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About the novella: It’s 1987 and music-obsessed teenager, Rob, spends his time playing in an electronic pop duo with his best friend, Glen, and dodging the homophobic bullies at school. When his girlfriend, Claire, suddenly goes missing, the police suspect he knows more than he’s letting on. Trying to discover what happened to her, a series of strange events make him question both his own sanity and the world around him.
About the album: The ‘Teenage Wildlife’ soundtrack is like a frozen moment…
"Kevin Tomkins is best known for his work in Whitehouse and his own group Sutcliffe Jugend, now called Sutcliffe No More. He also worked with Bodychoke, Inertia and Patient K. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high fre…
"The album "Große Statik" is a captivating collaboration between two influential figures in the experimental music scene, Club of Rome and Asmus Tietchens. Released by Klanggalerie, this album showcases their unique approach to sound manipulation and composition. Club of Rome, known for their innovative use of electronic instruments and unconventional soundscapes, brings their signature style to "Große Statik." Their ability to create intricate sonic textures and atmospheric landscapes is on ful…
*2024 stock. 100 copies limited edition* Unexplained Sounds Group 8th Annual Report is the 8th chapter of the series that comes out every year in December, and showcases the best 2022 experimental electronic and electroacoustic music. It includes veteran composers alongside younger but equally talented musicians from all around the globe. All musicians here are united by the spirit of pushing the boundaries of music and of charting the new territories thus forged. This 8th edition features artis…
*2024 stock. 200 copies limited edition* Memorie Elettroniche Sonore was the first Raffaele Pezzella’s music release, long before the Sonologyst project. The EP was recorded in the Summer of 2000, and released in the same year on Cdr by Peoplesound (London, UK). No sound was added to the original recordings to preserve the music authenticity, and the cover artwork shows the original picture of the 2000 EP.
*150 copies limited edition* The organ dates back to 1790 and was made by Venanzo Fedeli, who came from a prestigious family of organ builders. This particular organ is tuned in the ancient way at 430 Hz. Tuning relies on pure thirds that aim to create dissonances within the instrument itself. Since the organ is an instrument modeled according to the principles of nature, the intonation of the pipes was performed according to an incompletely equal system that reflects the natural intonation base…
Always timely reissue of Muqata'a's first self-released EP from 2017. After years of fertile digital existence on his own Bandcamp, 'La Lisana Lah' now gets a much deserved tactile version through Souk, the Discrepant sublabel responsible for the already classic 'Inkanakuntu'. One of the most prominent figures of the Palestinian electronic scene, Muqata'a's trajectory has been one of resistance and urgency, leaving a sonic imprint of his own from pretty much the beginning. Without anything tenta…
Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.
Signalling a departure from the inti…
NPVR is the avant garde duo made up of the late Peter Rehberg and Nik Void. Editions Mego is proud to present their second and final release. No this is not some kind of Beatles synthetic AI that raises the dead reconstructed recordings but rather a new album made by the humans and their machines. The initial meeting of Rehberg and Void was in London in 2016 and despite or due to their mutual awkwardness found solace and compatibility in the fact that they both had a similar electronic modular s…
*200 copies lmiited edition* It is not the limit. It’s a fragile shield against the infinitely expanding freeze; it’s a network of invisible rivers that connects every continent and every creature, forever confronting science with its caprices; its psychic soot falls to rest on each of us. With all the reverence that terrestrial awe can afford, the latest work from Washington’s Slow Dancing Society (aka Drew Sullivan) gazes up and asks, Do We Become Sky? Best experienced front-to-back in its 86-…
With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
In 1983, Dieter Moebius (Cluster) and legendary producer Conny Plank teamed up for the third time, resulting in the Zero Set project, originally released on Sky Records. On this occasion, they were backed up by one of the best drummers on the German rock scene: Mani Neumeier of Guru Guru. Plank, usually more of a background figure as producer, takes an equal share of the limelight alongside the musicians. His supermodern studio is brought into play like an instrument in its own right; Plank expl…
This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called Krautrock supergroup Harmonia (with Michael Rother and Roedelius), as well as collaborating on various other projects with the likes …
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
*200 copies limited edition* Open to the Sea, an eclectic music project led by Enrico Coniglio, Matteo Uggeri, and Saverio Rosi, returns with a new album, guiding the listener into a world of delicate intimacy, where sound is but a glimmer of light that seeps beneath the surface of the sea. With "Ten Rooms Under the Sea," we travel through the rooms of time, guided by melancholy but with no risk of falling into genre stereotypes. This album definitively celebrates the collaboration between Enric…
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
Music by Rupert Lally & Benjamin Schabrun - Rupert Lally: Bottleneck Guitar, Felt Piano, Korg Wavestate, Novation Bass Station II, Percussion. Benjamin Schabrun: Violin, Felt Piano, Samples. "After replying sceptically to newspaper reports that strange looking corpses found in the aftermath of floods in Vermont were those of alien beings, Albert N. Wilmarth, a professor at Miskatonic University, is contacted by Henry Wentworth Akeley, a Vermont native, who not only tells him that the corpses are…
Originally presented as a sound installation at the Buskerud Kunstsenter in Drammen, Norway, Joakim Blattmann’s Stegla is based on sound recordings of small movements in trees and of the insects living inside them. In the installation, these recordings were controlled in real time by bioelectrical signals from the trees themselves and then amplified through the trees via surface transducers. For this release, the recordings have been processed with electronics and tape machines to bring out the …
As Celer, Will Long and Danielle Baquet laid out a framework for extended exercises in ambience, texture and atmosphere. Their work, much of which was initially circulated through collectors, traders and fanatics, went on to become a blueprint for an approach to sound that was equal parts patient, generous and drifting. Cursory Asperses collects a unique set of shorter form works that typify the pairs interested in warmth and subtle density. Recorded between 2007 and 2008, it captures a culminat…
AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ dis…