Electronic / All styles

Anthology One is culled from the first three cassette releases by Voice of Eye; Isolation, Voice of Eye and Resonant Fields / Hot Gypsy Fink Hell, all three Tapes released on thier own Cyclotron Industries Label between 1989-1991 These are the earliest recordings by Voice of Eye. Voice of Eye can be doubtlessly described as the protagonists and godfathers of the special genre of Ambient-Ritual-Music. Their specialty is "organic sound sculpting": a form of electronic ethnic ambient music th…

Limited pressing of 500 copies on LP: Matmos, Wobbly & J Lesser present: Simultaneous Quodlibet. These pieces originated in improvised recordings which were then taken to Snowghost Studios in Montana & overdubbed with additional instruments, synths, drums, bass and organs. They were then edited down over the course of a few months until becoming a fully realised studio album of carefully constructed and meticulously composed pieces rooted in music that could only have been performed spontaneousl…

Following their mystical, dark and haunting self titled debut album on Utech Records (home of Aluk Todolo, Horseback, Final, Skullflower, Runhild Gammelsaeter, James Plotkin...), Ural Umbo return with their follow-up release, an even more dense, forward-thinking, nebulous post doom record. An organic and hypnotic mixture of lurking electro-acoustics, atmospheric black metal approaches, epic drones, slowly evolving melodies, doom mantras and an overall psychedelic atmosphere.

This is the final chapter for this project run by Gianluca Becuzzi - well known for his old dark wave project Limvo but also for his solo works and collaborations with Fabio Orsi. Final Archives is a sort of collection of rare tracks recorded from 1999 to 2006 totally reworked and remastered in 2009. Absolute Grey is the title that Kinetix gave to his graphic artwork selection exhibited with an ambient score specifically composed for the exposition space. The exhibition is made up of ten grey sc…

A twenty-minute concept by the dark ambient maestro inspired by Haitian Voodoo as portrayed in Maya Deren's Divine Horsemen: The Living Gods of Haiti. Growling vocals sounding like they came from the heart of a cave soaked in a creepy atmosphere slowly turn into a sinister melody influenced by dark disco. Limited edition of three-hundred copies with a frame from the movie screened on the blank side. 300 copies, one-sided silkscreened black vinyl Artwork by Nico Vascellari

Somewhere in the Chukotka tundra, at the coordinates N 66°37' W 172°40', September 2006. A Vezdekhod tank - the all-terrain vehicle that remains, across much of Siberia, the only viable means of transport - moves through a landscape that resists every other form of passage. Carlos Casas is inside, recording. The noise is overwhelming: the resonance of the engine inside the cabin so intense, so physically present, that the only music capable of cutting through it, the only sound that could exist …

In December 2009 Zebra (Roel Meelkop & Frans de Waard) were invited to play a hommage to Martin Hannett, the legendary producer of Joy Division, A Certain Ratio and Section 25 (to mention Zebra's favorites). This was the start of a long Factory Records weekend in Brussels. Zebra picked their favorite Martin Hannett productions and sprinkled them some further with their extraordinary electronic means to create a groovy, dense slab of music. This album is called 'Live In Leugen'. Leugen is the dut…

Emotional distance. Scientism. Abuse. Greed. Love. Self destruction. A study of modern, alienated, forced-individualists, wired together in our hell. Initially a collection of high-volume live pieces by Unks and Graham, this work was crafted into album form with contributions from a group of like-minded friends who performed together during the tours of the same name in 2009. Weapons-grade Trogotronic electronics utilized throughout. Four-panel poster sleeve. Photograph by Olli Kekäläinen…

Pauline Oliveros & the University of Michigan Digital Music Ensemble, directed by Stephen Rush. This DVD, recorded live at University of Michigan, features three of composer and performer Pauline Oliveros' compositions: Sound Piece; Sound Fishes; and Heart of Tones." Audio in 5.1 surround sound; bonus features: audio commentary on Sound Piece by Stephen Rush, Chris Peck and Jon Moniaci; "Spectragram Visualization" version of Heart of Tones; program and posters; scores and bios.

Finally Restocked: Byce Beverlin II is a prolific, multidisciplinary artist based in Minneapolis. His primary discipline is music - specifically, freely improvised vocals and percussion. Seizing Fate by the Throat is a distillation, the spirit of 15 years of spittle and brass vapors collected in this studio recording from March 14, 2010. Quietly tinkering with an array of metal, plastic and wooden objects, Beverlin draws the listener in only to reveal that he is unlocking the cage of a l…

Timeless Pulse Trio is Pauline Oliveros, accordion, with percussionists George Marsh and Jennifer Wilsey. Released in honor of the 20th annual Deep Listening Retreats held this year in Camallera, Spain and Petaluma, California, this is the third Timeless Pulse album. Formed in 1991 during a residency at the Deep Listening Institute, the full ensemble, including Thomas Buckner and David Wessel, has released two live recordings on CD: Live at CNMAT and Quintet. This is the first time this entity h…

