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*2026 stock. 300 copies limited edition* Out of Season is proud to present I by Fief, a reimagined release that breathes fresh life into the project’s original spirit—combining introspective momentum, vivid atmosphere, and a deeply personal creative voice.
I revisits the emotional core of the work while offering new depth through refined sonics, renewed focus, and a heightened sense of perspective. The result is both a return and an evolution: familiar enough to feel immediately personal, yet tr…
*100 copies limited repress on purple vinyl* Small sounds and huge drones populate the surrealistic landscape of “Materia Vibrante”, Susana López’s gorgeous new album, her third for Elevator Bath and first on vinyl. Extraordinarily evocative, this LP is filled with detail and emotive tranquility, while occasionally swelling with the intensity of a raging sea. Surely López’s most elegant and finely hewn work to date, “Materia Vibrante” offers a fully enveloping sonic meditation. The album was bui…
*200 copies limited edition* Watching the smoldering rubble of Hillsfar in the earliest moments of dawn, something catches your eye along the docks. Raiders return to their ship, checking the sails and preparing the rigging to make their escape. Seeing no other opportunities, you find the spaces between their attention to board the raiding vessel to stow away beneath the deck. In a short time, the raiders shout as their boat is heaved through rough waters, making great motions diving up and down…
*200 copies limited edition* Compiled to include with purchase of the vinyl gatefold release of The Moonsea Saga from Out of Season, this collection contains both Jewel of the Moonsea and Raiders on the Moonsea.
Venture forth into the coastal city of Hillsfar, explore the dark corridors where unseen evil dwells. Take refuge in the outlying forests among the ancient entities forgotten by time.
Italian sound artist Giulio Aldinucci returns with his 5th album on KARL: „Materia” is unsurprisingly a truly masterfully composed and sound-designed ambient masterpiece that adds perfectly to a series of critically acclaimed albums like “Disappearing In A Mirror” (2018) or “Shards Of Distant Times” – some of which made it onto several year’s best lists.
Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms—from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalogue—they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, n…
*200 copies limited edition* Ten years after "Il dipinto ucciso", Candor Chasma returns with "Seance". While the album comes full circle, revisiting the project's original fixations - the spirit world, stripped of any gothic overtone - it also signals a decisive shift in sonic language. Frameworks of abstract noise, fractured post-techno structures, asymmetric rhythms and heavily processed percussion, filters and saturation pushed to their limits: all shape five compositions poised between hypno…
Tip! *Edition 100 copies* A daily ritual turned into a suite. Written in the wake of Ryuichi Sakamoto's passing in early 2023, Redemption Suite I-IX: For Piano & Textures finds Richard Pike - once of the Warp-affiliated band PVT, now among the most quietly compelling figures working between the piano and the machine - returning to the instrument each afternoon as an act of what he calls "real-time composition". Issued by Salmon Universe, it is his first record centered on the piano, and among th…
Even with just basic knowledge of the conditions of the totalitarian regime in the former Czechoslovak Socialist Republic (ČSSR), it is not difficult to understand why the project Maťkovia was never allowed to release anything officially during its existence from 1982 to 1987. The ironic, nihilistic lyrics full of dark humor, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time. The work of the …
Clairvoyant Dimensions is the first album by Mei Honeycomb, a new duo of Jordan Czamanski, renowned as a member of the acclaimed Juju & Jordash and the Magic Mountain High project, with solo work released as Jordan GCZ, and legendary saxophonist Jeff Hollie, known mostly for his work with Frank Zappa and Ike Willis. An explorative ambient album, Clairvoyant Dimensions is an exercise in distance and contemplation, and the exhilarating feeling of insight, however fleeting, like staring at the midn…
"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…
Milk magic, cheesy rhythms, preset delirium. Magia Láctea departs from a simple setup: a Solton arranger keyboard, used not for accompaniment but as a central sequencer. Its built-in presets - Latin, Italo, and other cheesy standardised patterns - form the starting point. Two long-form improvisations unfold from this set-up. The Solton acts as both driver and instigator, pushing and entangling the Future Retro Vectra and BARP 2600 into a dense, slightly deranged ecosystem of dairy delirium. Side…
Lamasz and Grandbruit return to Past Inside the Present for the first time in more than five years with Fictions, the first collaborative recording from brothers Pier-Luc and Francis Tremblay. Following four acclaimed solo releases across the label, Fictions brings together the defining elements of both artists into a single body of work.
Drawing from the tape loop driven structures of Nature Morte (PITP-C016, 2020) and Broderie (PITP-C021, 2021), alongside the layered guitar compositions and en…
Tape loops and noises from our friend dolphin hospital, initially they were performed live this spring in Paris, being overwhelmed during the shows, we just asked for the live recordings and decided to release them, voila!!!
Nigerian ambient producer Ibukun Sunday returns with new full length Olúsín [Worshippers], combining West African rhythmic sensibility with deep ambient sonics for a study of faith and reverence that explores the inherent stillness in worship. The record, writes Sunday, “draws inspiration from African devotional traditions, blending percussion, vocal harmony, and ambient soundscapes to create ‘a soundtrack of praise,’ centering on the idea that faith has its own music: the drumbeat of hearts, th…
The album ‘November 89’ comprises a selection of very early GAS tracks, some of which date back to the late 1980s. They were first released in 2008 as a CD insert in the art book ‘Wolfgang Voigt GAS’, published on Raster-Noton.
Just like the photographs in the book, these pieces are early precursors that would evolve in the ensuing years with the albums ‘Zauberberg’ and ‘Königsforst’ into a style-defining, audiovisual “Gesamtkunstwerk” (total work of art) comprising hypnotically focused forest i…
Bringing page and tape into the same charged zone, this bundle pairs A Journey Through Sound, Silence and Return with M.U.U.N.H. 31.04.1982, uniting Maurizio Bianchi’s most ascetic industrial vortex with Raffaele Pezzella’s definitive monograph. Together they form a single, immersive dossier on sound as extremity, withdrawal and unresolved return.
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
Recorded at a pivotal moment in his trajectory, M.U.U.N.H. 31.04.1982 captures Maurizio Bianchi refining sound into a stark environment rather than a composition. Static yet volatile, it strips electronics to bare impulses, anticipating isolationist ambient and dark drone while remaining rooted in the brutal materiality of early industrial experimentation.