Jazz /
Open, To Love
After Chick Corea’s Piano Improvisations, and Keith Jarrett’s Facing You, Paul Bley’s Open, To Love was the third fabulous chapter in ECM’s quietly revolutionary solo piano manifesto, whose impact endures and continues to influence improvisers today. In the liner notes to this Luminessence vinyl edition, Bley biographer Greg Buium writes, “After more than fifty years, Open, To Love remains an imperishable gem, lodged forever in the present tense, and among the great masterpieces in ECM’s vast c…
Under The Surface
Julia Hülsmann’s quartet resurfaces with a fresh Norwegian voice on horn in tow and presents an attractive batch of originals that finds the group thoughtfully exploring common ground with a knack for adventure. As on past outings, each quartet member contributes music to the session, the leader herself being responsible for half the programme. Saxophonist Uli Kempendorff’s introduction to Julia’s trio on 2019’s Not Far From Here already brought a new dimension to the group’s interplay – this se…
Lullaby
For Lullaby, Norwegian trumpeter Mathias Eick draws on the quartet formation in a programme that includes some of his most exploratory and improvisatory qualities, with a cast of ECM familiars Kristjan Randalu and Ole Morten Vågan on piano and bass, and new arrival Hans Hulbækmo on drums. There’s a sense of abandon within these melodic songs, as the musicians flow smoothly between harmonies, collectively building momentum from within the forms. Eick’s immediately recognizable and soothing tone i…
After the Last Sky
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
Directions + Destinations
And just like that, you’ll never think of improvisation the same way again. GPS is the emerging trio raising the bar for improvised music, and 577 Records is elated to present its debut album, Directions + Destinations. The group includes clarinet wizard Guillermo Gregorio, Yamaha Performance Artist Charley Sabatino on the double bass, and flourishing saxophonist Jeff Pearring. What they make isn’t just music; it’s an unforgettable experience. Recorded in two sessions a year apart, Directions +…
Un-Belonging
When Jacobo Vega-Albela left New Mexico for upstate New York to pursue a lifelong dream of becoming a performer and composer, he knew it would change him forever. Ready to expand his potential, he soon found himself on a path that some only fantasize about. He has since transformed his extraordinary journey and its captivating highs and lows into his first album with 577 Records.
“Un-Belonging is a record underpinned by tremendous joy, optimism, and love for the world counterbalanced by a pers…
Kiss Of The Earth
Many have been taken by the works of New Orleans’s Byron Asher and NYC’s Tomas Majcherski, but few have heard them as the Sonic Chambers Quartet. Joined by rising bassist (and frequent collaborator) Matt Booth from North Carolina and NOLA’s beloved avant-garde drummer Doug Garrison, the new group has teamed up with 577 Records to release its debut album, Kiss Of The Earth. It’s a beautiful, thought-provoking arrangement of emotion, creativity, and freedom that soothes your soul.
Though not offi…
What About The Butterfly
There is something intensely alluring, almost addictive, about Kansas City-based artist Jackie Myers. Known for her innovation and fluidity on the keys and her sultry, bluesy vocals that could spark warmth in even the iciest of souls, she has a way of leaving all your flabbers ghasted and with a voracious appetite for more. Now, 577 Records is ecstatic to present her latest work of art, What About the Butterfly, a technical masterpiece born from the depths of this vocalist/pianist/composer’s bea…
King Hussein Bridge
2010 release ** "This part of Martin Vognsen’s SCATAW project features a trio with Yasuhiro Yoshigaki (drummer in Altered States, Otomo Yoshihide’s New Jazz Orchestra, ROVO) and Kumiko Takara (percussionist in Bondage Fruit, P.O.N., Warehouse). Spontaneously created on miscellaneous percussion, semi-acoustic dobro and sparse electronics the music takes improvisation through a fresh mix of crisp sounds, meticulous rhythms and enigmatic melodies. Together the 10 distinctive tracks compose a highly…
Transparent Skin
2011 release ** "Canadian drummer André Michel Arraiz-Rivas is a versatile guy, one who you find grinding out prog with Quasiviri and post-folk ghosts with Ronin, just to name a few. Then he happens to be seized by the urge for jazz, and here he is, whipping together a made in Italy quartet, calling it Mondongo – like a traditional hypercaloric South American soup – and releasing an album that will make your ears prick up. Transparent Skin – this is the title – is eight tracks plus one (ghost) i…
AngelicA 93
1994 release ** Audience, All Dax Band, Han Bennink, Steve Beresford, Lindsay Cooper, Tom Cora, Dietmar Diesner, ensemble Eva Kant, Fred Frith, Gianni Gebbia, Lars Hollmer, Catherine Jauniaux, Peter Kowald, Ikue Mori, Butch Morris, Hans Reichel, Riciclo delle Quinte, Wolter Wierbos.
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
ViaLucis Trio
2025 stock ** "ViaLucisTrio is a improvised training with members related to the collective Rare Musics , agency dedicated to promote primarily the free improvisation in Madrid (Spain). The four members of ViaLucisTrio they met in the meetings of improvisers (Tuesday Wednesday), musical call organized by Rare Music; precisely to encourage participating musicians and facilitate the creation of projects such as the group ViaLucisTrio. As well as those demanding musicians in its task and aesthetic …
Say Yes. Till No.
2025 stock ** "What Phil Minton creates with nothing but his voice those "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" (Bert Noglik) seems to lie beyond what it is possible. He is the indisputable vocal giant of the jazz avant-garde. He meets a collective of kindred spirits with the ICI Ensemble. Comprising some of the most enthusiastically experimental instrumentalists and sonic artists of the German improvisation scene, this ensemble has been creati…
Jazz: Plays Arirang & Other Assorted Classics. A.K.A. Jazz! Jazz! & Wonderous Jazz!
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Novoa / Kamaguchi / Cleaver Trio - Vol. 2
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume, A Bold, Experimental Fusion of Density and Dialogue
Olympia
Emerging Drummer Samir Boehringer Sazzerac Unites Musicians from NY and Switzerland in First Album with 577 Records
Stefanovich, Dell, Lillinger, Westergaard: SDLW
*2025 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time.