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Reissuing and remastering eight landmark albums released between 1956 and 1962, this collection traces iconoclastic pianist Cecil Taylor's evolution from bop-influenced beginnings to the groundbreaking free jazz forms he helped pioneer, featuring collaborations with Steve Lacy, John Coltrane, Kenny Dorham, Archie Shepp, Clark Terry, Roswell Rudd, and others, culminating in his trailblazing trio with Jimmy Lyons and Sunny Murray.
1989 release ** Heupel studied flute at the Cologne University of Music. From 1980 to 1985, he was a member of the multimedia group Boury. Since 1984, he has also performed as a soloist with his own compositions. He has toured Asia, Africa, and Latin America with Norbert Stein's Pata Masters. He has been a member of many of Norbert Stein's Pata projects for many years. In a duo with Xu Fengxia, he played bass flute and subcontrabass flute. In 1990, he founded his own quartet. He has also worked …
On September 30, 1963, American saxophonist and multi-instrumentalist Rahsaan Roland Kirk and his quartet gave a small concert in the TV studios of Radio Bremen. The concert was broadcast on ARD in the spring of 1964 as part of the popular "Domino" series.
Now the original tapes have resurfaced in the station's archives. Sensational! The former sideman of Charles Mingus, Gil Evans and Quincy Jones had come to Germany not only with his successful Mercury albums "Domino" and "We Free Kings" in his…
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that the public and the critics took notice of him.Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, she played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was ac…
Balloons On Grass is a collaborative album by Tony Orzano, Bryan Rohmer, and Jeremy Wexler that thrives on the unpredictable energy of improvisation. Recorded in a single, free-form session, the album is a vivid journey through the intersecting worlds of post-rock, noise, and free jazz. Each track unfolds organically, with the musicians responding to each other in real-time, creating a dynamic tapestry of sound that is both spontaneous and deeply intentional.
The album opens with shimmering guit…
Akio Niitsu's first album, "I/O(i・o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. Akio Niitsu's first analog re-release has been decided.
As a guitar multi-recording album, the idea was realized six years earlier than the album "E2-E4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", bu…
Telluric, intense, terribly alive, the gwoka drums of Guadeloupe carry the identity of a painful and fervent island. Marked forever by the crime of slavery, Guadeloupe's créolité cherishes the ka drums and their natural environment: the low-pitched boula drum with male goatskin, the high-pitched soloist makè drum with female goatskin, the chacha, ti bwa, triangle, calabash and other percussion instruments that surround them, and the voices - the fiery, proud, timbred, urgent voices of the gwoka.…
In his last release for the Impulse label, Hubbard’s ambitious 1963 recording The Body & The Soul includes both an all-star septet and an orchestra with strings. Including a number of Hubbard originals and such notables as Curtis Fuller (trombone), Wayne Shorter (tenor saxophone), Eric Dolphy (alto saxophone), Cedar Walton (piano), Reggie Workman (bass), and Louis Hayes (drums), the album stands alone as one of the most unique productions in Freddie’s substantive discography and as a showcase fo…
1999 release ** "While documenting some of the most important free-style jazz from around the globe, Leo Feigin of Leo Records has focused on discovering new talent, particularly in the former Soviet Union. Here, startlingly unique trumpeter Guyvoronsky is teamed with young accordionist Evelin Petrova for a series of eleven duets that incorporate folk music and jazz in an experimental avant-garde approach that defies convention and focuses on color, humor, and shading. At times, the trumpeter se…
1991 release ** The third in a three volume compilation (each available separately) of 114 improvisers from around the world, covering a wide variety of approaches to improvisation. "A turbid dive into new music, this release packs everything from free-form jazz-like scraw to variations in composition, structure and situation to solo exploration." Featuring Pluto, Amy Denio, Davey Williams, LaDonna Smith, Marty Walker, Crawling With Tarts, IDLH, Ed Herrmann, Andrew Voigt, Tom Nunn, Tamio Shirais…
'Dorothy Ashby was the very best and most swinging performer on the multi-stringed instrument associated with the gates of heaven. Here on Earth, Ashby adeptly plucked and strummed the harp like nobody else, as evidenced on a single reissue containing her two best LPs for the Prestige and Prestige/New Jazz labels from 1958 -- Hip Harp and In a Minor Groove. Alongside her prior efforts for the Savoy label, they collectively represent a small but substantive discography for the Detroit native in s…
2000 release (no OBI) ** "It may be unfair to compare this recording to the seminal album recorded on ESP almost 35 years earlier, but such comparisons are hard to resist. In truth, the group -- now with Amiri Baraka (formerly LeRoi Jones) assuming an expanded role and bassist Reggie Workman substituting for the late Lewis Worell -- sounds as fresh and, yes, revolutionary as it did back in the heyday of 1960s radicalism. To be sure, each member has changed, but the sounds here are surprisingly r…
1994 release ** "This is the logical companion to Tout Court. The lineup has been hardly changed. The only newcomer is Alfred Spirli, who alternates percussion duties with Xavier Desandre. Yves Robert also sticks to the same formula with an emphasis on musical vignettes. The relationship with Tout Court is also underlined by the deliberate choice of opening with the composition that concluded its predecessor, "Epilogue" -- several other pieces are also revisited. It would be a mistake, however, …
1998 release ** "A cosmopolitan synthesis of visionary music and outstanding poetry" is the concept and program of "Honey and Ashes," according to the press release. This claim naturally raises many questions about the work of German saxophonist Michael Riessler: Is it jazz—what constitutes "jazz"? There is little improvisation, as "Honey and Ashes" is largely through-composed. Is it contemporary classical music? Can you find pounding bass drums in classical music? "Honey and Ashes" is a speech …
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…