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Licensed from Futura Records. 180 gram vinyl. "I get something out of listening to Coltrane, Shepp, and Coleman; I'm really pleased that young players are trying to change things. If they go back the roots and come up with something new, that's fantastic." This comment was made by saxophonist Hal Singer to Gérard Terronès for the magazine Jazz Hot in 1968. Two years later, Terronès would issue Singer's album Blues and News, on his label Futura Records. Though born in 1919, Hal Singer claims, jus…
From 1960 to the present day, from Georges Arvanitas to Laetitia Shériff, or from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to include François Jeanneau in their team at some point. This, his first album under his own name, was recorded for Jef Gilson’s Palm label in 1975, a few months after ‘’Watch Devil Go’’ by Thollot, with more or less the same cast: Jeanneau on saxophone, Jenny-Clark on double bass and percussion, Lubat replaces Thollot on drums and Michel Grailler is added …
Deluxe edition, Comes with obi strip with 12 pages booklet. Limited edition of 700 copies. Souffle Continu Records present the first ever reissue of Dharma Quintet's Mr Robinson, originally released in 1970. In an interview with Jazz Magazine in the early 1970s, Dharma, as a collective voice, outlined their method: "we try to reach, within free jazz, the same sort of rhythmic cohesion as in bop, a cohesion based not exactly on tempo, but something which feels like tempo. A kind of underlying pul…
Souffle Continu Records present the first vinyl reissue of Cohelmec Ensemble's Next. The Cohelmec Ensemble celebrate, above all, the pleasure of collective music-making. A group without a designated leader, they base their approach on reciprocal listening and equal responsibilities. This is reflected in their name, created from the first syllables of the founding member's names, which would remain unchanged in spite of the subsequent personnel changes: COH as in Jean Cohen (saxophones), EL as in…
Deluxe reissue with high definition remastered audio and 12-page booklet on 200gsm art paper including liner notes & rare pictures Limited to 700 copies. Souffle Continu Records present the first vinyl reissue of Cohelmec Ensemble's Hippotigris Zebra Zebra, originally released in 1971. The Cohelmec Ensemble celebrate, above all, the pleasure of collective music-making. A group without a designated leader, they base their approach on reciprocal listening, but also on a dialogue between written an…
* Deluxe reissue, with obi strip + 4 page booklet, 180g vinyl* In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days. Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who ha…
One of the Norwegian saxophonists most outgoing dates, the best-selling “Runes” also marked the first appearance of Manu Katché with the Jan Garbarek group. Centerpiece of the album is the five-part “Molde Canticle”.
After critically-acclaimed ECM recordings with the Maciej Obara Quartet (Unloved, Three Crowns), Polish pianist Dominik Wania delivers a solo album recorded in November 2019 in Lugano. Wania’s sensitivity to touch, tone and texture is informed by his classical background. But he also has the in-the-moment instincts of a great improviser, acutely focused on the unfolding details of the music in the responsive interior of the Auditorio Stelio Molo studio. The balancing of influences from both disc…
Vijay Iyer presents a powerful new trio, in which he is joined by two key figures in creative music, Tyshawn Sorey and Linda May Han Oh. “We have an energy together that is very distinct. It has a different kind of propulsion, a different impulse and a different spectrum of colours”. Repertoire on UnEasy, recorded at Oktaven Audio Studio in Mount Vernon, New York in December 2019, includes Iyer originals written over a span of 20 years, plus Geri Allen’s “Drummer’s Song” and a radical recasting…
Kit Downes joins forces with long-time collaborators Petter Eldh on bass and James Maddren on drums for a carefully assorted piano trio programme that treads gentle lyricism and bold creative outbursts in equal measures. Downes, whose prior ECM offering Dreamlife of Debris was termed a “work of otherworldly beauty” by BBC Music Magazine, carves out some of his most compendious pieces to date on Vermillion. Replete with subtle twists and turns, the trio offers its idiosyncratic take on the piano …
Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique…
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet – including rising stars Marius Neset and Helge Lien (both bandleaders in their own right)– is almost entirely improvised. The players make the leap of faith together and find and develop forms at the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in November 2021 at Oslo’s Rainbow Stud…
The Bobo Stenson Trio’s ability of covering far-reaching idioms and wide-ranging repertoire within the scope of their personal diction has become both hallmark and custom, inspiring the New York Times to say the pianist “makes sublime piano-trio records without over-playing. It’s pulsating, with long improvised phrases; it’s alive.” Sphere is primarily comprised of works by 20th and 21st century composers including Per Nørgård, Sven-Erik Bäck, and Jean Sibelius and offers two originals by Jormin…
From the liner notes by Joe: "This recording took place at my home in the woods in Connecticut. My dog, Scout, a Border Terrier, came with us on a walk onto the huge rock outcropping behind the studio that I call the Temple. Scout draws a lot of attention which explains why Terrier is in the title. On the walk, in the studio, and later eating take-out pizza on the beach together, we all talked like the old friends that we are. Sharing ideas and stories, having endured the tough parts and enjoyed…
bastille musique presents its twenty-eighth release »DLW: Extended Beats« featuring world premiere recordings by Dell-Lillinger-Westergaard, Klangforum Wien, Sonar Quartett, Tamara Stefanovich (piano), Martin Adámek (clarinets) and Johannes Brecht (electronics). Together with the guests, Dell-Lillinger-Westergaard extend their beats in terms of co-composition and form as well as instrumentation. In addition to the recordings produced at the Paul-Robeson-Studio, the set also contains a 48-page bi…
*2024 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time. In addition to the recordings, the set also contains a 48…
"The material on From Out Front To Booker Little And Friend Revisited is Little’s collective chef d’oeuvre. It is exploratory but also strewn with retentions from tradition. The dense yet sonorous dissonance, the graceful tempo and metre shifts, the extended forms that give equal weight to composed and improvised sections, together these „alter the present“ and „direct the past“." – Chris May