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Here's a monster of its own. Not to be confused with Trevor Jackson's early 2000 project (even if the British producer has obviously been informed by post-punk, dub, post-industrial and the likes), Playgroup was more than anything a collective, based somewhere around Bristol and London. Drummer Bruce Smith was the key figure behind the project. Neneh Cherry's husband and fabulous motorik force for The Pop Group, The Slits, New Age Steppers, African Head Charge, and -- more recently -- Public Ima…
Forty years ago, on July 8th and 9th in 1981, a group formed by the splintering of some of Bristol's essential post punk bands, entered the hallowed studio at Berry Street in London to record their debut single. What would emerge was not only an exuberant post funk classic on the A-side, but also a wildly influential dub workout on the flipside, whose reverberations can still be heard today. Both songs have proven essential in very different ways. A focal point for the unique punk-funk that was …
If your brain has a shortlist of bands that instantly evoke New Wave, Suburban Lawns deserve a slot right next to the likes of Devo, Talking Heads and the B-52's. After putting out two singles on their own Suburban Industrial imprint, the Lawns signed to I.R.S. Records and released their debut LP in 1981. While the band gained cult status thanks in part to a Jonathan Demme-produced music video which aired on Saturday Night Live, their self-titled album would sadly be the five-piece's only full-l…
** small repress available ** Black vinyl version. "These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generati…
Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quain…
New album from Richard Youngs that, similar to a lot of his work, happened fairly spontaneously following our having heard one of Richard's sketches utilising a Spanish guitar during the spring of 2021 and being duly impressed. We then proposed releasing a CD album of such work, where Richard uses the same guitar alongside real-time street sounds, birdsong, tape loops, synth, FM radio and runout grooves to create a setting that's comparatively gentler than most of his work thus far on Fourth Dim…
‘Adventures In Reality’ was a short-lived but much celebrated fanzine, published in the early Eighties that documented the burgeoning post-punk scene of Britain in a wry, witty and passionate way. ‘The Complete Collection’ gathers together all thirteen volumes of the ‘zine in an A4 book.
1994 release. A realization of "Blue" Gene Tyranny's How to Discover Music In the Sounds of Your Daily Life, a procedural score for recording and composing with environmental sounds. Eclectic, flowing music alternately gesturing toward impressionism and minimalism. Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards, field and studio recording, electronic transforms; Timothy Buckley - accordion in "The CBCD Intro"; the Arch Ensemble for Experimental Music, featuring Robert Hughes …
Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo ba…
Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo ba…
2Cd Edition. This is the third and final installment from The Silverman’s cassette archive which had been gathering dust in a dark cupboard- and it’s a special one, especially for those who hold the “Shadow Weaver” and “Malachai” albums close to their hearts. It’s hard to downplay the importance of the show presented here. Four years earlier, in 1989, The Dots anxiously anticipated their first show in Chicago (a city they viewed as one of the music capitals of The World) only for the date to va…
These recordings were mostly made during the daytime at the residency place and concert venue Petersburg Art Space in Moabit, Berlin. While we were recording, people would sometimes show up in the kitchen area on the other side of the room for a coffee break, probably not aware that we were recording music for a potential album. Even though this could have led to frustration and many retakes, it ended up quite unproblematic, and it was nice how it made us aware of both the fragility of our music…
Someone claims that H.P. Lovecraft did not like music. He may have suffered from undiagnosed musical anhedonia, a disorder where a person gleans no pleasure from music or sound. The first story that comes to mind when one thinks of music in the “Lovecraft universe” is The Music of Erich Zann (1921). The music in The Music of Erich Zahn, is the kind of frenetic, and frightening music he had always experienced: [...] It would be useless to describe Erich Zann's music on that horrible night. It was…
CD version. Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound …
Michael Ranta is one of those rare composers able to organically melt his wide artistic span into a singular but yet diverse universe morphing his rich vocabulary as a percussionist with the Oriental esoteric tradition, the psychedelic underground and the realm of electronic minimalism.Yuen Shan (Round Mountain in chinese) was conceived in 1972 and finalised in 2014. It’s a major work in Ranta’s oeuvre (his first solo release in almost 25 years), highly personal and spiritual. A musical cosmogon…
All composed and performed by Golem Mecanique and her special guest Thomas Bel. Personnel: Golem Mecanique - drone box; Thomas Bel - guitar. Recorded and mixed in December 2020 at home by the mountains. Mastered by Lasse Marhaug.Golem Mecanique: "Luciferis was composed as a dark doppelganger of the Nona, Decima et Morta LP (SOMA 033LP). Luciferis is the first act of a Trilogy I : Luciferis/canto XXXIV/ Satan. In Nona... I strove to create a lace of voices, an embroidery of several drones. I was …
The works on this cassette are based on a historic recording of "Structures I" by Pierre Boulez. Tom Schneider cut it into shreds – samples which he then mapped onto a MIDI keyboard, ready to be played freely while pulverising any overarching structure. In addition to improvisational reshuffles, acts of sock-puppetry join the resulting collection: The thinking behind other seminal works for piano such as John Cage's "4'33" and Helmut Lachenmann's "Guero" are linked to the audio or parametric co…
Cut A Lonely Figure is the (mostly) solo project of Blue Tapes founder David McNamee. Previous releases include Sugimoto Seascapes (Fractal Meat Cuts), Rothko Horizons (Bloxham Tapes), and In Sea, In Circles, In Concrete (Pan y Rosas Discos). "For this release, recorded at home during Lockdown 1, 2020, Cut A Lonely Figure was: Sarah Angliss (theremin), Maria Marzaioli (violin), Rosie Reynolds (clarinet), Andrew Smith (saxophone), and David McNamee (everything else)."
Push For Night is the New York City based duo of Oliver Chapoy and James Elliott. Trafficking in dark, liminal electronics, the duo's sound is an ever shifting morass of psychoacoustic textures and spectral utterances. Evoking eerie, unnatural, and hidden spaces, this is music that exists in the threshold – locked in a constant push and pull of thwarted expectations and sublime release, hovering in a trance state of the always in-between. These seven tracks reference dark ambient, post-industria…
Joe McPhee's Unquenchable Fire, a work inspired by Rachel Pollack's award-winning novel of the same title, was commissioned by The Deep Listening Institute for the Deep Listening Band and premiered at Lincoln Center Out-of-Doors. The Deep Listening Band explores the sensual combination of musical sound combined with natural sound, as well as the sounds of daily life and one's own thoughts. One never knows what Pauline Oliveros will do next, but whatever it is, she is sure to go beyond boundaries…