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Tago Mago
Tago Mago, the first album with Damo Suzuki on vocals, features the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and was recorded at Schloss Norvenich in 1971, released later that year on United Artists. Can's influence is well known and far-reaching and the impact they made on music is felt today as keenly as it ever has been. They themselves have always been impossible to classify and reflecting this, the scope …
Il Canto Dell'Arpa E Del Flauto
Lovely reissue for a mid 70s uncategorizable album with a deep minimalistic/estatic feel, eastern indian/tibetan tinged passages, repetitive patterns and a massive use of flutes, bongos, harps and Indian instruments. The artist himself mentions the English band Jade Warrior as a strong influence. Nevertheless also Aktuala or Franco Battiato can be cited. Higly Recommended
Cluster 71
2016 repress; 140-gram LP. Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens. In 1998, The Wire listed Cluster's self-titled debut as one of "100 Records That Set The World On Fire (When No One Was Listening)." Very few albums from Germany can lay claim to this honor. Cluster is a monster; it cont…
International Hello
International Hello is the perfection of California psychedelic rock in all its ecstatic glory. Grady Runyan's guitar playing is as fantastic, spacey and heavy as ever, as is Scott Derr's always-pertinent bass throb. Drummer and singer Rubin Fiberglass is just perfect as a screaming maniac who can actually keep time while Doug Pearson's electronics consistently enhance the dominant power-trio rock that swirls in the sky like some kind of creation myth. In case you don't recognize the names, thes…
Meet The Residents
Restocked, reduced price. Reissue of the Residents' classic debut originally released on Ralph Records in 1974. The whole, bizarre Residents trip started here (at least officially). Mixing everything from Frank Zappa and Captain Beefheart to Raymond Scott and Sun Ra in the world's most bizarre blender, this one is the place to start in the wild and weird world of the Residents.
Meet The Residents was originally released in 1974, on the Ralph Records label. The tapes were monaural recordin…
The Kühn Brothers & The Mad Rockers
"Experienced jazz avant gardists Joachim and Rolf Kühn joined forces with Volker Kriegel, Gunter Lenz and Stu Martin to release this superb mixture of Krautrock, psych, funk and free jazz. With all kind of sound effects coming from distorted clarinets, Hammond organ, groovy bass/drums section, breaks and hot guitar licks The Mad Rockers paved the way for many Krautrockers to follow. Reissued in vinyl for the first time since its 1969 debut on the Metronome label, this is a basic record to…
Paradieswarts Duul
"Recorded in 1970, Amon Düül's only album for Ohr was a visionary slice of acid-folk which has gained cult status as years passed by. Ritualistic folk-rock, pastoral hippie songs, stoned jams, Eastern flavors, mystical passages and heavy hypnotic riffing which are in fact very different from the early Amon Düül epic freaked-out improvisations (Psychedelic Underground) or Amon Düül II complex and psyched-up progressive works (Phallus Dei). These were in fact archival recordings done by a di…
Fliessbandbabys Beat-Show
"Actually the first release ever on the revolutionary and innovative Ohr label, Fliesbandbabys Beat Show saw Floh De Cologne's delivering a hard slap on the face on Western Germany's capitalist society. Well-known for their humorous and satirical approach (which gained them comparisons with other freak troupes like The Fugs or The Mothers Of Invention), they deliver a freaky concoction of agit-prop satire and madness with relentless no-barriers free jamming. Political agitation meets free-r…
Sturmischer Himmel
Often described as one the oddities in the Ohr catalogue, Sturmischer Himmel supposed the vinyl debut of Anima, the radical free-music duo of sculptor Paul Fuchs and her wife Limpe Fuchs. Recorded at a "thousand year cottage on a windy hill" and opening with ambience recording of wind and sheeps, the album is an organic collection of improvised atonal pieces ranging from the atmospheric to the wild with much use use of screaming, horns, percussions, ambience recordings, wordless vocals and all k…
Trixie Stapelton 291
1st time ever readily available on vinyl - the rarest entry on the legendary Nurse With Wound list (which is saying something). Ltd. ed. of 300. "Fille Qui Mousse ("Girl With Froth"??) is one the most mythical albums to be released(?) from France. Recorded in 1972, it was issued in 73 (evidently only as a test pressing in an edition of maybe 50) by the legendary Futura label. Often referred to as the French Faust, FQMs album mixed collage, psychedelic rock, surreal poetry, and organically tapped…
Musik fur alle
Rare private press Krautrock from Paul and Limpe Fuch's Anima Sound – featuring one long improvisational piece on each side – oddly haunting and strangely beautiful! Raw home made percussion, off kilter melodies and really effective vocals make this a genuinely fascinating set that's surprisingly effective. Made while the duo was touring Germany and performing on a wagon they used as a stage, pulled throughout the country by a tractor!
The Psychedelic Sounds of New Rock Syndicate
The new decade begins with a groovy explosion of sound and colors: Ladies and Gentlemen, here comes The New Rock Syndicate. Band leader Kawaguchi Masami is a veteran of the Tokyo underground scene, being former Miminokoto, Broomdusters and LSD March member, both seminal projects in the development of a certain way to make rock, looking back at the tradition with a new approach, open to psychedelia, noise and free improvisation. As it happens, Masami's activities soon became the object of a passi…
Klossa Knapitatet
Their third album, originally issued by Silence in 1974, now reissued. Klossa Knapitatet is one of Samla's most exuberant excursions into fusion/avant-garde jazz-prog. A heady mix of Zappa-esque ridiculousness, Scandinavian folk, bent guitar, tinkering piano, circus music, cheeky accordion serenades and yodeling, this is Samla bending all rules and being totally bonkers. For fans of Måltid, but with more electric guitars and high-pitched vocals.
Jade Warrior
** Remastered, 180gr, their legendary debut LP from 1971** Jade Warrior's first album following Tony Duhig and Jon Field's emergence out of the psychedelic July captures them abandoning the best of that band's whimsical moodiness in favor of a symphonic spirituality epitomized from the outset by the soaring guitars that ecstatically slice through the opening "Traveller." Reminiscent, in places, of a less-precious successor to Quintessence and the Incredible String Band in that moods and esoteric…
Elastic Rock
A beautifully judged and played jazz-rock album, 'Elastic Rock' marked the beginning of a series of intricate and experimental fusion albums for the group's leader, trumpet-player Ian Carr. As did Soft Machine, Nucleus developed from a jazz-orientated outfit into a more progressive, fusion-based collective(in later years the group would come to be known as 'Ian Carr & Nucleus) with later albums, such as 1976's 'Alley Cat', adding electronics to the already eclectic brew. However, their deb…
Knirsch
Classic interweaving of jazz, rock, avant-garde and electronic, with Larry Coryell & Colosseum's Jon Hiseman. Completely new standards were set with this recording, originally released on MPS in 1972. Knirsch became cult and still is until now, almost 40 years after its release. A unique example for the successful interweaving of jazz, rock, avant-garde and electronic. The musicians: US guitarist Larry Coryell, German keyboarder Wolfgang Dauner, British drummer Jon Hiseman, US percussion…
Starsailor
180 gram audiophile vinyl. Starsailor is a culmination of Buckley's experiments and with
former Mother of Invention Bunk Gardner on sax and alto flute, the story
is complete. This album endures as one of the most legendary albums
ever made by a singer/songwriter. Tim Buckley's most experimental album and one of his most artistically successful. Buckley's recorded output was uneven; he never quite comfortably fit into the singer-songwriter mold and tried out all sorts of musical personas durin…
Per una scultura di Ceschia
This rare 1978 album is a rather original example of experimental electro-acoustic progressive style, mainly based on synth effects and acoustic guitars and often reminding some of Battiato's early works. Despite the presence of five singers in the line-up, the vocal parts are short, spoken rather than sung. All in all an interesting album for the adventurous listeners in search of something different. Ref: Battiato, Cacciapaglia, Stelle di Mario Schifano. Audiophile quality repress
Delay
Probably the rawest krautrock release. Malcolm Mooney's singing is trance inducing yet soulful, keeping the songs together when everyone else seems to freak out. Nineteen Century Man an it's over the top distortion, combined with the 'Inner Space' mantra, and it's half a minute jazz impromptu prelude Pnoom, push the listener into bliss every time.
Debon
Phoenix Records reissues Brast Burn's Debon -- a classic of Japanese Kraut obscurity originally released in 1975 on Voice Records, now digitally-remastered. Brast Burn are often linked with Karuna Khayal, with many aficionados concluding that they were actually the same band. Whether this is true or not remains an unsolved mystery, but one thing is for sure: Brast Burn's one and only recorded outing left an indelible stamp on those who were to follow. Nurse With Wound's Steve Stapleton thought h…