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Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
Svart Mondo presents Jappa: The Complete Jazz at the Polytechnicum Recordings 1967-1968 by Eero Koivistoinen with friends. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of British rock in the mid-s…
**2021 stock** 140 Gram Vinyl / 250 mcn paper / Printed on recycled corn paper 100% biodegradable / handily double plasticization / handily external gluing / PVC outers / original artwor . What jazz music and verse recitation may have to do with each other may be another strange question for the majority. However, it has been proven that the jazz musician and the reciting poet can complement each other and during this hot and concentrated encounter between the two art forms, we see the emergence…
Do you remember the excellent album Tone Hunting released a few years on Clean Feed? Of course, you do! Now we have the second incarnation of that excellent band but with a change on the seat of drums. Kuba Suchar is here replaced by a great drum's painter and probably one of the most musical percussion master Vasco Trilla. So on saxophone, we have Berlin-based Anna Kaluza, on acoustic bass guitar Rafał Mazur, and Artur Majewski on trumpet.
Son-Icon Music - orchestra and choral works by Charlotte Hug Music notation and conducting form the basis of the classical Western tradition of composition and performance. As early as the 1960s, alternatives to this system were sought again and again – a system which implies a lack of maturity in the individual performer. With her “Son-Icons” Charlotte Hug developed a medium and compositional technique, which integrates the imagination and artistic resources of the individual into a guided whol…
There’s a question once posed by John Cage that seems to invite an expanding variety of answers, something about what’s more musical, a truck driving by a factory or a truck driving by a music school. Percussionist Zlatko Kaučič’s quintet adds another environment to the mix, a church, and has musicians standing in for other elements: bassist Silvia Bolognesi and three reed players: Michael Moore on alto saxophone and clarinet; Michael Colonna on clarinet and bass clarinet; and Albert Cirera on …
Great Italian trio feat. Marco Colonna this time not only on clarinet but also bass clarinet, alto saxophone and flute and marvelous rhythm section Dario Miranda on bass and Fabrizio Spera on drums on his debut
Cosmic is the long awaited recording by Dwight Trible, one of the most prolific vocalists of the time. This recording is the follow up to his critically acclaimed Living Water which made a big impression throughout the world. On Cosmic, Dwight brings an A-list cast of characters to bring forth his his heartfelt expressions of love for human kind and for love itself. Musicians like Grammy nominee John Beasley and long time collaborator Munyungo Jackson help create the Cosmic landscape. Also noted…
* 2021 Stock * A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. The late great saxophonist Julian Hemphill and bassist Peter Kowald ate their peak
The latest entry in the ongoing series of exciting collaborations sees the Turkish free form ensemble Konstrukt live on stage with Thurston Moore.Konstrukt, the istanbul based free jazz / freeform group founded and led by Umut Cağlar and Korhan Futaci, are known for their openness to and interest in collaborations – and regularly meet up and perform with new partners that range from Joe Mcphee, William Parker, Akira Sakata, Marshall Allen, Evan Parker, Alexander Hawkins, Ken Vandermark or Otomo …
Yet another triumph from the legendary multi-instrumentalist, Joe McPhee, Corbett Vs. Dempsey drops "The Mystery J", their first ever full-length vinyl release, issued in a limited edition of 500 copies. Recorded in 2014 with violist Jen Clare Paulson and Brian Labycz on electronics, it writhes with bristling tension, while retaining a remarkably minimal form. Visionary experimentalism and freejazz reimagined on entirely singular terms, 'The Mystery J' encounters McPhee producing some of his bes…
* 1979 Very Rare Private Hawaii Spiritual Jazz Funk First Ever Worldwide Vinyl Reissue * This exclusive Jazz-Fusion album is a work composed by famous Hawaiian composer/musician/educator Gary Washburn. "A Life in a Day" was a project to fulfil a National Endowment of the Arts grant that he was awarded, and he performed to fulfil a State Foundation grant that was also awarded to him. Gary composed the music in Hilo specifically for the individuals who performed the music (in the same way that Duk…
One of the most uncompromising free jazz records ever made, this one-off improvisation by a group of Dutch players, led by percussionist Pierre Courbois, is an archetype of the style
The closely affiliated Black Saint and Soul Note labels were established in the 1970s by Italian jazz lover Giacomo Pellicciotti, and together they released some of the most forward-thinking jazz recordings on the market during their four decades of independent existence (both labels were acquired by another company in 2008). In 2011, the labels' new owner began releasing a series of budget-priced box sets documenting the complete output of particular artists, each individual disc housed in an L…
CD version. The album Premonition is a masterpiece of spiritual jazz, and reflects the spiritual awakening of a natural musical genius, Umlah Sadau Holt. In the 1970s, Holt was involved in all kinds of jazz, reggae, and world music projects in the San Francisco Bay Area. Over time he absorbed the global rhythms that can only come from extensive involvement with a variety of international musicians, and he integrated them into his own developing ideas of jazz. When his friend Emmanuel Nado return…
Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to pull together some of their favorite holiday music from all genres and view them through Respect-colored glasses. Featuring compositions by Misha Mengelberg, Loudon Wainwright III, Frank Loesser, Robbie Robertson (of The Band), Thelonious Monk, Jule…
Gabor Szabo's Faces, recorded for Mercury in 1977, is a distinctly jazz-fusion album. It was produced by trombonist and former Crusaders member Wayne Henderson, with the rhythm section coming from the soul-jazz-funk band Pleasure, with whom Henderson was working for the Fantasy label at the time. Built on gripping rough funk grooves, the music leaves plenty of room for Szabó's elegant guitar lines and meticulously constructed solos. The album, which was rather neglected when it was released, can…