Distorted digital sound with interesting sides of matter. Borghi gets the electro-acoustic music out of quicksand showing an hot and dark way to escape. Made using custom max/msp applications, analog effects and varied sound sources. Great first work! "Andrea Borghi’s solo album is ultimately more rewarding for its (relative) sparseness, with some unspectacular but extremely effective laptop treatments adding some fizz to his thrummed fuzz bass jams. It’s still a case of listenin…

Second album after well acclaimed Xax, Tropico is the proof of Vipcancro’s ability to make trips over the edges of industrial-drone-noise exploring several aspects of contemporary music too. Maybe avant or maybe impro, amazing music of course!

The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…

Third soloist album by Roberto Opalio (My Cat Is An Alien, Painting Petals On Planet Ghost, Praxinoscope). During the same period of self isolation in the Westrn Alps that brought to life MCIAA's 'Photoelectric Season' double album, Roberto conceived the creation of his new full-lenght album, inspired by the mystic aura of the nature surrounding himself. Focusing himself on his peculiar wordless vocalizations, and using simply a mini-key…

"Truly an "underground" project, Fougou (pronounced "foo-goo") is a new venture by Brian Lavelle and Matthew Shaw which takes its starting point in the mysterious prehistory of Cornwall in the southwest of the British Isles, in particular that areas's enigmatic subterranean chambers known as fougous. Credible theories have proposed that the purpose of these chambers was ritualistic - as portals to elsewhere. The music of Fougou flows from that idea and is inspired also by the writings of British…

There's a particular kind of composition that refuses to be experienced in a single sitting - music that unfolds across hours, even days, before completing its cycle and returning to its beginning. Mireille Capelle's Sonic Architectures exist in this expanded timeframe, where sound becomes something closer to installation than performance, to architecture than song. Each Sonic Architecture consists of two compositions that can function independently but reveal their full dimension when played si…

LP edition: born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that c…

"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworking of Rick Wright’s Eastern-tinged organ mantras on Pink Floyd’s Ummagumma. He adds field recordings and occasional processed vocal incantations. Though modest in ambition, this is impressively concentrated work; its sense of warmth and honesty under…

Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to the catalogue of both artists "Asmus Tietchens proposed that he and I work together years ago — many years ago. For a variety of reasons it didn't happen , and at this point I don't remember any of them. Finally we agreed to start: I asked him to send…

Both compositions on that record related to (more or less) to the “tape music”. The piece of Argentinian experimental master Anla Courtis is solely based on manipulated sounds of geyzers, recorded in South America. Ukrainian Edward Sol works with weird cassette loops, lo-fi oscillations and some primitive tones from his vintage USSR-made analogue synth Polyvox. Generally speaking, the sound of this record belongs to the monolith dark drone music.

2005 release ** "This is the first full-length CD release by Norwegian noise artist Andreas Brandal. He has been making music with various bands and projects since the late 80's and released a several 7" and LPs on famous Norwegian label Smalltown Supersound as solo artist, as well as a participant of improv-noise duo Larmoyant. "Drive Home With A Hammer" is not "just another noise record". Once you hear it, you will be unexpectedly surprised by unique sense of Andreas in manipulating with inter…

1st duo release, unedited live recordings from Pauline Oliveros on accordion, conch, percussion and Expanded Instrument System & Chris Brown on piano and live computer signal processing. "Long time friends and colleagues, this is the first ever duo release by Pauline Oliveros and Chris Brown. Music in the Air features Brown on piano and live computer signal processing and Oliveros on accordion, conch, percussion and Expanded Instrument System. The three pieces on the CD were recorded live in the…

Skare is the collaboration of Mathias Josefson (Moljebka Pvlse), Fredrik Olofsson and Per Åhlund. The members of Skare are all fascinated by the circulation of water, snow and ice. The metamorphosis from gas to floating liquid to snow to solid ice through freezing, the light reflecting from the snow and filtered through the ice as a prisma and - most of all - the sound of this ever ongoing circle.Skare's first album, Solstice City, is an interpretation of a journey through a shifting landscape w…

Norwegian guitarist Håvard Volden (12-string guitar, objects) and Japanese master Toshimaru Nakamura (no-input mixing board) recorded these two pieces in Norway in 2008, creating what one Norwegian reviewer calls "a timbre based album with some auditory surprises." The music is "slow and quiet, with contrasting elements. A cutting tone, a crackling flicker, or a deep bass tone gives the progress colour. It is exciting to listen to an expression that moves with this much unpredictability." Norman…

2010 release ** "Sabine Ercklentz plays trumpet and electronics and Andrea Neumann plays inside piano and mixing desk. Especially music by the latter we came across in the field of improvisation, and this disc is surely another fine work in that direction. But its also an expansion of their territory. Somewhere in the second piece, the title piece there is all of a sudden a rhythm coming in, which must be like heresy in the world of improvisation. The whole work is pretty vibrant with the trumpe…

'The first release from Andy Moor and Colin McLean since they disbanded Dog Faced Hermans 13 years ago. A collection of live recordings of improvisations over a period of three years in collaboration with several dancers that took place in Amsterdam at OT 301. Andy's unmistakable guitar blended with live sampling and electronics from Colin, creating a dark filmic atmosphere.'

