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On John Zorn’s Bagatelles Vol. 5, John Zorn hands eight spiky miniatures to the Kris Davis Quartet, who turn his angular “weirdo tunes” into a fierce, lyrical piano‑guitar quartet set where structure, swing and free combustion constantly collide.
Matata were formed in Kenya in 1963, laying down their grooves in Nairobi's Brilliant Club before going on to record two albums in London in the early 70s. Both Air Fiesta and Independence are perfect nuggets of Afro-funk, but alas Matata were reportedly homesick and they disbanded to return home. Their short-lived legacy lives on though, and now Dynamites Cuts have turned to their second album to present two of the hottest joints on a cool and deadly 7". 'I Feel Funky' is one of the band's bigg…
There's a story that gets to the heart of this record. Years ago, Keefe Jackson spent an evening with South African-Dutch legend Sean Bergin - the only time the two ever met. At some point Bergin told him: "Keefe, you remind me very much of my friend Ab Baars." Jackson replied that he'd heard this many times, that he'd even stopped wearing a certain hat to avoid the comparison. Bergin paused, then said: "These things happen." And so a band got its name - from a throwaway line that turned out to …
On Light, Palle Mikkelborg condenses a lifetime of orchestral colour into a quietly radiant final opus: solo trumpet, flugelhorn and piano drift through self‑designed soundscapes, joined sparingly by harp and guitar, like hymns remembered in slow motion.
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
On Celestial Suite, Atlantis Jazz Ensemble stretch their spiritual soul-jazz into a full skyward arc, an unbroken studio suite where modal grooves, Afro-Latin currents and meditative codas move like one long, rising breath.
On Oceanic Suite, Atlantis Jazz Ensemble ride a warm, late‑night current of modal grooves and spiritual inflections, with trumpet, alto, Rhodes, bass and drums flowing together in live‑off‑the‑floor conversations that feel both loose and meticulously steered.
Huuuge Tip! In the pantheon of classic free jazz, Noah Howard's The Black Ark looms large. Recorded at Bell Sound Studios in New York City in 1969 - just prior to the alto saxophonist's relocation to Europe - the album was eventually released in 1972 on Alan Bates's Freedom label, and has since acquired near-mythical status among collectors and devotees of the music. Now, Superior Viaduct presents the definitive remastered edition on vinyl, restoring this landmark to the visibility it has always…
Very first version of the first single by Cortex, reissued as 7 inch for the 1st time. “I remember that I and Alain Gandolfi wanted to put ‘Mary & Jeff’ on the A side, but the producer decided to set ‘L’Enfant Samba’ instead because he thought that the voice of Mireille would be more selling than my piano… 6 months after, at the beginning of 1976, ‘Mary & Jeff’ was a hit in a lot of Disco clubs and radios!”
On Morgenmusiken, Green Cosmos expand their small‑town German jazz into a quietly epic, Coltrane‑lit cosmos, braiding modal vamps, Indian classical colour and spacious free improvisation into seven meditative journeys where silence and a single note carry as much weight as any crescendo.
One of the most important jazz albums of the 1970s - finally on vinyl in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis - no heat, malfunctioning equipment, some musicians didn't even show up - and yet what emerged was nothing short of a masterpiece. An "almost accidental classic" that has haunted col…
Three creative cells of Austrian avantgarde music form a playfull trio of piano and drums/percussion -pianist and composer Elisabeth Harnik has various improvisation projects, for instance with Joelle Leandre, Ken Vandermark, Zlatko Kaucic, Tony Buck, etc. She is backed by Martin Brandlmayr of Radian-fame, who works fluently in jazz, electronics and acoustic music, and Didi Kern who, coming from Bulbul guitar underground and Noiserock, lately found his place in the international improv scene.
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
A remarkable document finally surfaces after nearly 40 years in the NDR archives. John Taylor - the piano master of dense, orchestral voicings and skittish melodic invention - captured here in 1987 with the full NDR Radio Symphony Orchestra conducted by Dieter Glawischnig. All music written and orchestrated by Taylor himself. This is the logical conclusion of everything the man stood for musically - from Azimuth to Johnny Griffin's band to this luxurious symphonic setting. Stan Sulzmann on sopra…
On Compass Rises, Compass condense the grit and openness of early‑’70s upstate jazz into one privately pressed statement, an acoustic‑electric set that threads post‑Coltrane toughness, modal burn and soulful swing into a clear, straight‑ahead identity.
A mystery begins. A journey. A vision emerges. Free, intuitive music, played spontaneously in the present moment, without any prior arrangements. I invited musicians, some of whom I’ve known and trusted for a long time, such as Fabrizio Ottaciucci, with whom I’ve enjoyed collaborating on and off since 1987. I met Fabio Mina in Bogliasco in 2007, and since then our paths have crossed more and more frequently. He has made a marvellous musical development. Then there’s Francesco, whom Fabio knew, a…
The Takashi Mizuhashi Quartet proudly announces the reissue of their legendary 1974 album Who Cares, a cornerstone of Japanese post-bop jazz now available in a stunning remastered vinyl edition via Three Blind Mice Records. Originally recorded on August 28, 1974, at Aoi Studio in Tokyo, this vibrant LP captures the quartet's unparalleled synergy during jazz's golden era in Japan.
Led by bassist and composer Takashi Mizuhashi, the quartet features saxophonist Yoshio Otomo on alto and soprano sax,…
Legendary Japanese jazz vocalist Kimiko Kasai, one of the most innovative singers of the 1970s, joins forces with the fiery Kosuke Mine Quartet on the newly reissued Yellow Carcass in the Blue, originally released in 1971 on the esteemed Three Blind Mice (TBM) label. This rare leader album captures Kasai at her peak, blending her husky, soulful voice with avant-garde improvisation and fusion grooves, featuring standout tracks like the title song—Masabumi Kikuchi's composition elevated by Kasai's…
Japanese jazz enthusiasts rejoice: the Hiroshi Fukumura Quintet’s landmark 1973 album Morning Flight, originally released on the iconic Three Blind Mice label, is being reissued for a new generation of listeners. This trombone-led masterpiece captures the raw energy and improvisational spirit of early 1970s Japanese jazz, blending free-form exploration with lyrical standards.