Frizzell & Duque: A Sorrow Unrequited
*200 copies limited edition* "A Sorrow Unrequited is a short but gorgeous collaboration between Frizzell & Duque, comprised of five minimalist explorations of high-fidelity sound. Each piece begins with the statement of a simple melody, which repeats throughout as additional layers accumulate, slowly teasing out new melodies. Rather than linger in the imperfections of media, as so many artists who work with repetition tend to do, instead the duo pursue an attention to fidelity that forces them t…
Primal Forms
*300 copies limited edition* After their last album six years ago, "Primal Forms," the new album by Phantom Horse, finally arrives. The German duo of Ulf Schütte and Niklas Dommaschk have long established a reputation for expertly crafted, hypnotically slow-burning electronic music, and we do not hesitate to say that "Primal Forms" stands among the epitomes of their discography. The sequencing of "Primal Forms" cannot be underestimated. It is an album in the classic sense. It demands to be liste…
Laputa
Laputa, a title taken from the fantastical floating island of Gulliver's Travels is aptly named as 'The album that never landed' for, apart from a limited touchdown in Japan, Laputa was never released. This mystical world is a summation of Yokota's journey so far, a complex and at times challenging work but immeasurably rewarding. Beguiling and bewitching in equal measure.
Over fifteen undulating sonic fugue states, he guides listeners round a liminal world, made up of familiar materials but for…
To Dream Is To Destroy
*110 copies limited edition* This is the fourth studio album of Kryptogen Rundfunk and the first one since the project moved from Russia to the Netherlands. Six tracks full of weird trademark radio noises and interceptions, heavy bass drones and piercing high frequencies, abstract electronic signals and quirky samples. These layered compositions are slowly building up, creating thick mesmerizing walls of sound, yet at the same time leaving room for a bit of flippancy. An uneasy ride for a restle…
The Catastrophe Machine
*200 copies limited edition* "If you remember me, then I don't care if everyone else forgets" - Haruki Murakami
Pro-dubbed cassette in an O-card with a soft-touch finish and an insert / download card.
Quando crolla
*70 copies limited edition* I was invited to a Drove session in October 2023. It was my first time engaging with a sound environment centered on prolonged, mellow listening outside of club chillouts. I set out to rework the live recordings and distill something distant and quiet that I felt was unfolding beneath the surface — a simpler texture, a droning blanket for the ears, a couple of mind pillows.
Microliths and Momentary Drifts
*250 copies limited edition* Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè (Zach Frizzell), Ossa (Kaiton Slusher), and ASC (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present over the last half-decade, but in this combination, …
Issue 136 (Magazine + 7", Orange)
For acclaimed composer Hannah Peel, the momentum just keeps building. A superb new album with virtuoso percussionist Beibei Wang, her continuing ‘night tracks’ show on BBC radio 3, and an ambitious ballet inspired by her Mary Casio alter ego, all point to 2026 being the year she makes another major leap forward.
Aftermath and Transitions (Traces Of The Ukrainian Underground in Cologne (1994-1996))
All profits of this album will be given to Svitlana Nianio!
Pointless
Greg Horn started out in West Lafayette, Indiana as guitarist and vocalist of Dow Jones and the Industrials, a punk and new wave band with a wiry, keyboard-inflected sound that earned them a split LP with the Gizmos in 1980 before the group dissolved in 1981. Horn relocated to Phoenix, Arizona, where he found work at the PBS station KAET and met synthesist Galen Herod. Together they formed Tone Set, the minimal synth-pop duo that released Cal's Ranch and Calibrate and earned rare praise from Mar…
A Celebration of iDeath
Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…
Recordings 1979-1983
Everfriend was the project of New Jersey-based keyboardist Bill Rhodes (real surname Rupprecht), operating with drummer Mike Jacoby and bassist Paul Kozub, all previously connected through a band called the All Night Flyers. Rhodes self-released Everfriend's recordings between 1980 and 1983 on his own Jazzical Records label in very limited vinyl editions: Tropicsphere (1980), Sphere of Influence (1981), and Shoot to Kill (1983), the latter first released as a tape. The project sits in an unusual…
Applied Synthesis
Bill Rhodes was a Florida-based synthesist and composer who spent the 1980s building an idiosyncratic body of work across a series of self-released cassettes and limited vinyl pressings, entirely outside the commercial music industry and largely unknown beyond the tape-trading network he plugged into through South Florida connections and fanzine advertisements. His music was described by Boomkat as spanning "lounge jazz flair to doomy John Carpenter feels," evoking a library's worth of themes an…
Fluorochrome
On Fluorochrome, Sara Ayers turns a tiny kitchen studio into a prism for synth‑pop, ambient and art‑song, layering her own voice and machines into intimate electronic miniatures that feel both handmade and quietly otherworldly.
Sad Songs
On Sad Songs, Scott Alexander steps away from American Music Club into a one‑man synth lab, fusing Eno‑tinged ambience, noir synth‑pop and fuzzed‑out psychedelia into a solitary, homespun detour that never repeats itself.
Recordings 1980-82
On Recordings 1980–82, Sea of Wires condense Coventry bedroom kosmische into slow‑burn circuits: Chris Jones and Tony “T” Murphy channel Hawkwind and German electronics into looping, improvised voyages that feel handmade yet eerily vast.
Synth Pop Art
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
Recordings 1982-1987
On Recordings 1982–1987, YU - Dwaine Woodliff, his brother David and Gaylon - turn Austin’s DIY tape underground into a lo‑fi philosophy lab, smuggling post‑punk, bedroom electronics and dark humour into concept‑cassettes about how not to come apart.
Recordings 1988
On Recordings 1988, YU - brothers Dwaine and David Woodliff with Gaylon - push their Austin DIY ethic to a strange, addictive peak, fusing minimal synth, post‑punk anxiety and home‑taped intimacy into songs that feel like intercepted private signals.
Lost Themes
The first solo album from the legendary director and composer of Halloween, Assault on Precinct 13, The Snake and many more! With the 15 films he has directed and composed the soundtracks for, John Carpenter has single-handedly defined the sound of the horror genre. The film music alone manages to instantly conjure up, in the musical memory of the devoted fan, the menacing figure lying in wait for the babysitter, the ghost-filled mist, the kung fu fighters with their lightning-fast fists, or the…