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There is something intensely alluring, almost addictive, about Kansas City-based artist Jackie Myers. Known for her innovation and fluidity on the keys and her sultry, bluesy vocals that could spark warmth in even the iciest of souls, she has a way of leaving all your flabbers ghasted and with a voracious appetite for more. Now, 577 Records is ecstatic to present her latest work of art, What About the Butterfly, a technical masterpiece born from the depths of this vocalist/pianist/composer’s bea…
2010 release ** "This part of Martin Vognsen’s SCATAW project features a trio with Yasuhiro Yoshigaki (drummer in Altered States, Otomo Yoshihide’s New Jazz Orchestra, ROVO) and Kumiko Takara (percussionist in Bondage Fruit, P.O.N., Warehouse). Spontaneously created on miscellaneous percussion, semi-acoustic dobro and sparse electronics the music takes improvisation through a fresh mix of crisp sounds, meticulous rhythms and enigmatic melodies. Together the 10 distinctive tracks compose a highly…
2011 release ** "Canadian drummer André Michel Arraiz-Rivas is a versatile guy, one who you find grinding out prog with Quasiviri and post-folk ghosts with Ronin, just to name a few. Then he happens to be seized by the urge for jazz, and here he is, whipping together a made in Italy quartet, calling it Mondongo – like a traditional hypercaloric South American soup – and releasing an album that will make your ears prick up. Transparent Skin – this is the title – is eight tracks plus one (ghost) i…
1994 release ** Audience, All Dax Band, Han Bennink, Steve Beresford, Lindsay Cooper, Tom Cora, Dietmar Diesner, ensemble Eva Kant, Fred Frith, Gianni Gebbia, Lars Hollmer, Catherine Jauniaux, Peter Kowald, Ikue Mori, Butch Morris, Hans Reichel, Riciclo delle Quinte, Wolter Wierbos.
Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
2025 stock ** "ViaLucisTrio is a improvised training with members related to the collective Rare Musics , agency dedicated to promote primarily the free improvisation in Madrid (Spain). The four members of ViaLucisTrio they met in the meetings of improvisers (Tuesday Wednesday), musical call organized by Rare Music; precisely to encourage participating musicians and facilitate the creation of projects such as the group ViaLucisTrio. As well as those demanding musicians in its task and aesthetic …
2025 stock ** "What Phil Minton creates with nothing but his voice those "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" (Bert Noglik) seems to lie beyond what it is possible. He is the indisputable vocal giant of the jazz avant-garde. He meets a collective of kindred spirits with the ICI Ensemble. Comprising some of the most enthusiastically experimental instrumentalists and sonic artists of the German improvisation scene, this ensemble has been creati…
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
*2025 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time.
*2025 stock* The only album released by Barbara Moore under the name of the four-piece chorus group Voices In Latin on UK Morgan/US Pulsar in 1968. The album features a light Latin sound and scat & chorus.
1988 release ** "This is what you get when you put three nutcases like Tony Bevan, Greg Kingston, and Matt Lewis in a room together with their instruments and a case full of toys to play with and turn the tape machine on. Actually, it was recorded live in 1988, so there was the concert's respectability to hold them back somewhat, but not much. This is free improvisation completely realized, articulated, and cacophonously executed in front of a live audience by a group of musical troublemakers wh…
2025 stock ** "The quirky acoustic trio of German improvisers Udo Schindler on clarinet, saxophone, cornet, and Euphonium, Johannes Ollinger on acoustic guitar and toys, and Dine Doneff on double bass, waterphone, and toys, the odd instrumentation adding surprising textures and disorienting angles to really fine dialog, technically, melodically, and eccentrically. Two preformances are captured, one at Pollat Pavillon in Munich, Germany in 2015, the other from Schindler's own Salon fur Klang+Kuns…
2025 stock ** "Live recordings from Pöllat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected! "
1993 release ** "Before getting to the music of this Anthony Braxton recording, the listener is confronted with a highly calculated methodology. The album bears the stark title Four Compositions (Quartet) 1983, and each song (itself merely a cataloged number) is accompanied by its own highly cryptic diagram. This sets up a struggle, whereby musical/emotional ends must be achieved through Braxton's analytical compositional means. For this 1983 session, Braxton selected materials from his collecti…