Sound Art / All styles

Bill Orcutt’s "A Mechanical Joey" is a radical, hypnotic experiment in repetition and punk minimalism. Across two long tracks, Joey Ramone’s iconic “1,2,3,4” chant loops endlessly, creating a trance-like, provocative listening experience that challenges and fascinates

Lost Bird is a book about abandonment. Photos thrown in the trash, postcards from baskets at flea markets, pages from books, mostly encyclopedias piled up in antique shops and texts from torn pages. It is a collection of images, drawings and writings, which once gave us light, if only for a while, and then plunged into darkness. It is a mutual relationship that changes at the same time, an association of the old to the new that speaks of injustice and oppression, of lost beauty, our lost nature.…

"Mondo imagined a future more far-out than any of its time. In its pages, readers glimpsed a hyper-accelerationist consumer dream of cyberspace made all more frighteningly real – then and now – by its prophetic synthesis of capitalism, psychedelic culture, and the computer age." - Dr. J. Christian Greer Mondo Vision is an exploration of the visual culture of Mondo 2000, the iconic cyberculture magazine published 1984-1998, edited by R.U. Sirius and Queen Mu. Under the art direction of Bart Nagel…

*2025 stock* Settlers, the latest release from sound artist & researcher Sergey Kostyrko, explores the social landscape of Murmansk – the largest settlement above the Arctic circle. Side A, Murmansk Soundscape, provides an uninterrupted window onto the city at work, a field recording cherry-picked from extensive research trips around the area. Meanwhile, Sounds of Migration on Side B presents a curiously dynamic noise composition – curious because it’s an automated sonification: one unedited tak…

Reise der Schatten(»Journey of Shadows«) is the soundtrack to the eponymous debut feature-length animation film by Swiss artist Yves Netzhammer. Composed by Anthony Pateras and released as a stand- alone album through Hallow Ground, the 29 pieces are based on »weird folk melodies ornamented with electro-acoustics to give the film a more fantastical, fairy-tale feeling,« as the composer puts it. His extensive international recording sessions with a slew of guest musicians results in a record imbu…

This bundle includes the following Alga Marghen releases:- Anima "Anima Trip: Baummusik" (LP)- Anima "Underground Altena" (LP)Anima "Anima Trip: Baummusik" (LP)Over their decades of activity, the Italian imprint, Alga Marghen, has illuminated a near countless number of historical artefacts within the field of experimental sound. During the years, often working closely with the artists at hand, they’ve helped entirely reconfiguring our understandings of the occurrences of radical sound over time.…

Furthering their explorations to the astoundingly singular creative sound world of Anima - the duo of Limpe and Paul Fuchs - Alga Marghen returns with “Anima Trip: Baummusik”, a never before released body of archival recordings made by the pair in the municipal gallery in the Bavarian city of Rosenheim. Joining a body of work that comprises some of the most incredible creations to emerge from Germany between the late 1960 and the 1980s, this much needed addition to Anima’s catalog is a rigorous …

Tip! *100 copies limited edition* Created in 2021-2022 at ‘mobile messor’ (Bologna, Tenerife, Dalvik, Den Haag, Bangkok), ‘Dune Studio’ (Loosduinen), and ‘Hundred Islands Studios’ (Rosclave enclave). Pieces created with original environmental sound matter recorded in: - untitled #398: Macizo de Teno and Macizo de Anaga (Tenerife, Spain), 2020. - untitled #412: Mlawula Nature Reserve (Eswatini - former Swaziland), 2011. - untitled #411: Negev Desert, Dead Sea and Golan Heights (Israel), 2008-2009…

In our digital age, every Captcha solved reduces our existence to data points. Every click fuels a shadow economy, stripping away genuine connection and trapping us in endless metrics. We must reclaim authentic human experience.

Sediment is an assemblage of field recordings made in the Swiss canton of Jura on a single day in August 2022. Jura's rock and limestone formations create a complex topology which hosts a diversity of sound spaces; human, more-than-human, geophonic, subterranean and extra-terrestrial. By walking and driving through this landscape curious pockets of activity are revealed to the listener. The layers of strata that make up Jura; earth, rock, forest, cables, pipes, factories, planes and radio towers…

*OBS!!! book in Italian language* In questo approfondito lavoro, l’Autore, da lungo tempo attivo sulla scena della ricerca musicale, ripercorre gli sviluppi delle sperimentazioni fonografiche e l’esperienza dei “padri fondatori” della Musica Concreta e della Musica Elettronica – da Pierre Schaeffer e Pierre Henry a Karlheinz Stockhausen e Iannis Xenakis – fino alle tendenze attuali, per la definizione di una nuova arte sonora: l’Acusmatica.

Edition of 200 copies, hand-stamped sleeve, 24-page booklet.  The first ever reissue of 1994 sound poetry masterpiece Blanksmanship, a high point in the work of legendary avant-garde poet and artist John M. Bennett. Editions Basilic and Luna Bisonte Prods previously collaborated on »A Flattened Face Fogs Through: Selected Sound Poetry (1986-1994)«, an anthology of Bennett’s sound poetry released in 2022 to widespread acclaim. John M. Bennett’s Blanksmanship is a totemic representation of someth…

Limited and numbered edition of 250 copies. Die-cut box, 5 inlays and extensive booklet (Libretto). The opera "juHrop" was recorded with great effort at the Studio für Komische Musik Berlin and at the studio of Diamanda Galas in New York from 1996 to 2001. It is orchestral music produced with electronic devices and voices of Chinese singer Wu Jiang, David Moss, Diamanda Galas, Udo Scheuerpflug, Margarete Huber and the Moabiter Motettenchor. It was broadcasted in full length on "Deutschlandradio …

Corbett vs. Dempsey presents Jaap Blonk's Ursonate, featuring the complete text-sound work by artist Kurt Schwitters. Blonk first recorded the canonical Dada poetry piece in 1986, released as an LP on BVHAAST, Willem Breuker's label. He has returned to the work multiple times over the ensuing decades, and this incredible new recording shows his deepening understanding of the pioneering work. Blonk writes in the liner notes: "Kurt Schwitters (1887-1948) wrote his Ursonate or Sonate in Urlauten ('…

Bilingual Edition English/German This inspiring book, with texts in German and English, reflects on the aesthetic, cultural and performative dimensions of contemporary (art) music. It opens up and challenges new perspectives in musicological and artistic research with a cultural studies orientation. Texts from the last 15 years are divided into two main chapters: Cultural Practice – including analyses of major festivals such as Warsaw Autumn, Festival d’Automne à Paris and Wien Modern, the impor…

"The richness of these recordings cannot be overstated." — A Closer Listen

100 copies on red vinyl w/ envelope including 14 extra inserts. Between 1978 and 1984, Fluxus artist Willem de Ridder did a weekly radio show called De Radiola Improvisatie Salon. Listeners were invited to send in cassettes recorded at home and would get guaranteed air­time. Willem never listened to any of the tapes in advance. No censorship or personal taste were involved, just total artistic freedom. Long before social media existed, he understood that just providing a platform could ignite bo…

Following on from our audio visual experiences in St. Gertrud’s church in cologne, this album contains eight excerpts from live sets, specially produced for the unique space of the building designed by Gottfried Böhm, in an attempt to capture its architecture and sound. Since 2015, our goal has been to establish a format at the interface between pop and club culture, as well as "academic" electronic music, in which media art, visuals, sound installations and dance performances play a central rol…

Big Tip! Xing presents the new LP OWsT by Elvin Brandhi, eighteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, including a collector's edition of 20 copies, each featuring bespoke talismans, painted by the artist in squid ink, to be worn as patches or kept safe somewhere to ward off misanthropists. OWsT is a vociferous attempt to Shout The Self Out. Elvin Brandhi, artist and poet propelled by constant nomadic ruptu…

Gatefolf cover. Legendary New Zealand-born experimental composer and sound art pioneer Annea Lockwood returns to Black Truffle with On Fractured Ground / Skin Resonance, her third release for the label. Having recently celebrated her 85th birthday, Lockwood shows no sign of slowing down in her exploration of new sound sources and collaborations with an ever-growing intergenerational pool of performers – here with Vanessa Tomlinson. Her creative vibrancy is alive as ever on the two recent works p…

A seminal figure in the history of 20th century avant-garde, yet sinfully overlooked, Wolf Vostell unleashed ideas - those running wild through his debut LP Dé-coll/age Musik, which remain a slap to the face, more than half a century after they were set into play. A founding member of Fluxus, an early instigator of Happenings, an innovator of video art, Vostell was equally one of the most radical and irreverent practitioners in sound that the world has ever known. First released in 1982, …

“La Camera Astratta” is the result of the amazing collaboration between Piero Milesi e Daniel Bacalov with the experimental theatre-performance of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of immersion in a dimension devoid of gravity, the desire concerning a soft, ethereal, articulated and perfectly interpenetrated reality. It's an evocative ambient sound, with rhythmic cadence, soft and repetitive, full of airiness; the music expresses the scenic aims and investigates an…

Standing beyond the realms of category and classification, Pier Luigi Andreoni and Francesco Paladino’s Aeolyca, initially released as a limited cassette in 1989, is an artifact which perfectly illustrates the openness and creative ambition displayed by Italy’s avant-garde music community during the 1980’s. While may of their cousins in other country’s flirted with institutional recognition and fame, Italian artists pushed toward the outer reaches, plumbing unknown depths, tragically remaining i…

Looking for something out on the Chilterns, Philadelphian Christian Mirande persuaded Loiners Kieron Piercy and Anna Peaker to join him on the search. Guided by a hallucination of a Victorian cave full of grape lights, three friends venture into the heart of Tory weekend wreckage and found Pimms fueled madness and bunting choking out the working class. It produced 8 tracks of concrete, processed field recordings and acoustic flourish tracked in a cottage; glued with vari-mu compression and deep …

Gently lay your palm on the warmed belly of a flat stone, and skim your humming thoughts across the murmuring divide. The opposite shore is a shadowed encampment of slowly stirring shingle. Autumn effervesces and spreads in a calm blanket of diffused musk, looping around two shallow mouthfuls of sunshine. A stave is transcribed along the tilted stasis of shoreline - silence holds a seance in the clay and the river intones its folly in electric bursts, ingesting the fretted, lemony light, and uns…

How architects and designers helped define America’s ecological movement in the 1960s―featuring Ant Farm, Buckminster Fuller, John C. Lilly and many more During the 1960s, as Western notions of endless progress and growth gave way to concerns over industrial pollution, resource depletion and ecological limits, attitudes toward the environment became social, political and ideological. Published to accompany the first expansive survey of the history of environmental thinking in architecture, Emerg…

At the start of the 1960s, jazz entered a unique period of revolution as African-American musicians redefined the art form in the context of the Civil Rights Movement, Afro-centric rhythm and thought and an ideology of black economic empowerment. John Coltrane, Ornette Coleman, Sun Ra, Pharoah Sanders, Albert Ayler and others developed a new cosmology of sound that was as revolutionary as the social and political changes that took place in America throughout the decade. From the musical explorat…

The birth of hip hop in New York: rare images of the bands, the MCs and DJs, the artists and the fans, from Afrika Bambaataa and Run-DMC to Keith Haring and the Rock Steady Crew. This book features more than 150 rarely seen images documenting the rise of hip hop in the early 1980s, taken by French photographer Sophie Bramly. Bramly lived in New York during this period and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of…

At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers, this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is s…

Soundings: A Contemporary Score investigates the ways in which some of the most innovative contemporary artists are working with sound today. These artists approach sound from a variety of disciplines--visual arts, architecture, performance, computer programming and music--yet they share an interest in working with, rather than against or independent of, a given situation or environment. Their responses include architectural interventions, visualizations of inaudible sound, explorations of sound…

A record of the rise and fall of the BMC farm that foregrounds the voices of a new cast of characters Black Mountain College (BMC) was a wellspring of 20th-century creative unorthodoxy. From its founding in 1933 and over its celebrated 23-year history, the small liberal arts school in rural North Carolina attracted a remarkable number of famous and soon-to-be famous artists, writers and visionaries including Anni and Josef Albers, Ruth Asawa, John Cage, Merce Cunningham, Willem de Kooning, Buckm…

Revised and expanded edition of the punk classic (more than 15,000 copies sold), with six new interviews. “Not just for fans of punk rock―Punk Planet is a fine source of articles about politics, current events, and do-it-yourself culture.” ―Utne Reader“All of the interviews are probing and well thought out, the questions going deeper than most magazines would ever dare; and each has a succinct, informative introduction for readers who are unfamiliar with the subject. Required reading for all mus…

The long-awaited reissue of the sequel to Amiri Baraka’s seminal work, Blues People, and latest selection in the AkashiClassics Renegade Reprint Series. This collection of essays by Amiri Baraka/LeRoi Jones includes a new introduction by the author and Q&A by Calvin Reid. “Baraka writes with the passion and lyricism that can only come from a jazz critic who is uncompromisingly invested in the social and aesthetic dimensions of the music.” ―WBGO (Newark Public Radio) In 2007, Akashic Books ushere…

Creep is a noise box with metal on one side and coarse sandpaper on the other. The box is equipped with a contact microphone and produces frightening horror sounds.Creep is a limited edition d.i.y. sound object. The box is handmade and not subject to industrial manufacturing standards.

An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward. Mike Kelley is best known as one of the most influential visual artists of his generation. But he was also an insightful theorist who wrote profusely about his work as well as on aesthetics in the 1980s, 1990s, and 2000s, an epoch marked, in his view, b…

The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno. From music writer Alex Coles, Fusion! From Alice Coltrane to Moor Mother traces the origins and legacy of blended musical genres by focusing on twelve dynamic collaborations. From Alice Coltrane working with Carlos Santana in 1974 to Moor Mother sharing the mic with Wolf Weston in 2022, the collaborations-cum-chapters reveal how musicians pursue fusion as a process. With sonic fusion always premised on cultural fus…

English Language Edition A tribute to Derek Jarman manifold and vital practice. Gathering together newly commissioned essays by international art critics and scholars devoted to specific—and sometimes lesser-known—aspects of the artist's life and work and extensive portfolios spanning his successive bodies of works, this monograph offers an accessible overview of Derek Jarman, one of the legendary cultural figures of the second half of the 20th century.  Conceived as a reader, this volume includ…

Italian Language Edition Yoko Ono è una delle instancabili innovatrici dell’arte contemporanea. Negli anni cinquanta scrisse le “istruzioni”, ovvero delle “partiture per l’arte” interpretabili più e più volte dal pubblico che diventava protagonista attivo. Iniziò così a rifiutare il ruolo dell’artista e il concetto di opera d’arte, considerata esclusivamente come oggetto materiale pronto per il mercato. Il suo percorso si concentrò invece ad abbattere i confini tra musica, performance, poesia e …

Italian Language Edition Il blues e il jazz sono stati l’esperienza fondamentale attraverso la quale si è forgiata l’identità degli ex schiavi negli Stati Uniti: l’esperienza con cui il popolo afroamericano ha espresso il massimo di autonomia culturale rispetto all’America bianca. Da Duke Ellington ad Art Tatum, da Thelonious Monk a John Coltrane, da Sun Ra a Miles Davis, sono molti gli eroi che hanno indicato ai neroamericani la strada per diventare se stessi, qui splendidamente resi dal lirism…

In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melody, vocal improvisation, and tape trickery mingle in a tapestry of radical intimacy.​