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Also under Kayn's Multiplex Sound-Art heading: Ultra (2001) and Redundancy TR (2003) on the first disc, the three-section Megaphonie (2001) on the second. Three of the last pieces Roland Kayn completed and released on his own label.
Restocked. Packaged with 3D cover art; includes Anaglyphic 3D glasses. "Pacific Tubular Waves" (1979): Electronic music for Synclavier digital synthesizer. "The first four movements frame different visions of the energy delivered by the rolling wa…
Music From Computer is an exquisite repackaging of influential works from early computer music Jean-Claude Risset, spanning the years 1968 – 1985. It illuminates a fascinating intersection between old-world classicism, musique concrete, and synthesis…
Morton Subotnick's electronic works: the first CD and surround release of the quadrophonic tape piece Four Butterflies, and Until Spring: Revisited, a live recomposition of his 1975 Buchla work. The DVD adds A Sky of Cloudless Sulphur: Revisited.
Keiji Haino and Masami Akita as Kikuri, live at Victoriaville on 21 May 2007: guitar, voice, strings and drums against electronics and computer, in their first concert together outside Japan.
Iannis Xenakis Edition volume 2 of electronic works: Polytope de Cluny and Hibiki hana ma, remixed to stereo by Gerard Pape, and the ensemble score for the 1957 film Fer Chaud, remastered from its soundtrack.
First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.
Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.
Two CDs of electroacoustic works composed on Xenakis's UPIC computer music system at Les Ateliers UPIC (now CCMIX) in Paris, by Xenakis, Estrada, Robindoré, Risset, Roads, Pape and others, mostly first recordings.
First recording of Enno Poppe's Rundfunk for nine synthesizers (2015-2018), played by Ensemble Mosaik with audio software by Wolfgang Heiniger, recorded in 2019 at the Haus des Rundfunks, Berlin. Co-production with Deutschlandfunk Kultur.
Five works (2013-2015) by Sarah Nemtsov for amplified instruments, effect pedals, loop station, kaoss pad and Electribe SX, played by Ensemble Adapter, Sonar Quartett, members of ensemble mosaik and the composer. First recordings, coproduced with Deu…
Seven electroacoustic works by Georg Katzer (1976-2010), from Bevor Ariadne kommt and Preußisch Blau to Mein 1989 and Steinelied 2, released with the Akademie der Künste, Berlin, for his 80th birthday.
Portrait CD of Achim Bornhöft: six works from 1999-2010 for computer, string quartet, flute and clarinet, percussion quartet, quintet and four electric guitars with live electronics, played by Helios Streichquartett, Ensemble Phorminx, Freiburger Sch…
Five computer music works by Chris Chafe, David Jaffe and William Schottstaedt, made at CCRMA, Stanford, between 1982 and 1986 with the Samson Box digital synthesizer; produced by David Jaffe.
Michael McNabb's Invisible Cities, made at CCRMA, Stanford, and first conceived in 1985 for dance theatre after Italo Calvino: six pieces for computer, synthesizer, piano (Artis Wodehouse) and soprano saxophone (McNabb).
Michael Obst's quadraphonic electronic trilogy Crystal World (1983-86) with its Intermède, made in Cologne, at EMS Stockholm and at IRCAM; produced by Obst in the audiorent studio, Recklinghausen.
Electronic album on themes by György Kurtág jr., arranged by László Hortobágyi, with Kurtág jr. and Hortobágyi on synthesizers and computers and Miklós Lengyelfi on bass and effects. Recorded August 2008 at the Guo Manor, Budapest.
Eight works by Gilles Gobeil from 1985 to 1994, among them Le vertige inconnu made at the GMEB in Bourges and two pieces for ondist Suzanne Binet-Audet, plus Associations libres with guitarist René Lussier.
Gilles Gobeil’s three works for ondes Martenot and fixed medium, written between 1988 and 2002 and recorded in 2004-05 with Suzanne Binet-Audet, who commissioned the first; winner of the Prix Opus disc of the year 2004-05. DVD-Audio.
Daniel Scheidt's software compositions of 1986 to 1990, in which an interactive computer system listens and responds to improvising soloists: percussionist Trevor Tureski, clarinettists Claude Schryer and Lori Freedman, soprano Catherine Lewis and tr…