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Three pieces from 2011 by the French duo Kristoff K.Roll, made for headphones and an afternoon nap: “audio-talking naps” in which real dream narratives told by friends float through concrete sounds, field recordings and improvisation.
Six acousmatic works from 2007 to 2011 by the English composer Manuella Blackburn, built from kitchen utensils, switches and an old TV, a cajón, electric guitar, Japanese instruments recorded in Tokyo and sounds from Denis Smalley’s Wind Chimes.
Five acousmatic works by Robert Normandeau from 2005 to 2011, from the onomatopoeia piece Palimpseste to the 38-channel Anadliad for Welsh pibgorn and bagpipe and the reversible Palindrome, recorded with the organ and bells of Bourges cathedral.
Six works by the New York composer Elizabeth Hoffman from 2001 to 2011, obsessed with harmonic design and unnatural resonance, built from percussion recorded by TimeTable Percussion, close-miked water, birdcalls, two violins and insects heard just after 9/11.
Yves Daoust’s Chorals ornés, a rereading of the 14 chorales of Bach’s Orgelbüchlein for organ and fixed medium with Régis Rousseau on a 1961 Beckerath organ and Québec poems, plus three works from 2002-05 on time, voice and found objects. DVD-Audio.
Seven acousmatic works by Adrian Moore from 2006 to 2010, most composed in surround from the outset, including Fields of Darkness and Light for violinist Darragh Morgan, first prize at Musica Nova 2010, and 3Pieces from horn, violin and piano. DVD-Audio.
Six works by Pete Stollery from 2004 to 2007: radio sports commentaries, a homage to Delia Derbyshire, three pieces mapping the sounds of rural Aberdeenshire, and a sound walk along the route of Claude Lelouch’s film C’était un rendez-vous.
Seven fixed-medium works by the American composer Elainie Lillios from 1998 to 2007, made in Birmingham, Bowling Green, Toronto and Baton Rouge, from an interview with a Texan tarot reader to an ambisonic study shaped by Deep Listening.
Four 5.1 works Pierre Alexandre Tremblay composed in 2009-10 during a sabbatical year of residencies at Ina-GRM, Miso Music in Lisbon, TU Berlin and Musiques & Recherches, plus the videomusic Walk That Way. Tuesday, Turn. Disque de l’année, Prix Opus 2010-11. DVD-Audio.
Christian Bouchard’s works from 2006 to 2010 between acousmatics, glitch and soundscape: the Impasto triptych after the frenzied painting of Pollock, Riopelle and Shiraga, the MIDI-driven Parcelles 21 and a requiem for Montréal’s mechanical parking meters. DVD-Audio.
Christian Calon’s 54-minute radio work from 1996-2001 that moves the myth of Ulysses into the present through Homer and Joyce, with the voice of Shelley Hirsch as Penelope and guitar by René Lussier; Grand Prix Marulic 1999. DVD-Video.
Six works by Åke Parmerud from 1986 to 1999, including Strings & Shadows for harpist Sofia Asunción Claro, Retur on a Charlie Parker solo for the Stockholm Saxophone Quartet, and the Bourges-winning Repulse.
Nearly two hours of music by Roxanne Turcotte from 2003 to 2008, from the sound-and-light installation pieces Attractions and Musée sonore to Espace vital for two pianos and tape and the 16-channel Delirium, written for her father. DVD-Audio.
Pierre Alexandre Tremblay's 49-minute La rage (2004-05), a reading of Louis Hamelin's 1989 novel for free jazz drummer, live and interactive processing and 8-channel tape, performed by Stefan Schneider and recorded in 2005. DVD-Audio.
Three self-standing studies by Francis Dhomont from 2005-06 for Le cri du Choucas, his long work on Franz Kafka, including Brief an den Vater with actor Martin Engler and the transformed voice of Hans Tutschku. Disque de l’année at the Prix Opus 2009-10.
Four dark allegories by Dominique Bassal, empreintes DIGITALes’ mastering engineer, composed from 2001 and revised up to 2009: thinking birds after Olaf Stapledon, a body drowning in a star, the Egyptian sky goddess Nut and a satire of cults. DVD-Audio.
Eight Canadian composers, from Francis Dhomont and Hildegard Westerkamp to Nicolas Bernier, with works made for or around the trans_canada festival at the ZKM in Karlsruhe in 2005: two and a half hours of acousmatic and soundscape music. DVD-Audio.
Three works on otherness by Jacques Tremblay from 1997 to 2004, among them the 47-minute Empathies entropiques, eight portraits built from voices in Russian, Italian, Creole, Arabic and other languages, dedicated to Yves Daoust.
Five acousmatic works by David Berezan from 2002 to 2007 that open up everyday sources: his daily bicycle ride in Birmingham, Chinese Baoding balls and opera, a 19th-century textile mill, the ice of Banff and a chain on a Tinguely sculpture. DVD-Audio.
Five works from 1999 to 2005 in which Ned Bouhalassa “plays” the city like a record, mixing street recordings from Montréal, Las Vegas and Berlin with breakbeats, including Urban Cuts for cello, drums and fixed medium. DVD-Audio.