We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…
Limited edition of 200 copies housed in spot gloss jacket with art insert... Sound artist and field recordist Fabio Orsi presents the 3rd edition on Italian label Ricerca Sonora, complementing meditative LPs by Philip Corner with three augmented location recordings. Immersive sonics sourced from Wannsee lake outside of Berlin form the basis for a trio of dense, drifting pieces rich in microscopic and macroscopic detail. Wildlife sounds ring clear and true across muffled low end murk and subtle, …
The Preservation label presents Slay Me in My Sleep, the sixth album from Melbourne's Grand Salvo. Under the guise of Grand Salvo, Paddy Mann has established himself as a songwriter of unique heart and soul with a depth of lyricism matched by warm but widescreen musical vision. 2009's Soil Creatures sealed his reputation, being his most stark and concise statement yet. With Slay Me in My Sleep, Mann has returned to familiar territory, writing a parable as song cycle similar to his epic fairytale…
2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.
Between 1982 and 1984 Death Magazine 52 played around 20 shows mostly within the Black Country region of the U.K. Sometimes they played under the name Spontaneous Human Combustion which was the moniker they originally started out with. These recordings capture the core group and its floating membership at various stages of their existence. Recordings from the studio sessions and live sets, including playing to a school hall full of teenage girls at 3pm one afternoon, and as the final band to pla…
2012 release ** The legendary M.B. / Maurizio Bianchi and the vulcanic Andrea Ics Ferraris team up for a special collaboration titled Vir-Uz. Their symbiosis has generated deep and intimate tracks around the biblical figure of Job, as you can read inside CD’s notes: “A salutary protagonist existed in proved real life with his disorientating trials at the lewd hands of Satan, his captious discussion with false friends on the origin and nature of his terrifying accidents, and finally a wise respon…
Kiko C. Esseiva is a composer with Swiss and Spanish roots who lives in Lausanne, Switzerland. He creates electroacoustic sound pieces that are, not unlike those of the French master of the genre Luc Ferrari, warm, non-academic and colourful, spreading a humanity and richness that is far away from the sterility of a lot of today's electronic compositions. He creates very diversified atmospheres which combine acoustic instruments, noise, human voices, field recordings and static sheets of …
2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
The original LP was released as a sound track on EMI 1975. Improvisation studio recording with LSD and Hashish. Recording member: CYRILLE VERDEAUX, TIM BLAKE (GONG), GILBERT ARTMAN (LARD FREE, URBAN SAX)...etc. Reissue with elaborate miniature paper sleeve of the original LP. 2008 digital remaster version, limited 1,000 copies!
restocked, very last copies around **Limited edition of 100 hand-numbered copies housed in die-cut jacket with tessellating artwork insert** A fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns by the tightly intuitive duo, Francesco Petricca and Manuel Cascone, aka Nastro. The title of '300 mq' alludes to the size of their recording space in Rome which they were contractually obligated to tear down "with their bare hands" (remember, t…
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
"NNF debut (after an EP on 100% SILK) by this Iowa City electronic maximalist. M.R.E.M. is the first purely solo Cuticle release, after working with a series of part-time collaborators, and it's freed him to let loose his wildest and weirdest impulses."
Reissue of the landmark album from this legendary Austrian minimal band. Chuzpe combined English lyrics with Viennese dialect, modernism and underground with the Austrian Top 40 of the early '80s. 1000 Takte Tanz is filled with timeless classics of Austrian music history. Pressed for the first time on 180 gram vinyl, remastered by Amann Studios. Includes insert.
How does music happen, and why does it happen sometimes? In June 2010, the TOT1.0 festival took place in Athens, small steps towards a greater affirmation of the small music community that has been blossoming in the hell-hole that is Greece’s capital. As part of the festival, two foreign improvisers (Ferran Fages and Grundik Kasyansky) were invited to take part in the proceedings. While we were at it, we got notice that Robin Hayward also happened to be in town during those days, for unre…
This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian…
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
The third of the experimental electronic releases on the PDU label (along with recent Wah Wah's offerings Elektriktus' Electronic Mind Waves and Roberto Cacciapaglia's Sonanze) was released in 1978 and offered amazing cosmic passages in the purest Gillet Lethman & Cosmic Jokers style, built with piano, synth and even a spice of disco rhythms, plus sensual voices in a Cantori Moderni d'Alessandroni or Edda Dell'Orso feel adding for an exotic touch. Reissued for the first time in a limited edition…
The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…