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*300 copies limited edition* "Turner Williams Jr.'s music unfolds like a crossroads, where ancient and modern traditions intersect and attract each other. We hear American Primitive Guitar (Robbie Basho, John Fahey, Sandy Bull), the trance of Indian ragas, melancholy of Celtic ballads, the most experimental side of French folk revival (René Zosso, Rémy Couvez, Pierre-Jean Croset, Valentin Clastrier), while allowing the memory of even more ancient music to filter through (Marin Marais, François C…
Reissued on vinyl for the first time the sole album from this Westland folk trio, recorded in 1972 at the Folk Heritage Studio. An esoteric acid-pop masterpiece with irresistible and obscure melodies, a must have for all the British folk revival fans.
There’s a rich resonance to the music of Fodé Lassana Diabaté, whose music has travelled with him from his griot family in West Africa to the North American coast of Unama'kik (Cape Breton). Bala, his first album of purely balafón music, brings together traditional pieces with roots in the Mande empire, original compositions inspired by his time in Unama’kik, and tributes to friends and family members. Diabaté has developed a unique practice on the balafón—a traditional melodic percussion instru…
*2025 European press* ‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam.
The album also sees the band expanding their sonic horizons — nodding to N…
On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implem…
Debut by a new string trio of Pelt and Elkhorn veterans with the wild card contributions of Kaily Schenker, creating a new variant of supremely pleasing acoustic-psychedelic-drone-Americana etc. “Lullaby>Summer Field” is an aptly named gentle rise, with Sheppard’s fingerpicked 12 string snaking through waves of elongated fiddle and cello. “Triode>Freedom” follows a darker minor-key ostinato with Gangloff’s keening melody over the top. “Freedom>Universal Blues” starts as a dirge and builds to a t…
Hailing from Viterbo in north western Italy, Alya Serpentis are a duo performing neofolk/dark folk. On "The Sky Falls Down", their debut release, they present a brand of neofolk that is at the same time both traditional and experimental. "The Sky Falls Down" deals with the dichotomy of matter and spirit, science and religion, and man stuck in the middle. Alya Serpentis make their unusual sound into a vessel for the mystery, wonder and dismay of a world that on one hand defies and exceeds descrip…
The label Ored Recordings was founded in 2013 by Circassian friends and fellow musicians Bulat Khalilov and Timur Kodzoko, in order to start an activity which is dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus. Khalilov and Kodzoko, were just as excited about this music as it sounded like a force that transcends borders and in which time dissolves and community becomes the only compass. Through hundreds of field recordings, which have been…
40th Anniversary Release!! Recorded in 1985 and released by Polydor in 1986, Kazuki Tomokawa's seminal 1980s album “Beauty Without Mercy”. To mark its 40th anniversary, this long-awaited reissue arrives on vinyl! This defining album of the 80s features tracks including “He Was There” about his friend Takohachirō, “Beauty in Tragedy” about his brother's death, “God Was Crying in the Well”, and his signature song “Waltz”. Nakahara Chūya penned the lyrics for “A Fairy Tale” and “Boy”. Numerous dist…
“I constantly felt like wearing clothes that don't belong to me, a bit like borrowing a sweater from your partner or pants from your sister who is slightly taller than you.”
Ghost-record from 1986 Mexico City underground. Nine minimal folk compositions of rare delicacy - an acoustic guitar breathing in solitude. American Primitivism filtered through personal intimacy.
Includes deluxe 12-page booklet with unpublished photos, lyrics, translations, and liner notes written by NTS radio host Jamal Khadar. Before there was a Zambia, there was Alick Nkhata. Born in Kasama in 1922 to a Tonga father and Bemba mother, Nkhata would become the voice of a nation that did not yet exist - and help sing it into being. Vocalist, guitarist, bandleader, broadcaster, archivist, freedom fighter: he moved between these roles as effortlessly as he moved between lonesome country sli…
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Marana tha is the sole full-length statement by Megan Sue Hicks, a quietly incandescent artifact of early 70s psychedelic folk. Cut in Australia and pressed in microscopic quantities, it frames intimate, spiritually tinged songs in hushed acoustic settings that feel both homespun and faintly otherworldly.
With Kathy Smith / 2, Kathy Smith pushes her Stormy Forest songcraft into a shimmering intersection of jazz, psych-folk and California road-dust. Brass, flutes and subtle funk currents coil around a voice that feels both weathered and luminous, turning outsider singer-songwriter reveries into widescreen, late‑night epiphanies.
Compiled by Bob Stanley, Gather in the Mushrooms distils the British acid folk underground into a single, hallucinatory fireside. Drawing on 60s and 70s obscurities, it traces a lineage of homemade mysticism, radical withdrawal and fragile, autumnal songcraft that still feels eerily contemporary.
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.