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With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari.
On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
Limited Edition 180 Gram Gatefold LP Reissue. Released on the Verve label in 1965, Bumpin' was Wes Montgomery's first album to reach the charts, climbing to #116 on the Billboard 200 chart. In his All Music review, Shawn M. Haney gave the LP four-and-a-half stars (out of five) and praised it by stating that, "Not only is Wes' brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing or…
"The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center." - SquidCo.com
"An extended improvisation captured in 2023 at ASIS_Klangraum in MUCCA & dasvinzenz (Munich) from the trio of long-time collaborators Eric Zwang Eriksson on drums and Udo Schindler on bass clarinet, cornet & Tubax (an Eb contrabass saxophone) with guitarist Andreas Willers of Grid Mesh, for an evolving and exploratory work of deep reflection and extreme catharsis." - SquidCo.com
"Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti." - SquidCo.com
"Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure." - SquidCo.com
"The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg." - SquidCo.com
"Quoting Danish painter & sculptor Asgar Jorn - "To get anywhere, one must choose one's mistakes. I chose experimental acts." - the quartet of Udo Schindler on alto sax, bass & double bass clarinets & cornet, Eric Zwang Eriksson on drums, Ardhi Engl on self-invented instruments and Nikolaus Neuser on trumpet, are heard live at Munich's FMZ for 3 masterfully risk-taking sound poems." - SquidCo.com
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
Joining Attic Trio, pianist Eve Risser collaborates now with Rodrigo Amado on tenor, Goncalo Almeida on bass, and Onno Govaert on drums, contributing an additional dimension to their intricate soundscape. Risser exhibits a frequently variable tone on the piano, effectively complementing the soulful expressions of Amado's tenor. The horn is played in a manner that is often free yet consistently cohesive, which is further enhanced by Eve's more assertive passages on the keys. Bassist Almeida effec…
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com
"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings." - SquidCo.com
"... it's not about cleaning the music from the non-music or trying to destroy all disturbing noises, but to perceive the music as such, which exists in the midst of the noise of life. The more open the ear is to everything audible, the more strongly the music radiates its speciality. Because a musical instrument has a material body, its sound cannot be frictionless and clean. ..." - From Portrait of a Spinning Top / Portrait eines Kreisels by Yoku Tawada (Berlin)
Udo Schindler plays a bflat-cla…
Manoel, the fourth LP by the Sensible Soccers, recorded at Arda Recorders and co-produced by the band and João Brandão, is the result of the creation of two new soundtracks for two films by Manoel de Oliveira: “Douro, Faina Fluvial” (1931) and “O Pintor e a Cidade” (1956). The Oliverian Universe and the way the director looked at Porto - his city, so well portrayed in these works - acted as a framework for the rhythm and atmosphere of a series of compositions that will be presented in cine-conce…
Great seventies club sounds coming from Belgium by El Chicles. Rich in danceable grooves, erotic moods an other funky rhythms, this cd is success guaranteed in any go-go party! Nice new artwork from the Wah Wah Design dept.
Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (…