chamel’s signature sound in its most primal form: thoroughly f*cked lo-fi production, warped tape hiss, detuned instruments, and melancholic hysteria captured on cassette.
*Much needed repress!!* Ak’chamel, The Givers of Illness plunged into truly deranged extremes to summon the decayed, otherworldly essence captured on Spiritually Unemployed, embracing unhinged and esoteric methods during the tracking process. Recorded in a makeshift adobe studio amid liminal border-zone ruins. Nocturnal treks along forgotten stretches near the U.S.-Mexico line, through derelict border outposts and sun-bleached vehicle husks, yielded unique recording opportunities: Ak’chamel drag…
Many of the field recordings on this album I recorded standing still with my phone or zoom capturing quiet moments. But like silence, true stillness doesn’t exist. Our perception of time creates the illusion of stillness. That perception is not rigid, it can fluctuate and bend. Everyone around us experiencing time differently. I built the foundation of the music around this idea. Nothing in sync, many different loops varying in length. Some fairly recent recordings, others from years ago. I've u…
Grisaille is shaped by reduction, intuition, and time. Woven from a deliberately restricted palette, the pieces emerge from musical systems set in motion and allowed to unfold according to their own internal logic. Rather than following a fixed compositional path, they drift, accumulate, and transform: forms revealing themselves gradually through interaction, repetition, and change. The work foregrounds the first gesture. Takes are retained as they arrive rather than rehearsed into place, preser…
Ex-Birth Control synthesist Zeus B. Held goes solo and electronic. 'Attack Time' pulses with early-'80s synth-pop drive and studio sheen: melodic, propulsive and slyly futuristic. A producer's-ear gem from the German new wave.
A map of the new German cosmic underground. 'Echo Neuklang' gathers neo-kraut, kosmische and motorik sounds across four decades: a generation carrying the Cluster and Neu! lineage forward, sequencers humming into the present.
'Dreamland': more sunlit Berlin-school reverie from Tyndall. Interlocking sequencer patterns and glowing melody drift in gentle motion, private-press cosmic music of great warmth and innocence.
'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.
Acid, but tender. Tin Man coaxes emotion from the 303, letting soft-focus melody and deep, humming pulse blur techno and ambience. 'Arles' is warm, hypnotic and unmistakably his: melancholy dancefloor minimalism.
Estonian electronic pioneer Sven Grünberg reaches for the cosmos. 'Hingus' fuses shimmering synthesis with Eastern spiritual leanings: meditative, melodic and quietly euphoric. A Soviet-era kosmische treasure surfaced at last.
Chemist by day, synth explorer by night. Rüdiger Lorenz's 'Southland' glides on sunlit sequencer patterns and melodic warmth, homemade Berlin-school music of great charm, a cult private-press favourite reborn.
'Island music': Trostel maps a private electronic paradise. Warm sequencer motifs and glowing synth melody drift in unhurried loops, solitary, serene Berlin-school reverie from a cult German synthesist.
German synth mystic Rolf Trostel at the sequencer. 'Der Prophet' unfurls stately, hypnotic electronic patterns: solemn, melodic and deeply Berlin-school. A private-press cosmic gem returned to the light.
'Wide country': Roedelius and Alexander Czjzek paint expansive, cinematic soundscapes. Synth, piano and open space combine in music of pastoral grandeur, meditative, melodic and gently widescreen.