Electronic / All styles

'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…

2011 release ** "Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label. The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noise…

Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …

After hard and insisting work to revitalise the art of instrument bashing Golden Serenades has turned towards newer hunting grounds: the Organ. The queen of instruments - or more specifically the instrument as it sounds in the hands of organ master Sigbjørn Apeland - is the starting point for GS´s sonic experiments on "Hammond Pops". The result is a drone piece of highest quality. Slowly deveolping, massive sound breaking in and out of the source material from the organ. Always moving tow…

Wet Hair heads Shawn Reed and Ryan Garbes have been jamming sideways strains of long-lensed electricity music for years now, but their trajectories as visual artists arc back even farther. So after a small infinity of J-cards and zines and LP sleeves designs, it’s a real pleasure to finally be able to present a preferential suite of some of their finest (and, till now, unseen) compositions in a glossy, full-color, pro-printed 22-panel art volume, bookended by a brand new black vinyl 33 RPM singl…

A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…

Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…

Cyclic loops agglomerates resting on static drones intertwined by flashes of electronic frequencies; algorithmic manipulations of undefined sound materials moved by bouncing delays and recurring panoramic space variations; a sequence of metallic waves in continuous tonal variation, heavy dissonances and sonic stratifications in progressive and pseudo-randomic composition/decomposition; desolate silences corrupted by resounding echoes of entangled electric rhythmic impulses... Longly awaited re-e…

The album combines both the live recording of the first ever Larsen & Z'ev In V.Tro live performances with extreme aural-mixes of Larsen's In V.Tro studio sessions by Z'ev. Larsen and Z'ev In V.tro is a soundtrack for micro-cinematic images of cellular studies captured by professors Dario Cantino and Antonio Barasa of the Istituto di Anatomia Umana Normale (Basic Human Anatomy Institute) between 1935 and 1985. Cantino and Barasa wanted to review the history and techniques of in vitro cultures as…

"Cool Cruel Mouth" is Larsen's 9th full length studio album and marks 15 years of activity with a fine collection of textural, cinematic, haunting, nocturnal songs. Written and recorded in 2010. "Cool Cruel Mouth" finds the band as a 5 piece with the full time addition of lyricist Little Annie "Anxiety" Bandez as the official voice of Larsen. Also featured on "Cool Cruel Mouth" is inimitable Baby Dee playing piano on one of the two featured instrumentals as well as on her own composition "Unhear…

We have waited with eager anticipation to release Matthew Cooper's spellbinding soundtrack to Some Days Are Better Than Others since before his creative breakthrough album, Similes (released under his more widely known Eluvium moniker) was even made. The film stars James Mercer (Broken Bells, The Shins) and Carrie Brownstein (Portlandia, Sleater-Kinney) as strangers whose lives occasionally intersect as they navigate their way through the struggles of personal attachment and disconnection. When …

Mureedil by Tonton Macoute is a lost classic of French experimental rock, blending hypnotic rhythms, spoken word, and avant-garde textures in the lineage of Heldon, Art Zoyd, and Lard Free.

CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…

Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings.
To second the machines he likes to move various glasses, 
or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…

"After producing their frozen trilogy of intoxicated dronemuzik for the Agency, these Scandinavian gentlemen have ventured into more absurdist territories through fictionalized soundtracks for imagined Mondo films and science fiction serials. It is in this context that BJ Nilsen & Stilluppsteypa present the apparitional Big Shadow Montana, an album of slow-motion delirium manifested in occluded smears, nocturnal gasps, and arcane tones from a variety of analogue synthesizers. Amidst the n…

For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…

First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…

Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…

Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…

The Preservation label presents From Here To There, the debut album from San Francisco’s Ben Swire. While From Here To There can sit snugly in the canon of electronica, it’s played out with expansive vision and immediate warmth. Woven together with a deft sense of minimalism and melody using double bass, interlocking guitars and crisp percussion, the use of live instrumentation against densely layered field recordings finds great balance between elasticity and deep ambient underpinnings. The acc…

“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisaro from samples—mostly organ, but also tiny snippets of vocal music and a single piano chord—and field recordings. The instrumental parts, arranged in nine sections, also three minutes each, develop over the course of the 63’40” duration of the pi…

This is a four-handed musique concrète composition by electroacoustic Italian composers Fabio Selvafiorita and Valerio Tricoli. This single-track piece was conceived and realized between Milan and the Giudecca Island, in Venice, which is the location of the field recordings and reel-to-reel tape treatments. The work stresses and questions the dramatic and alchemical potential of a musical landscape marked by water: visceral and metaphysical at the same time, full of narrative suggestions. …

Stephen O'Malley (Sunn0))), KTL), Daniel O'Sullivan (Ulver, Mothlite, Guapo), Kristoffer Rygg (Ulver), Steve Noble (N.E.W., Company, etc). En Form For Blå documents the continued evolution of this unlikely collective, a collision of players from various avant, improv, metal, and "other" threads who together make a unique and arresting sound. Documenting three gigs in Oslo recorded in 2010, the music is deep and weird, with liquid sounds juddering around the occasionally identifiable percussion o…

