Jazz & Improvisation / All styles

Considered to be one of two Holy Grails on Strata Records, Maulawi Nururdin, 180 Proof presents a stellar reissue featuring a previously unheard instrumental version of ‘Street Rap’. This 180 Gram vinyl album has been remastered from the original reel to reel master tapes and is presented with an alternate cover artwork done by Ge-ology and Mr. Krum

'Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music a…

A little masterpiece of soul afrofunk with carpets of dreamy keyboards on their swirlingly seductive sound and their really cool voices. The second album of Black Children Sledge Funk released in 1978 is a delight. Repressed for the first time.

100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…

An aura of mystery is hidden on this magnificent album released on EMI Nigeria in 1974 and today a collector’s cult object was the only one named Moonrakers Band.Steve Black tells: “We were the original members of The Moonrakers and were based in Zaria, then in 1972 we left band management and started The Elcados. The original management of The Moonrakers sold the name to his elder brother who had a club in Kano and they brought Prince Bola Agbana to get other musicians to continue The Moonraker…

Music On Vinyl repress of the left-field UK jazz classic, 'Metropolis', by Mike Westbrook Orchestra from 1971. Featuring the amazing Norma Winstone on vocals

After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…

Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is centered around the music Hancock wrote the Fat Albert cartoon show. It's one of the records which appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock's long and diverse catalog, with funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story".  The sextet which is …

180 gram audiophile vinyl pressing. Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early 1970s. His electronic movements are further explored and the whole sound comes alive in the three long tracks this album consists about. The album opens with some African drums before moving on to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is nearly 25 minutes long and is divided into five funky and groovy parts. A tr…

*2023 stock* Healing Force is an album by American jazz pianist Don Pullen recorded in 1976 for the Italian Black Saint label.

* 75 copies limited edition * In times of vinyl shortage and production backlog, resourcefulness is key. In keeping with his well-established practice of replacing original materials with surrogates to generate new sonic experiences, Sven-Åke Johansson has devised a digital reinterpretation of the historic flexidisc in the shape of a 10inch rubber disc with engraved QR codes that let buyers access the music online. About the music: "The six compositions titled ‘stumps’ are based on a potential f…

Temporary Super Offer! In his comprehensive 1966 Jazz Monthly article, “Eric Dolphy,” Jack Cooke reported that the advance buzz aboutduet passages for bass clarinet and bass, “Something Sweet, Something Tender” approximated the hinge-like ballads that were a perennial feature on Blue Note A sides. Given its dedicatee – the flutist renowned for recording works like Varèse’s “Density 21.5,” which Dolphy performed at the Ojai Festival in 1962 – “Gazzelloni” is surprisingly boppish, ending the side w…

Temporary Super Offer! "The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own childhood? According to John Litweiler’s book A Harmolodic Life, he was either 13 or 14 when he received his first horn. If the year 1956 is meant to represent a significant event in Ornette’s musical life, it does mark his meeting with Don Cherry and B…

Tip! Existing somewhere between the post-psychedelic period of Soft Machine and the electric funk of Herbie Hancock’s Headhunters, Black And White, the 1976 album from Norway’s Vanessa is without question a formidable beast of a jazz-rock record. A potent brew of sonic experimentation and pulsating off-kilter groove. Taking their name from the genus of Nymphalidae butterfly, Vanessa was founded in 1971 by saxophonist Svend Undseth and pianist Frode Holm, the founder of the Oslo record store turn…

*B-stock* This record was brought to us at Dizonord by Julien, part of the shop Music Records in Saint Brieuc (Brittany, France), who is specialized in Brittany music. In the band are fantastic people. The group leader came back from an initiatory trip in India to Brittany with the belief that there was a mystic link between Indian music and Celtic music. Who could say the contrary?

