We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On Solos II, Anton Toorell turns two simultaneously played guitars into a shimmering architecture of tone, tension and air. Recorded in an Italian wine cellar, its three extended pieces use altered tunings, open strings and resonant decay to create lucid, microtonal currents - rigorous in design, but touched with the ease of unhurried improvisation.
Pierre Bastien and Christophe Petchanatz (aka Klimperei) met more than twenty years after their last musical collaboration. “Aeroplane Chess”—what is that? It’s the Hong Kong name for the universal game known here as “Ludo.” Pierre and Christophe play together here on sixteen simple, stripped-down tracks. They pass back and forth their figurines made of melodies, sounds, and rhythms, creating a minimal yet dense ensemble, with nothing missing from these two record jockeys. It brings to mind the …
Insane," or in French, "un truc de malade": expressions often used to describe a strange work of art, a daring piece of architecture, or an experimental piece of music. It’s a comment that should be taken figuratively: not necessarily pejorative, and most often even positive. In contrast, the music of this album reflects a "sick" theme in the true sense of the word, as the two protagonists chose to resume their twenty-year collaboration in the antechamber of a hematologist's office.
The album’s …
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas…
*200 copies limited edition* Recorded live at The Jazz Cafe in Camden, London, on the year's so called "Blue Monday," Live from Camden captures The London Ambient Orchestra in a single evening of collective improvisation. Conceived during the depths of winter, the performance reflects the ensemble's commitment to creating music that encourages presence, reflection, and restoration. While Blue Monday began as a marketing invention, it has since become associated with conversations surrounding men…
The only two full-length records La Monte Young and Marian Zazeela released, together. Four sides and four dates, each one printed in the title to the minute: August 1964, July 1969, January 1973, July 1973. Nine years, from a bowed gong to three sine waves with nobody playing them.
*300 copies limited edition* “Life with my son is real fun. For this album, my efforts to make music that documents or evokes moments of grace and gratitude focused more tightly on our time together. In finding inspiration there, the music sometimes became busier, sometimes more pensive. It’s all reflective. There are moments here when you can literally hear us at play, but more often I’m trying to musically articulate the feeling of ‘I’m so glad we’re doing this, right now, together.’
A through…
For a while the trio just called itself "Me, you and Sue", which suited them - none of the three has ever seemed especially concerned with naming things. Adam Bohman, Sue Lynch and Crystabel Efemena Riley found each other through London's Horse Improvised Music Club and have been playing together in various rooms for years. This is their first record as a three, and it needed a real title. Lynboril Lisinopril takes Lyn(ch), Bo(hman) and Ril(ey), puts the invented word into a search engine and ke…
Tip! *100 copies limited edition* Flung is proud to present Sound as a Bell: collages of piano, percussion, electronics, and found sound stemming from the correspondence between sound artist Fergus Kelly and pianist John Tilbury. Through Kelly’s studio transformations of Tilbury’s recordings – where sounds are stretched, reversed, layered and refracted – the listener is left to drift in a tumbling kaleidoscope that inspires listening at once ambient, improvisatory, surreal, electroacoustic, and …
*100 copies limited edition* Flung is proud to present gwaith anwel, the first recorded document of the long-running musical partnership between violinist Angharad Davies and double bassist Dominic Lash. Recorded in Oxford's Holywell Music Room, one of Europe's oldest purpose-built concert halls, the album distils almost twenty years of mutual listening, improvisation and artistic exchange, bearing traces of a shared musical path shaped through collaborations with figures as diverse as Tony Conr…
Kepla debuts on Liverpool label Sink with new compilation “Outside Time”. Following recent collaborations with Steven Warwick (PAN) and Dialect (RVNG Intl), “Outside Time” brings productions and experiments spanning ten years together for the first time.
Early forays draw inspiration from musique concrete, dub and industrial, using granular synthesis resampling from drum packs, repitched melodies and phone recordings, resulting in a collection of tracks both lo-fi and highly detailed. ‘Part Exhu…
Underpinned by spoken folktales stretching from Indonesia to Poland, a new collaborative EP from Warszawa/Berlin-based Jerzy Mączyński and London-based Flora Yin-Wong arrives via Accidental Meetings. Demons rising from the wind, unknown beings lurking in the forest – the record conjures a landscape built from heady layers of saxophone and the tormented strings of zither, harp, and kemence. Recorded across two intense studio sessions, the EP also features idiosyncratic contributions from London-b…
purely physical teeny tapes perform an invaluable public service in exhuming static cleaner lost rewards breathing under honey from the heady year o 2023, a slack-jawed riddle within the all-consuming enigma that is thee world of tarquin manek.
few records command a reissue so soon after their release, the soil heaped atop the (sainted) low company corpse still remaining more than a little damp, but this ones discreet-to-the-point-of-fury initial release justifies the flogging of the proverbial …
With Random Constraint Satisfaction Problems, the ever elusive and shape-shifting Thomas Bush offers up a new album of category scrambling song craft. Since earlier solo efforts like Old And Red (2018), Preludes (2022) and The Next 60 Years (2024), Bush—currently based in Malmö—has traced a digressive path that has proven him capable of everything from murky wobbling dirges to uptight head-bopping laments to crystalline synth chords that hang precariously in the air over your new favourite bass …
Musique Domestique marks the debut full-length from French duo Adiciatz, a project that emerges from the shared musical curiosity of Manon Nogier and Guillaume Lespinasse. Living near Lyon and making music together since before the pandemic, the pair developed their sound during lockdown improvisations at home — a creative process that quickly revealed a unique musical chemistry rooted as much in folk tradition as in experimental exploration. Drawing on a wide palette of influences — from Occita…
* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…
Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
On Séance of Sleep II: La lévitation de Shéhérazade, David Wunder Brägger turns folk memory, analogue circuitry and microtonal drift into a slow‑burning dream ritual. Droning fiddles, handmade electronics, metallophones and vintage organs rise together, making an ambient record that feels at once archaic, futuristic and gently unmoored from waking time.
On Testing the Waters, crys cole follows water through five electroacoustic chapters of drift, friction and slow transformation. Field recordings, instruments and electronics seep into one another, forming a 2023 WDR 3 commission where trickles, resonances and submerged textures continually retune the ear, making movement feel tactile, uncertain and quietly alive.