‘Life Coach’ is the debut solo album from Phil Manley (of Trans Am, Oneida, The F*cking Champs, Jonas Reinhardt). This instrumental album will certainly appeal to fans of the aforementioned bands as well as those into the classic works of Kraftwerk, Neu!, and Harmonia as well as modern Kosmische / ambient music from the likes of Arp, Mountains, The Alps and Type Records. The CD version comes in a four panel mini-LP style gatefold package. (Boomkat)

Matthew Mullane is a Chicago multi-instrumentalist performing under the guise of Fabric. Here we have a fine suite of compositions which embark on a voyage through darkness of night and the brightness of day. Washed-out dark colors and static pulses sweep across your stereo painting a portrait of intense yearning and determination. Recorded over the course of a year, Matthew has constructed a multi-dimensional organism of sound that has perplexing depth and astounding detail. The album reveals n…

Evil madness has been described as the Traveling Wilburys of Icelandic electronic music. Behind the name stand men like Petur Eyvindsson, Johann Johannsson, Sigtryggur Berg Sigmarsson, Helgi Thorsson and BJ Nilsen (who is not "quite" Icelandic but was born in a country "very" near Iceland). This album, "Super Great Love", presented by Editions Mego will be their 4th album since the time their formation in 2006. Now for those of you reading who know the music of Evil Madness will know for sure th…

Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…

A limited edition 10 CD boxed set of the remarkable radio documentary tracing the life and music of Douglas Lilburn. The set is made available through SOUNZ in collaboration with Radio NZ Concert and the producers Roger Smith and Gareth Watkins. Interviews with the composer, his family, friends, and colleagues both composers and performers make this a comprehensive and remarkable documentation of New Zealand’s most influential composer. The CDs are accompanied by a comprehensive booklet, which i…

Saxophonist and composer Ulrich Krieger is already widely respected for having been a part of the incredible Zeitkratzer and having collaborated with Merzbow. However this fifty-minute composition is possibly his most striking to date. A collaborative effort with Alan Licht, Tim Barnes and Sonic Youth's Lee Ranaldo, 'Fathom' is a deep, doomy exercise in patience and subtlety. With stark, minimal percussion and a bleak, haunted soundscape punctuated by Krieger's blackened woodwind tones th…

Novi_sad is the guise for Thanasis Kaproulias (b. 1980) who holds a degree from the Economic University of Piraues. He lives and works in Athens, Greece. Influenced by the pioneers of audio assault, he began generating sounds in 2005. No studies, no academic education, no scholarships, just pure learning by doing. Amplified environmental recordings, drone manipulations, structured ambient soundscapes, microtones vs overtones, all come together in a hyper structure of iconoclastic form. Novi_s…

Squim, aka chris phillips, is an obsessive recordist living in portland, oregon. in the '90s, he was very active in the underground mail art and tape trading scene -- running the circle x label out of salt lake city and releasing several well-received cassettes on the bobby j. label. this album will be his debut on the vinyl format and was chosen as being the standout from among a half dozen other unreleased albums of recent recordings. on zephyrus, squim blends repeating melodic motifs with…

Remastered issue of an obscure tape from the mysterious outer limits collective (wingdings / explorers / matrix metals / foxy baby / yoga / 90210 / etc). limited to 425 copies in pro-printed duo-tone sleeves with a 5-page essay booklet.Flashback Repository is a storehouse of collective waste consciousness from all beings of the universe, i.e. all unfiltered myth & material of the human/alien/animal mind, laying dormant in a hidden dimension resembling a disposal area or transfer station somewher…

Marcus Schmickler's new release following his acclaimed Altars Of Science (EMEGO 082CD) is a must-have for those interested in the rising field of contemporary computer music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler, therefore, utilizes a new interpretation of 1960's discovery, the Shepardtone, discovered by Roger Shepard, which creates the auditory illusion of a tone that continually rises or descends in pitch yet ultimately …

Axolotl Lullabies drifts through the uncanny: Felix Kubin braids nocturnal synth miniatures, tape apparitions, and lullaby forms that refuse to settle. Melodies flicker like phosphorescence, rhythms breathe and retract, and silence becomes a soft voltage. A cradle for insomniacs and dream mechanics alike, it hums at the border where comfort and curiosity blur.

Limited to 300 copies, numbered. Comes with insert.' label info. Oliver Peters (1970) lives and works in Berlin. He begun producing electronic music in the 1990s, and has been recording and performing as as Evapori since 2002. His compositions are mostly based on concrete sound sources: field recordings, transformation of found footage and the use of self-made sound objects or classical instruments such as piano or cello. Together with Nicolas Wiese ([-Hyph-]), Peters established the record labe…

“Pogus is very pleased to release its second recording by composer Dimitri Voudouris, a South African composer of Greek birth. As Massimo Ricci wrote in his Touching Extremes review of the first Pogus release: "Voudouris is interested in the 'research of cognitive psycho-acoustic behavioral patterns in humans and the behavior of sound in relationship to continued environmental changes'. Don't let the composer's difficult description fool you into thinking about some kind of cerebral pretentiousn…

Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…

RESTOCKED Asheville, North Carolina resident Ross Gentry performs and records under the guise of Villages. With dense layers and glacial droning, he creates engaging narrative soundscapes that evoke the shifting fragility of the early ambient movement as well as the elegance of symphonic composition. The Last Whole Earth is engagingly contemplative and meticulously well-crafted drone. With washes of guitar and synthesizer, subdued vocals, field recordings and minimal noise, Villages devise…

Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…