*Rare original* "ARFI is an improvised music group from the south of France that continues to evolve, involving not only musicians but also cooks and street performers in its search for more freedom of expression. One of the core bands of the ARFI, with all the main improvising musicians, was the Marvelous Band, released on their own label in 1985. Carnivals on street corners, street performers, the hints of foreign lands wafting from the back alleys - the original landscape that lies at the hea…

Original issue of this obscure French experimental free jazz combo.

*Rare original* "As you can tell from the additional description to the album title, this album and the compositions on it are a collection of sound illustrations for performances, performances, dances, films and plays (mostly in the spirit of early cinematography and early century theatre, one would think). Illustrations, stylistically very different. From rather sad interludes, which for some reason remind me personally of films like Silence, Sadness, Silence with  to 'saspienza' moments, with…

*Rare original* French project combining flamenco and jazz. The music is reminiscent of recent bands around Ultra High Flamenco, recorded in 1985 at the Centre Autonome D'experimentation Sociale in Ris-Oragis, a suburb south of Paris on the Seine River. It sounds like an extension of sextet, innovatively brought bass, cajón and saxophone to flamenco. It's strange that neither the other works nor this project have attracted much attention, but they are unusually accomplished: the level of perform…

The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska. This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live. Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone…

Recorded live in concert in the fall of 2013, "World of Objects" is an intense and confounding document of 21st century improvised music. Featuring Evan Parker, a singular musician whose approach to music and the saxophone has influenced several generations of improvisers, in trio with trumpet great Nate Wooley and clarinetist Jeremiah Cymerman, "World of Objects" is both a concert document and an intricate journey through the digital post-production of Jeremiah Cymerman. Over the course of thre…

2023 Repress Knockout! Real spiritual jazz — frank, deep, reaching; no fakery. John Tchicai appears on Ascension and Albert Ayler’s New York Eye And Ear Control; he’s on Witchdoctor’s Son, with Johnny Dyani and Dudu Pukwana, besides landmark recordings with Archie Shepp, including Four For Trane; and his Mohawk LP on Fontana is a five-star affair. Yet still Richard Williams in The Guardian reckoned this ‘wise and lyrical’ album ‘one of his best recordings’. Here his playing is somewhere new, osc…

The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his jazzy piano playing and compositions regularly passed down to newer generations. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine echo across the ages in samples etched into hip-hop history. The album version of Time Capsule was originally released in 1973, and this is a brand new 10 inch EP edit aimed at DJs looking to incorporate its album trac…

"The edges of Schlippenbach’s trio/quartet music have gradually feathered over the past dozen years, a process benchmarked by “Anticlockwise”. Evan Parker’s careening tenor prompts a dramatic sweep from the group that echoes Coltrane’s last period, as on Ore; his multiphonic-oriented soprano style elicits a more spiky rapport. The exceptional American bassist Alan Silva makes an intriguing debut with the quartet, his incisive phrasing and nuance-filled arco technique serving as a lynchpin betwee…

Recorded at ADA in Peter Brötzmann’s hometown Wuppertal as part of his 80th birthday concerts, Naked Nudes brings together two of his most unusual collaborators, Heather Leigh (pedal steel guitar) and Fred Lonberg-Holm (cello) for one of the most elegiac releases in his discography. The relationships between the players are tonally odd: woozy, mournful, almost baroque blues or even more chamber music in feel, the quality of the interplay is subtle and natural, like modern ballads. In the recordi…

The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon …

2023 small repress. The year 1965 was a turning point in the life of John Coltrane. It was at this point that he crossed the line into the free jazz arena that he had been approaching since the early '60s. Besides his landmark Ascension, no album better illustrates this than the awe-inspiring Meditations. Coltrane's regular quartet -- McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) -- is expanded here with second drummer Rashied Ali (who assumed Jones' spot after this album) …

Sing a song fighter is proud to release this amazing debut album hand in hand with our Italian label friends Black Sweat Records: Spiritual Jazz paths always open up unexplored dimensions, this is the clear impression revealed by this superb and ambitious first double album by Lina Langendorf and her new band. The Swedish saxophonist (OK Star Orchestra, James Yorkston, Nina Persson & The Second Hand Orchestra) seems to be blowing in the lesson of the great sacred monsters of the instrument such …

