Electronic / All styles

Historical collaboration between two of the fathers of Italian (and not only Italian) Old-School Industrial, Maurizio Bianchi and Mauthausen Orchestra."Creating noise is determined by the presence of an original particle to which randomly apply an alteration to convey a voltage-activated disturbing that determinates the electrophonic perturbation. As a result we obtain the spiritual noisesMO_disturbo" Sounds by M.B.: ancient loops, modern metals and futuristic waves and M.O. :synthesizer, loops,…

This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and a…

Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …

Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).  The release of …

West Coast synth guru Jonas Reinhardt (aka Jesse Reiner) makes his 100% Silk debut with 'Foam Fangs', which sees the usually downtempo producer pushing things up a couple of notches. The cosmic Jarre-esque synthesizer washes are still present, but are bolstered with chest-punching 4/4 rhythms and rubbery looping sequences straight out of the 1987 house rulebook. Somehow this gives the EP the glow of Detroit-era pioneer Juan Atkins and muddles it with the Italo-laced fuzz of Johnny Jewel. …

In September 2011, Erstwhile producer Jon Abbey was invited to curate two weeks of shows at John Zorn's legendary Manhattan venue The Stone, which he used as an opportunity to invite many of his favorite musicians from Japan, Europe and the US to perform. A second three night festival at Issue Project Room was later appended onto the end, making the AMPLIFY 2011: stones festival a 35 set, 17 night extravaganza in all. Four of those thirty-five sets will now be available in the ErstLive se…

A breathless exploration into meandering soundscapes made up of distorted guitar drones, heavy layers of synth and restless, tropical drum machine trances,  kraut and shimmering drone....Somewhere between Sun Araw, High Wolf and Ducktails, according to the artist “inspired by night rides around Shibuya“. Hot and sultry these nights were, we assume. Absolutely mesmerizing stuff from start to finish. Limited to 250 copies

Tomutonttu is the solo disguise of Tampere's Jan Anderzen, head of Kemialliset Ystävät and (part-time) member of Avarus, Tuusanuuskat and the Islaja band. Anderzen is one of the focal points of Finnish underground music for the past 15 years with a zillion releases on some of the leading underground labels worldwide (Fonal, Ultra Eczema, Ducktails/Real Estate member Matthew Mondanile's New Images, Beta-lactam Ring, FatCat, Beniffer, etc.). Tomutonttu is one of his longest running …

In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…

Limited edition of 200 copies housed in spot gloss jacket with art insert... Sound artist and field recordist Fabio Orsi presents the 3rd edition on Italian label Ricerca Sonora, complementing meditative LPs by Philip Corner with three augmented location recordings. Immersive sonics sourced from Wannsee lake outside of Berlin form the basis for a trio of dense, drifting pieces rich in microscopic and macroscopic detail. Wildlife sounds ring clear and true across muffled low end murk and subtle, …

Here at last is a deserved and “rightful” CD re-release of this fantastic collaboration created in 2007 by Maurizio Bianchi and Craig Hilton. Until now this recording was only made available in a very limited CD-R edition. Extremely dark atmospheres, restless and dramatic… Sharp masses of metallic noises cleave pulsating substrates of low frequencies, mixed with magmatic agglomerates of more processed sounds of an unrecognizable nature… Moments of stasis and apparent quietness… Handfuls of…

Storms of cosmic energy, boiling and gurgling electronic fluxes, sonic masses made of monolithic and impenetrable drones, visions of smoky afterdeath landscapes, scorching and infernal… A neverending tunnel with no way out, a sense of deep anguish, of desolation and resigned impotence that lead the dark journey from the beginning to the end of this hallucinatory path. The sound quality and the sharpness of details are absolutely insuperable, they will offer you a “wrapping” and emotionall…

The Preservation label presents Slay Me in My Sleep, the sixth album from Melbourne's Grand Salvo. Under the guise of Grand Salvo, Paddy Mann has established himself as a songwriter of unique heart and soul with a depth of lyricism matched by warm but widescreen musical vision. 2009's Soil Creatures sealed his reputation, being his most stark and concise statement yet. With Slay Me in My Sleep, Mann has returned to familiar territory, writing a parable as song cycle similar to his epic fairytale…

2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.

Kiko C. Esseiva is a composer with Swiss and Spanish roots who lives in Lausanne, Switzerland. He creates electroacoustic sound pieces that are, not unlike those of the French master of the genre Luc Ferrari, warm, non-academic and colourful, spreading a humanity and richness that is far away from the sterility of a lot of today's electronic compositions. He creates very diversified atmospheres which combine acoustic instruments, noise, human voices, field recordings and static sheets of …

2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…

Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…

Crosshatches was composed, recorded and assembled by Tsunoda and Pisaro over a period of 14 months, as a single 85 minute work in eight sections.