The Monroe Doctrine is the March edition of Jazkamers 2010 monthly abum series. This CD is a 30 minute track with full on noise rock free jazz improv beat hysteria. Performers are the regular four piece of Gross, Hegre, Marhaug and Drønen. Beautiful artwork by José De Diego.

** Edition limited to 300 copies with full-color sleeve, inner sleeve and insert, reproducing some very inspired scenes from the movies of Pierre Clementi. ** First performed at the CAPC Museum of Contemporary Art in Bordeaux in March 2009, “Soundtracks for the movies of Pierre Clemanti” is an electronic concrete music including many references to psychedelia, kraut, spontaneous sound creation of the 1960s-70s, building an intense dialogue with the specific universe of Pierre Clementi. Even if p…

RESTOCKED! 10/10 on Foxy Digitalis, writing "best psych album of the year! Maybe even best psych album ever?! “Stone Circle” deserves much more than a measly ten stars!”. Wood-land have released a few bits and bobs on the Install label but i'm totally unfamiliar with their work. 'Stone circle' is the duo's first full length release, limited to a super small run of 100 copies. On first listen i reckon it's total winner. Twenty tracks of brooding lo-fi instrumentation that sounds like it was recor…

Is MTV unplugged still going? I haven’t watched MTV in about 15 years... Anyway Aidan Baker has a CD out on Install called ‘Dry’ and the name is a clue to what’s happening on the recording. Basically the man is playing his electric guitar ‘“Dry” i.e zero effects. Okay so his guitar is plugged in but this is kinda like his Unplugged session. What a session it is too as his sound is stripped right back to its basic elements. What this really reveals is his genius guitar playing which can sometimes…

Another week, another fine drone/ambient release, this one is from Jason and Shinobu through the mercurial Install. Slow waves of evocative drifting textures are randomly assaulted by sinister outbursts of grizzled fuzz, creeping up the sides of the stately walls like curious splashes of acid whilst someone in the distance metrononically taps a length of piping in an echo chamber. Further investigation reveals a CD that is quite bleak & industrial, kinda post apocalyptic. The sounds on 'Headless…

RESTOCKED!! Limited to 300 copies only "We haven't heard from New Zealand dronescaper Peter Wright in about a year. Well, it's been at least that long since we've reviewed one of his discs. Somehow two other Wright discs slipped through the cracks in that time though, which is a shame, since pretty much everything we've heard from Wright is fantastic. This latest double disc is no different Nine looooooong tracks spread out over two discs, most in the 15-20 minute range, which is ideal for Wrigh…

2008 release ** Limited edition of 100 copies. "Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone."

2007 release ** ""The enigmatic Luke Hazard emerges from the black woods of West Virginia with an album that sounds cursed and burnt up from the very beginning. Eth boldly marks the birth of the Install label and as you might expect, it doesn't fool around. At times primordial and cosmic, Ourson guides you through barren windswept landscapes of rock and mud while simultaneously ripping apart the stereo field like a crusty blood-stained cloth. Eth is a truly epic recording of both gentle and unfr…

splendid double CD set documenting César Bolaños - one of the leading artists of the Latin American avant-garde of the mid 20th century -  amazing early electronic work. The recordings bring together for the first time a definitive edition of his work on a double CD, the music have been digitalised directly from the original tapes and really have a fabulous clarity. So much music these days is labelled as experimental but I often I ask myself if it's creators are genuinely experimenting. That ce…

Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz

The Bern Project presents six new compositions that Chatham recorded in Bern together with Swiss musicians Julian Sartorius (drums), Mago Flueck (electric bass) and Beat Unternhrer (trombone). The best parts of many hours of recordings were mixed, edited and complemented by Hinterzimmer's Reto Mder and became some kind of the first Rhys Chatham album with band since 1987s Die Donnergötter...

2025 Stock.  EM Records presents the CD and vinyl reissue of Nicolas Collins' Devil's Music, originally released in 1986. The New York-based experimental composer and circuit bender created this work through live radio sampling techniques that anticipated developments in electronic music production by several years. Collins developed his practice through collaborations with Christian Marclay, Elliot Sharp, David Shea, David Tudor, and John Zorn, establishing himself as significant figure in expe…

2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathta…