Misiiki
Burkhard Beins: percussion & string instruments. Dirk Marwedel: extended saxophone. Michael Vorfeld: percussion & string instruments.
Gdansk queen
AVVA is the duo of Toshimaru Nakamura and Billy Roisz, based in Tokyo and Vienna respectively. AVVA stands for "Audio Video/Video Audio", referring to the working method of the duo. Nakamura produces the music using the internal feedback from his no-input mixing board, Roisz uses that as the basis for her optical moving patterns, and Nakamura has a TV monitor showing Roisz' output, so the whole process is circular and created in real time.Since 1998, Nakamura has been exploring the possibilities…
Still Point
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture speak volumes. Though sounds sometimes sting and startle,the music carefully colours the aural environment,often hardly modifying the silence... growing out of and merging back into it. The results are detailed, meticulous, precise and responsive. S…
Sinopah
World Rhythms originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies."What separates her work from musique concreté is tha…
Violin alone
Recorded at Ljushults kyrka on the windy days of 18-19 October and 14 November 1997
Zwingburgen des hedonismus - Mysterien des hafens
Part 9 of the ongoing re-release series of all early Tietchens albums from 1980—1991 on CD. This combines two seperate releases from 1987 (»Zwingburgen des Hedonismus«) and 1988 (»Mysterien des Hafens« on »Face To Face, Vol. 1«). »Zwingburgen des Hedonismus« was originally released as a one-sided LP on swedish label Multimood and features a singles 21 min. long track composed on a Fairlight CMI. »Mysterien des Hafens« was part of a split LP (the other side feat. Die Form) originally released on …
Combine + Laminates + Treatise (1984)
** Restocked, reduced price** A re-issue of the Pogus LP format with additional material taken from the same concert at the Arts Club, Chicago, USA, 25th May 1984. The difference in the music included on this CD version is the addition of Treatise '84. This, as the audience was aware, was an Amm improvisation inspired and guided, rather than dictated or controlled by Cornelius Cardew's graphic masterpiece. There is, of course, no way that this work could be identified as a composition in the acc…
Kasi Naigo
.....kasi naigo is a sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other...the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question... A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence... This disc is expansive, tense, terrifying and subtle (Boss Sambosa, The Montreal Mirror).
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…
Music and Words
As a member of British experimental group Morphogenesis, Adam Bohman was no stranger to wayward sound experiments when recording this solo CD. Favoring acoustic sounds over electronic he explores the minute tendrils of sounds coaxed from any number of non-musical instruments. The standout on this Paradigm CD is a cassette piece which the artist made of candid recordings of mundane experiences and conversations, using the stop-start technique to construct a collage of text and environmental sound…
Take Your Time
2003 release. A CD of works for solo piano from "Blue" Gene Tyranny.
Thirty-five of the 36 songs in this "audio storyboard" are individually
built around an atmospheric primary chord, counter-rhythms, and a body
of notes which creates a potential melody that unfolds bit by bit. The Driver's Son
is scored for a narrator, a chorus of five people creating fifteen
voices, an electronically modified orchestra of folk and concert
instruments and parts for a lighting designer and a live video ani…
L'Ombra di Mezzogiorno
An extended voice album by Enomìsossab (or, vice versa, Simone Basso) suspended between rock and experimentation, between popular culture and avant-garde roots, to testify of a complex artistic personality and of a “physical” and “emotional” attitude, absolutely uncommon. Overtone chant, guttural sounds, linguistic deformations, the “calembour” and the vocal contortions.Sometimes few notes or a little melody are enough to fell in love with an artist. Sometimes you need to search, to go deep in t…
Watch me getting back the end
2006 release ** Christa Pfangen are Andrea Belfi and Mattia Coletti. The name is an homage to Nico, although the music has obviously no relation with the icon of the New York avant garde scene. They belong to the new electroacoustic/improv/avant-rock scene which is taking shape in Italy and includes such names as 3/4 Had Been Eliminated, Valerio Tricoli, Å, Stefano Pilia and others. Working with percussion, treated guitar and an array of different objects and noises, they have given birth to a d…