Electronics
All records with electronics · Solo electronics only
Some Attributes Of A Living System
The first album under the Mnemonists name, released in 1980 in 500 copies on the Colorado collective's own Dys label: 22 'Fragments' of improvisation between modern classical, noise, industrial and free jazz, by the circle that became Biota. Reissued on CD by Klanggalerie.
Floating Frequencies / Intuitive Synthesis I-IV
The complete Floating Frequencies / Intuitive Synthesis cycle on four cassettes: Eleh's three foundational volumes of pure analog tone (2006-2008), dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros, plus Volume IV. Remastered by Tom Eaton in 2025, Cassauna.
1978-1983
The first band to make music with networked microcomputers: Jim Horton, John Bischoff, Rich Gold and Tim Perkis's KIM-1 recordings from the San Francisco Bay Area, 1978-1983. Limited double LP on Death Is Not The End.
Passing The Cup Of Sorrows
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
Corps Perdu
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
Meliponica
Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.
The Pulse Of Atoms
Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthesizers, mixed and mastered by Lustmord.
Te Oro o te Ao
New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.
Impressions
Six acousmatic works by Julien Guillamat from 2010 to 2026, from Birmingham pieces built on the dismantling of the BEAST loudspeaker system to recent soundscapes of the Aure Valley in the Hautes-Pyrénées, recorded in its ski resorts and mountain villages. CD-R.
Sillages
Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentors. CD-R.
Malgré Tout
Four works by Monique Jean from 2015 to 2024, three built on MissTake, her no-input four-track tape recorder with effects pedals, including Volt_#1 and Volt_#3, plus Tumultes, inspired by novels by Adania Shibli and Antoine Wauters. CD-R.
Cartografía Interior
Debut solo album by Montréal sound artist Diego Bermudez Chamberland: a 44-minute acousmatic work in three movements (2020-23, revised 2025) freely inspired by the Norse cosmos of Snorri Sturluson’s Edda, moving from the scale of Yggdrasil to the microscopic. CD-R.
Du Noir Tout Autour
Armando Balice’s triptych of inner gardens from 2018 to 2021, three acousmatic pieces in eight movements each built from ravens, forest recordings, analogue synthesizers and the cello of Lola Malique, starting with an Ina-GRM commission inspired by Japanese gardens. CD-R.
Coups de Foudre
Three multichannel works by Stéphane Roy from 2022 to 2024: a war piece after poems by Paul-Marie Lapointe, a sound bestiary for Jean-François Laporte’s Babel table, and nine acousmatic miniatures on experiential time. CD-R.
Exomusique
Seven multichannel works by Åke Parmerud from 2019 to 2025 that push guitar, piano, percussion and string quartet into music no player could perform, from the alien metal band of Heavy Metal to a Latin groove for Javier Álvarez.
Vox Alia
Annette Vande Gorne’s complete Vox Alia cycle (1992-2024), five multichannel works on the voice without words, from Maria Callas and Pierre Schaeffer in Affetti to sacred chant, a Werner Lambersy poem, crowds and animal calls. CD-R.
Soulignement_
Adrian Moore’s works from 2019 to 2024: five wt_ pieces each built from one source (a ceramic pot, a bird whistle, a wine glass, metal sheets, voices) with the same Pure Data toolkit, plus two Sheffield-area site pieces on industrial noise and change. CD-R.
Interruptions
Five stereo acousmatic works by Manuella Blackburn from 2018 to 2023, made from household sounds, plastic waste and microplastics, a rotary landline and the factory samples and fan noise of a Fairlight CMI. CD-R.
L’Ombre du Pont
Eleven fixed-media works by Elsa Justel from 1995 to 2021, several of them homages built from the sounds of Ferrari, Parmegiani, Bayle, Dhomont, Ferreyra and Vande Gorne, alongside a COVID divertimento and a dialogue with pianist Ana Foutel. CD-R.
Promenades
Seven works by Gilles Gobeil from 1990 to 2020 on the theme of the stroll, from Chris Marker's La Jetée and Kubrick's 2001 with Yves Charuest's saxophone to Folkmar Hein's Berlin forest walks and the trio Déviation(s). CD-R.