Jazz /
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
Say Yes. Till No.
2025 stock ** "What Phil Minton creates with nothing but his voice those "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" (Bert Noglik) seems to lie beyond what it is possible. He is the indisputable vocal giant of the jazz avant-garde. He meets a collective of kindred spirits with the ICI Ensemble. Comprising some of the most enthusiastically experimental instrumentalists and sonic artists of the German improvisation scene, this ensemble has been creati…
De Anima
2025 stock ** "It’s been almost 10 years since Louis Minus XVI reigned over the free jazz of the Flandres. Fortunately for us, his reign is not ready to stop with this new album “De Anima “. This Art Ensemble of Lille is hyperactive. In addition to three albums and a split with the Berber artist Lahcen Akil, we find members of the quartet in equally ambitious projects, such as Unik Ubik, M.Thibault, Hook, L’Atelier d’Education Musicale du Centre Social Raymond Poulidor, but also in the company o…
Asynchronous
2009 release ** Paul Dunmall's playing goes from strength to strength. 'Asynchronous' was recorded live at The Europa Jazz Festival, Le Mans in May 2008, and sees Paul in the unmistakable company of longstanding sidemen Paul Rogers and Paul Lytton and the titanic Fred Van Hove on piano.“Dunmall's big, rounded sound and spiralling runs bursting out of a low-key overture, and then engaging in a long, dignified dance with Rogers's dark bowed chords. Dunmall sometimes builds solos in patterns of bri…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Show Album No.1
* 2025 stock. LP miniature with Obi. * True to the title 'Show Album No. 1', the tracks comprise a repertoire one would expect of a show stage. However, these tracks are much more than a mere ‘record of activity’ done in between their many show performances. The quality of the recording and consistency of production are top-notch throughout the album, while the details and the dynamics in the music itself rival that of the best Korean bands. Producer Yu-Chil-wang recalls of the album, “..it wasn…
Brown Paper Business
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…
Jazz: Plays Arirang & Other Assorted Classics. A.K.A. Jazz! Jazz! & Wonderous Jazz!
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Stereo Instrumental Music
The Ibex Band, with Giovanni Rico and Selam Woldemariam at the creative helm, provided the musical backbone for legends like Aster Aweke, Girma Beyene, Tilahun Gessesse, Mulatu Astatke, and Mahmoud Ahmed, including the iconic album Ere Mela Mela, shaping modern Ethiopian music as we know it today. This 1976 album (Ge’ez Year 1968) played a pivotal role in that legacy and has now resurfaced to set the record straight.
There’s a tendency to talk about the seventies as a golden age of Ethiopian mus…
Novoa / Kamaguchi / Cleaver Trio - Vol. 2
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume, A Bold, Experimental Fusion of Density and Dialogue
Olympia
Emerging Drummer Samir Boehringer Sazzerac Unites Musicians from NY and Switzerland in First Album with 577 Records
Stefanovich, Dell, Lillinger, Westergaard: SDLW
*2025 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time.
Anger Dance
1991 release ** Saxophone sextex composed of Ad Peijnenburg, Dies LeDuc, Frans Vermeerssen, John Tchicai, Klaas Hekman, Mariette Rouppe Van Der Voort play music by Peijnenburg, LeDuc, Vermeerssen, Tchicai, Hekman, Rouppe Van Der Voort and Henry Cowell.
Istet Serenade
2009 release ** ""Istet Serenade" is foray into the area of music space that represents the core of Roland's sound philosophy, Isophonics. The theory of composed improvisation of stillness in the fluidity of constant change. The thingness of actualized sound in the nothingness of acoustic evaporation and recreation from the source of the indwelling presence. This occurs at a speed which defies conscious comprehension but which reveals abundant spiritual revelatory aspects. It requires a state of…
The Walkman
1988 release ** Your Neighborhood Saxophone Quartet is a saxophone quartet based in the Boston area, from 1980 to the present, specializing in improvised music and original compositions by its members. The group recorded one LP on its own label and five CDs for the Coppens label (Amsterdam), and made nine trips to Europe to perform at clubs, concerts, and festivals, one midwestern US tour, and many appearances around New England and in New York City.
Live At The South Bank
2025 stock ** "On South Bank - the most vital and essential document of Reid and Hebden's five-year partnership-- it feels clear that, at least onstage, they were finally able to go the distance. The invocation "Morning Prayer" opens slowly, circling in space with a meditative calm. For 17 minutes, the pair traces lines around the other's rhythm, Hebden's electronics and keys shaping a cradle for Reid's busy tom-and-cymbal patter, and vice versa. Back in 2006, on Volume 1, "Morning Prayer" felt …
(Y)earbook Volume 1
1992 release ** The first in a three volume compilation (each available separately) of 114 improvisers from around the world, covering a wide variety of approaches to improvisation. Includes Henry Kaiser, Splatter Trio, and Randy McKean.
On Mandorla Awakening II: Emerging Worlds
2025 stock ** "The innovative, boundary-smashing work of Nicole Mitchell, whom Chicago Reader music critic Peter Margasak has hailed as the “greatest living flutist in jazz”, has contributed new life to Afrofuturism in the 21st Century. A voracious reader of science fiction since her youth (Afrofuturist author Octavia E. Butler in particular has exerted a heavy influence on her music), the musician, composer and educator has released a string of albums that fold themes centered around technology…