After a long and meticulous preparation, Sarang – a new creature by Simon Balestrazzi and Enrico Marani – debuts on Silentes with "The Dream of Earth". Balestrazzi is best known as the founding member of the historical Industrial / Experimental group T.A.C. and also for having been part of another very important formation of the international electronic/EBM scene, Kirlian Camera. Marani was also a member of the first T.A.C. formation: along with Vittore Baroni and the mysterious Manitù Rossi he …

Limited edition of 100 hand-numbered copies housed in die-cut jacket with tessellating artwork insert** A fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns by the tightly intuitive duo, Francesco Petricca and Manuel Cascone, aka Nastro. The title of '300 mq' alludes to the size of their recording space in Rome which they were contractually obligated to tear down "with their bare hands" (remember, this was the time of the great Italian glove …

Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…

"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …

Reissue of the landmark album from this legendary Austrian minimal band. Chuzpe combined English lyrics with Viennese dialect, modernism and underground with the Austrian Top 40 of the early '80s. 1000 Takte Tanz is filled with timeless classics of Austrian music history. Pressed for the first time on 180 gram vinyl, remastered by Amann Studios. Includes insert.

How does music happen, and why does it happen sometimes? In June 2010, the TOT1.0 festival took place in Athens, small steps towards a greater affirmation of the small music community that has been blossoming in the hell-hole that is Greece’s capital. As part of the festival, two foreign improvisers (Ferran Fages and Grundik Kasyansky) were invited to take part in the proceedings. While we were at it, we got notice that Robin Hayward also happened to be in town during those days, for unre…

This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian…

Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…

A ghost surfaced in Italian record shop windows in 1978, bearing a single unexplained name and then dissolving back into the dark it had spent forty minutes describing. Midnight In Space is one of the great unsolved riddles of late-1970s Italian electronics. It arrived on PDU, the label founded by the pop singer Mina, an imprint better known to most for glossy chart records but cherished by collectors for two other reasons: its Italian pressings of the German Cosmic Courier clan, and a small run…

The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…

A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…

The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…

Anoice's first album for Important had a modest (but critically affectionate) impact upon its release. However, sales of the record have been steady & strong since it originally came out in 2006. Now, six years later we're pleased to finally offer The Black Rain, Anoice's reaction to both the darkness & hope that engulfed Japan after the 2011 earthquake, Tsunami & nuclear meltdown. Black Rain was written throughout 2011 and recorded in Tokyo and London. The Black Rain is both a reflection on dis…

Formerly Boy+Girl, AG Davis created an unrelentingly aggressive disk. Stripped-down dark electro-noise sprinkled with some kinder moments… You’ll need to go outside for a minute after this one. Incredible artwork/cover!

Since 1999, DAT Politics is by far one of the most ecstatic electro party bands on the planet. Their remarkably energetic live shows explain the cult-like enthusiasm that surrounds the French electronic combo as they've been touring the world extensively over the years. DAT Politics channel a rough-edged turbo-pop mood through their laptops to create some of the most unexpectedly catchy and lively music ever assembled. The possibility of mistakes and chaos in their hot-wired dance tracks …

Our first release 'The Organ of Corti' was a digital studio recording. We spent a few days at Kleylehof, Klaus's atelier - farmhouse on the border between Austria and Hungary, playing and recording every night. The sound is very clean, because everything is digitally generated and recorded. 'Pinna' was a recording of a concert that we played in a small church in Vienna. It is a microphone recording of a 'real' sonic space : we used 5 or 6 speakers distributed in the space, e.g. one speak…

FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG  handmade clear screen-printed cover on holographic paper

Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …

Years of research into the bio-electric output of the human brain have now been harnessed with the creation of a device that allows man to monitor and interface with another's brain using a box that appears to be no more complicated than a guitar effects pedal! Batoh's experiements with this machine are only part of the album; the other tracks utilize traditional Japanese ritual melodies and instrumentation to form a prayer/requiem for the victims of the Great East Japan Earthquake. A dee…

Aviformes; Kamana; Parcours pour Santur; Paroles sur Lèvres; Paroles sur Langue; Lumière sans Ombre. Barbara Zanichelli, soprano; Anna Maria Kieffer, mezzo-soprano; Nicholas Isherwood, bass. Leo Kupper was born in Belgium in 1935. He worked with Henri Pousseur at the first electronic music studio in Belgium and is founder and director of the Studio de Recherches et de Structurations Electroniques Auditives in Brussels. This is his 3rd release on Pogus and he remains a master at working with elec…

Thought Provoking III is the final document from the electro-acoustic composer Helmut Schäfer who died in 2007. The Austrian artist spoke of his work as "characterized by the use of very intense and direct musical language which powerfully describes his personal experience and reflections on society structures, the blindness of modern and informed masses and everyday functionalism in between civilization." That intensity of expression manifested itself through performances and collaborations tha…

Luminance Trio is a is a collaborative effort joining sound artists Eugenio Maggi (Cría Cuervos, Slave Auction), Gianmaria Aprile (Ultraviolet Makes Me sick, Fratto9under the sky records) and Andrea Ferraris (Airchamber 3,Ur,Ulna, John Russel, Sil Muir). "Like Little Garrisons Besieged" brings them far from their respective discographies and finds them sailing in the apparently quiet waters of free-folk, electroacoustics and minimal drones.  The music, resulting from live sessions and painstakin…