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‘Where is Agartha? What is the specific region in which it lies? Along what road, through what civilizations, must one walk in order to reach it?.’ - Saint-Yves d’Alveydre in 1886 Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even…
4th Generation was released on the 40th anniversary of the Douglas Lilburn Electroacoustic Music Studios at the New Zealand School of Music in Wellington. When Lilburn established the studio it was the first electroacoustic music studio in the Southern Hemisphere and, four generations later, continues to be utilised by composers creating exciting and innovative works. Music by Philip Brownlee, Dugal McKinnon, Lissa Meridan and Michael Norris
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among …
2008 release ** Originally released in 1983, this stands as the missing piece of the jigsaw between Coum Transmissions, Throbbing Gristle and Psychic TV. Scrapbook rehearsals, formative ideas, radio snippets, interviews and general nonsense. CD version of the original cassette release with contributions from the many people that made up Throbbing Gristle, Coum Transmissions, Coil and Psychic TV, brought to you by FOPI. Features: Throbbing Gristle, Genesis P-Orridge, Psychic TV, Monte Cazazza, Pe…
Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums Sc…
This is Fennesz's most reflective album to date. Composed and recorded at the end of 2023 and completed in the summer of 2024. Fennesz set up a new studio space, the third one in four years. He had no immediate concept, this time starting from scratch, with a strict working routine. He got up early in the morning, worked until midday then had a break and worked again until evening. At first, just collecting ideas, experimenting, improvising. Then composing, mixing and correcting. Yet the title c…
Hania Rani’s fourth solo album, her first real live album, Nostalgia, was released on September 27 on Gondwana Records. Nostalgia is the first album to present both Rani’s music and her photos together. Her first ‘real’ live album, recorded in a space with significant meaning for Rani as an artist and person the Polish Radio studios in Warsaw. With Nostalgia Hania presents the studios through her own eyes as somewhere unique and unknown. “Over the years, the spaces of Polish Radio became an impo…
Remastered and sounding better than ever, ‘Compiled 2.0 / 1981-84’ wraps up the most indispensible bits by Gudrun Gut and co’s all-female German post-punk unit Malaria! - effectively Berlin’s answer to The Slits or The Raincoats and one of the key Neue Deutsche Welle and post-punk units of the era.
Following the ambitious all-analog explorations of “Imperfect Space Journeys” (1988) and “Live Electronic Music” (1989), Jeff Carney was determined to push further into new sonic territories and to continue to strive for even more originality while not yielding to the prevailing trend towards digital synthesis. And so, in 1990, Jeff Carney recorded some of his most ambitious analog electronic music. Those recordings were once thought to be lost — rumors about their existence made the rounds — bu…
**Edition of 100** Unlike the electro-acoustic suite “Combustion” which inaugurated the catalog of Anomala Soundscapes in the split album together with Daniele Pecorelli, Mark Schaub’s new work develops on various levels articulating between very dissimilar styles and sounds. The trait d’union between these short compositions is the attempt to recreate the apocalyptic scenarios of Ballard in music, an author so dear to a certain industrial culture that here once again he returns to the center of…
**Edition of 50** Transcendent sound that floats in the ether, dragging with it memories, affections and all the resulting emotional load. Rarefied music, characterized by an impression of impalpable lightness, which in the placid undulations of "Mare Tranquillitatis" and the crystalline transparencies of "Rain People" effectively amalgamates loops, drones and guitar reverberations. On the second of the two CDs, the sound material opens up to new colors and in "Everyone" welcomes echoes of moder…
Tip, last few copies! **Edition of 100** Debut LP for the new label Anomala Soundscapes, the split album “&” creates an ideal sound bridge between two composers based in Rome and, active in the field of research, Daniele Pecorelli and Mark Schaub. The first, through the gradual expansion of the sound material contained in the "Who’ll Frame My Memories in Ash" suite, works by metaphors, ideally and effectively representing the idea of death, the dispersion of vital energy, and the persistence of …
Tip, few copies available! **Edition of 100** Dissimilar works documenting different experiences. A collection of disparate live and studio recordings, sourced from field recordings and weird self-made instruments. A curious mix of acoustic and electronic sounds like many little voices buzzing and screaming in a desolate mechanic land establishing an otherwordly surreal landscape. At times bizarre, at times claustrophobic.
Tip! **100 numbered copies in black 'disco bag' cover with sticker, 180g audiophile vinyl** Active on the scene for more than two decades, Maath is the moniker of Marco Ramassotto, who briefly came to note during the early 2000s as a member of the ritualistic, musical excursions of Biasthon, as well as working under the pseudonym of Mark Schaub. Despite Maath’s many years of activity, Ramassotto has only produced a tiny number of releases under that guise, most notably “No Survivors for the New …
Huuuge Tip! **100 numbered copies in poster cover with printed inner sleeve, 180g audiophile vinyl** Since its launch roughly five years ago, the Rome based imprint, Anomala Soundscapes, has quietly mined Italy’s rich context of experimental electronic and electroacoustic music, focusing their energies toward the densities of meaning and possibility activated by these practices and territories of sound, via releases by artists like Mark Schaub, Daniele Pecorelli, and Rumore Austero. The label’s …
The remix album, with marvelously creative EDM remakes from some of the best powerbook players of the day: Mouse On Mars, Jim O’Rourke, Kid Loco, Schneider TM, Stock, Hausen & Walkman, Cornelius and The High Llamas themselves. In addition to showcasing this emerging new generation of digital masters, the treatments here also highlight an oft-undersung aspect of The High Llamas’ sound – the influence of Krautrock.
Robert Rental takes up residence with Dark Entries again for a reissue of Mental Detentions. Robert Rental was a Scottish pioneer of DIY electronic music. Along with his illustrious collaborators like Thomas Leer and Daniel Miller, Rental helped shape the countercultural sound of the UK with his timely melding of Krautrock, dub, and punk. Originally from Port Glasgow, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Renta…
Terry Riley’s Shri Camel is a meditative masterwork blending the feeling of eastern music with repetitive electronic patterns, obtained using a modified Yamaha YC-45D combo organ tuned in just intonation and augmented with digital delay. In C and Rainbow in Curved Air get all the ink (inc?), but its own somewhat subtle way, 1980’s Shri Camel, the last of the three brilliant albums Terry Riley recorded for CBS, is every bit as groundbreaking as its hallowed predecessors. Not content to rest on hi…