* Edition of 300. Spectacular four-panel gatefold cover * Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water and D.O.M Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa,…

This is tenor sax giant Pharoah Sanders caught live in France in summer 1971, when the man was still in full post-Coltrane mood. At the head of a strong quintet featuring: Lonnie Liston Smith - piano, Cecil McBee - bass, Jimmy Hopps - drums, and Lawrence Killian - congas, Pharoah delivers two very intense yet serene versions of his milestone piece "The Creator Has A Master Plan" and "Let Us Go In The House Of The Lord", a traditional gospel hymn arranged by Lonnie Liston Smith. This is deep spir…

Recorded live on tour in Germany in 1986, here we have "Mystery Mr. Ra" leading a quite rare tentet version of the Arkestra featuring the historical reed section of John Gilmore, Marshal Allen, Eloe Omoe, Danny Ray Thomson and James Jackson, plus trombonist Tyron Hill and an electric rhythms section featuring Marvin "Boogaloo" Smith on drums. This is a beautiful document from an era when Ra, in addition to his usual sound explorations and space hymns, began to introduce a good number of jazz sta…

*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…

From the great cache of tapes recorded at Seattle's storied Penthouse nightclub comes The Gary McFarland Quintet, recorded live in the summer of 1965. McFarland could usually be found in the recording studios of New York arranging for everyone from Stan Getz to Lena Horne, but his 1964 bossa-jazz classic LP Soft Samba was such an unexpected hit that it afforded McFarland the opportunity to hit the road with fellow Berklee School of Music alumni Gabor Szabo on guitar and Sadao Watanabe on flute a…

Gordon Micky Mfandu was the original leader of “The Clan”, founded as a sixteen-piece band by trombonist Reuben Boy Radise in 1970. This 1973 recording was made following the untimely murder of Mfandu outside his home in Pimville, Soweto. The last track written by Peter Segona and Dimpi Tshabalala is dedicated to Mfandu. Mfandu was also the drummer for the Soul Giants’ “I Remember Nick”, recorded in 1968.  According to the band, their music is no carbon copy of somebody’s. ‘We’re trying to be ou…

Lightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in W…

*In process of stocking* Avant-garde pioneer Eric Dolphy achieved incredible things with the bass clarinet, establishing it as a vehicle for solo improvisation, and was equally adept on alto and flute, gaining kudos from peers such as John Coltrane and Charles Mingus. Outward Bound holds a special place in jazz as Dolphy’s first LP fronting his dynamite quintet, leaving conventions behind from the get-go. With the entire group on tremendous form throughout and Dolphy reaching the heights of his …

Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in the political or legal sense, but simply breathing-together. It isn’t forbiddingly abstract music. It simply enacts our various ways of living together. Take a deep breath and enjoy." - Brian Morton

“Ville Lähteenmäki Trio is a fresh jazz band formed in Trondheim 2022, featuring young Finnish and Norwegian musicians. Influenced by American jazz legends of the 60s and 70s, they blend energetic playing, bold melodies, and intense improvisations in the Dolphy-Murray-Mahall lineage”

The Aleksi Heinola Quartet presents a new take on vintage hard-bop with their latest record, featuring original compositions and reinterpretations of works by iconic jazz greats. Impeccable musicianship, groovy swing, and a distinct sense of style are on display, with Gábor Bolla on tenor sax, Jukkis Uotila on piano, and Daniel Franck on double bass. This quartet date is not to be missed!

Funky synthesized jazz with mood and feeling from the Estonian composer and keyboard veteran Tõnu Naissoo. Backed up by Finnish players including Aleksi Heinola on drums, Temu Åkerblom on bass and Markus Holkko on reeds & flute. First album in our New Library Series, recorded and produced at Jazzaggression’s own Pelto studio!