Water's Edge
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
Crosshatches
Crosshatches was composed, recorded and assembled by Tsunoda and Pisaro over a period of 14 months, as a single 85 minute work in eight sections.
300mq
Limited edition of 100 hand-numbered copies housed in die-cut jacket with tessellating artwork insert** A fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns by the tightly intuitive duo, Francesco Petricca and Manuel Cascone, aka Nastro. The title of '300 mq' alludes to the size of their recording space in Rome which they were contractually obligated to tear down "with their bare hands" (remember, this was the time of the great Italian glove …
Event '73
"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …
1000 Takte Tanz
Reissue of the landmark album from this legendary Austrian minimal band. Chuzpe combined English lyrics with Viennese dialect, modernism and underground with the Austrian Top 40 of the early '80s. 1000 Takte Tanz is filled with timeless classics of Austrian music history. Pressed for the first time on 180 gram vinyl, remastered by Amann Studios. Includes insert.
Tables and Stairs
How does music happen, and why does it happen sometimes? In June 2010, the TOT1.0 festival took place in Athens, small steps towards a greater affirmation of the small music community that has been blossoming in the hell-hole that is Greece’s capital. As part of the festival, two foreign improvisers (Ferran Fages and Grundik Kasyansky) were invited to take part in the proceedings. While we were at it, we got notice that Robin Hayward also happened to be in town during those days, for unre…
Mimus / Skua
This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian…
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Midnight In Space
A ghost surfaced in Italian record shop windows in 1978, bearing a single unexplained name and then dissolving back into the dark it had spent forty minutes describing. Midnight In Space is one of the great unsolved riddles of late-1970s Italian electronics. It arrived on PDU, the label founded by the pop singer Mina, an imprint better known to most for glossy chart records but cherished by collectors for two other reasons: its Italian pressings of the German Cosmic Courier clan, and a small run…
Inward Eye
The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…
Fields Have Ears (6)
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…
Feel Free
The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…
The Black Rain
Anoice's first album for Important had a modest (but critically affectionate) impact upon its release. However, sales of the record have been steady & strong since it originally came out in 2006. Now, six years later we're pleased to finally offer The Black Rain, Anoice's reaction to both the darkness & hope that engulfed Japan after the 2011 earthquake, Tsunami & nuclear meltdown. Black Rain was written throughout 2011 and recorded in Tokyo and London. The Black Rain is both a reflection on dis…
Spiral Mirror
Formerly Boy+Girl, AG Davis created an unrelentingly aggressive disk. Stripped-down dark electro-noise sprinkled with some kinder moments… You’ll need to go outside for a minute after this one. Incredible artwork/cover!
Blitz Gazer
Since 1999, DAT Politics is by far one of the most ecstatic electro party bands on the planet. Their remarkably energetic live shows explain the cult-like enthusiasm that surrounds the French electronic combo as they've been touring the world extensively over the years. DAT Politics channel a rough-edged turbo-pop mood through their laptops to create some of the most unexpectedly catchy and lively music ever assembled. The possibility of mistakes and chaos in their hot-wired dance tracks …
Pinna
Pinna presents Tim Blechmann and Klaus Filip, two key figures in European laptop improvisation, in a single uninterrupted set. Recorded in July 2010, the performance unfolds as a meditation on gradation and resonance - sound as a moving field of vibration and air. Both artists shape their output on laptops: Blechmann crafts slowly shifting waves, centralizing spatial detail and nuanced low-frequency motion; Filip brings a refined palette of microtonal sinewaves and pulses, structuring patterns t…
Little Mornings
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper
Trees without Leaves
Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …
Brain Pulse Music
Years of research into the bio-electric output of the human brain have now been harnessed with the creation of a device that allows man to monitor and interface with another's brain using a box that appears to be no more complicated than a guitar effects pedal! Batoh's experiements with this machine are only part of the album; the other tracks utilize traditional Japanese ritual melodies and instrumentation to form a prayer/requiem for the victims of the Great East Japan Earthquake. A dee…
Slime Zone
Slugfield is a trio with Maja Ratkje, Lasse Marhaug and Paal Nilssen-Love. They've been playing for some years, but the first release is available now.