Psych /
Ultima Thule
**Special limited edition with screen-printed clear jacket, insert and clear vinyl** A superb collection of rare early tracks from electronic pioneers Tangerine Dream! Features 2 tracks from the ’60s psych-rock band that preceded Tangerine Dream, The Ones, plus rare tracks from the early ’70s era of the band when they were at their most adventurous, composing epic pieces that clocked in at over 10 minutes each such as “”Asteroid Agenda”" and “”Overture. Amazing floating space cosmic psychedelia
Slights Still Unspoken (1978-1979)
LP version. Includes download coupon. Mental Experience present an expanded reissue of Voigt/465's 1979 album Slights Spoken, titled Slights Still Unspoken (1978-1979). Formed in Sydney in 1976, Voigt/465 was a truly unique band from the exciting days of the Australian post-punk scene. Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy, and Eno's Roxy Music, they created an abrasive sound in which krautrock, DIY, avant-gar…
Heresie
Sub Rosa present a reissue of Univers Zero's second album Heresie, originally released in 1979. A classic of chamber rock music, featuring heavy use of dissonance and dark, brooding, and extremely complex melodies. "This music on this LP might have little to do with rock, and might also be a massive downer, but the quality of the writing and playing is extremely high. Michel Berckmans' solo work on oboe and bassoon work is magnificent, and Patrick Hanappier's string playing (violin and viola) al…
Alpha Centauri
180g vinyl + picture disc. Second studio album by the infuential music band Tangerine Dream, Alpha Centauri' is the milestone of the psychedelic era. Originally recorded in 1970 at Stommeln's sound-lab Studio Dierks and released via the Ralf-Ulrich Kaiser's Ohr imprint, this album is an extraordinary trip into a dark sonic universe, where the overall quality has little in common with the luminescence recalled by its title. Organ acoustics and fute lean on mesmerising textures, created by e…
Landed
If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, 1975's 'Landed' is notable for marking the return to Can's debut line-up (barring Malcolm Mooney of course), following the love-sick Damo Suzuki's departure. Their 7th full-length release, 'Landed' also saw the band getting their mitts on a 16 track …
Future Days
** Recent repress. Comes in embossed sleeve with printed inner sleeve, pressed on heavyweight vinyl. Includes code for free mp3 download of this album** An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's inv…
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…
Out Of Reach
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebezeit has a greatly reduced role, leaving most of the rhythm duties to percussionist-come-lately Reebop Kwaku Baah. As on the group's proper swan song, 1977's Saw Delight, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is…
Can 1978
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department. It would be Can’s last album …
Rite Time
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…
Anthology (Remastered)
Having originally surfaced in 1994, Can's Anthology still serves as a pretty comprehensive, wide-ranging sampler of the band's key works, and the material's never sounded better - benefiting from a beautiful remastering treatment. Spanning Can's work from 1969's Monster Movie right up to 1991's soundtrack for the Wim Wenders film Until The End Of The World this two-disc compilation takes in a variety of line-ups, with the first disc drawing from the band's work up until 1974, with particular emp…
Can
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department.
The Singles
This unique document is the first time Can's singles have been presented together and shows the breadth of their influential career, from well loved tracks like Halleluwah, Vitamin C and I Want More to more obscure singles such as Silent Night and Turtles Have Short Legs. "Turtles Have Short Legs," was the band's third single released in 1971 and never appeared on a studio album. This was recorded around the time of the Tago Mago sessions with the line up of Holger Czukay, Michael Karoli, J…
America Here & Now Sessions
Expo Seventy is back on Essence Music with the mastermind Justin Wright bringing together a rare line-up featuring two drummers. The four-piece only lived during a short period of time and the thunderous experiments achieved by these unique sonic hypnotists are fully presented here. With an impressive discography of transcendent kosmische drones, slow-burn psychedelic magnetism and heavier sounds behind him, Wright decided to set a new milestone with America Here & Now Sessions. Freely t…
Contact (Silver Gatefold Sleeve)
Black vinyl version. Silver gatefold sleeve. Numbered edition of 1000 copies. Rotorelief present a reissue of Silver Apples' second album Contact, originally released in 1969. Available in four versions: A black vinyl version with a color sleeve in a numbered edition of 2000 (ROTOR 056C-LP); a clear vinyl version with a color sleeve in a numbered edition of 1000 (ROTOR 056C-CLR); a black vinyl version with a silver gatefold sleeve in a numbered edition of 2000 (ROTOR 056S-LP); and a silver…
Le Jour Où Les Vaches...
Reissue of the first album by this French iconoclast poet, recorded in 1974 with William Sheller's string arrangements. This highly symphonic and dystopian rock album should overjoy fans of Gerard Manset or Genesis.
Ophelia
Three years after their Rock-Opera Odyssea, “an incredibly cinematic and charged post-rock experience” (The CD Critic) and “a success from start to finish” (A Closer Listen), indignu [lat.] is back with a new album. Ophelia, the latest sonic journey was privately released by the band in late October 2016 on vinyl. Indignu [lat.], recently referred to as “the apotheosis of Portuguese post-rock” (Post-Rock Essentials) has been roaming their country for 10 years now, but also venturing outside Lu…
Go to Town
The Pin Group went back into the studio in January 1982 to record their third and final classic release. Featuring an expanded five-piece lineup with Mary Heney on guitar/vocals and Peter Fryer on viola, Go To Town is a work of taut perfection. Showcasing the band's dramatic chiaroscuro textures and arresting lyrics, "Long Night" and "When I Tell You" make staggeringly clear how much sonic ground The Pin Group covered in their unfortunately short tenure.
Visions Of The Age To Come
In Zaire return with an eightfold kaleidoscope coming into blissful focus. It’s called „Visions Of The Age To Come“ and presents them in a feverish dance between rock heritage and psychedelic outlands. At the heart of it all is still the underlying hum of the universe and its infinite vibrations - this is boldly stated with „Hermes Dance“, the albums literal opening track. It functions as a foreboding vision showcasing the essentials of the band: rhythm as key to a broad palette of ever-shifting…