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Second volume of Iannis Xenakis's works for piano with instruments, played by Aki Takahashi with Rohan de Saram, the JACK Quartet and the Callithumpian Consort, including a new recording of Eonta for piano, trumpets and trombones.
Six minimalist works by Reich, Riley, Andriessen, Gann, Adams and David Lang played by Orkest de Volharding under Jussi Jaatinen, including first recordings of City Life for wind orchestra and Kyle Gann's Sunken City.
Mode's 200th release: John Cage himself performs Empty Words together with Music for Piano (with Yvar Mikhashoff) and the solo work One7, recorded at Buffalo in April 1991 and released for the first time.
Cornelius Cardew's graphic score Treatise in the only performance of its 2-hour version, recorded live in Prague on 15 October 1967 by the QUaX Ensemble directed by Petr Kotik, remastered from the original analog tape.
First volume of Mode's Luc Ferrari series: Chansons pour le corps, built on interviews with women recorded in the Jardin du Luxembourg, and the symphonic tale Et si tout entière maintenant for actress, tapes and orchestra.
Chamber music by Hans Werner Henze, weighted toward pieces drawn from his theatre works, played by the Naples-based Ensemble Dissonanzen: Ein kleines Potpourri from Boulevard Solitude, Toccata Mistica, Drei Tentos and Neue Volkslieder und Hirtengesänge among others.
DVD of two films by Evans Chan on pianist Margaret Leng Tan: the documentary Sorceress of the New Piano (2004) and the bonus film The Maverick Piano (2007), with performances of Cage, Ge Gan-ru, Satie and Twining and toy piano.
Lydia Kavina plays theremin works with Ensemble Sospeso: first recordings of music by Howard Shore, Olga Neuwirth, Christian Wolff and Percy Grainger, and Miklós Rózsa's chamber version of Spellbound, premiered at Lincoln Center in 2000.
Chamber works by Earle Brown from 1952 to 1999, from Folio and Four Systems to Tracer, with Christian Wolff and Joan La Barbara among the performers and the tape piece Octet in a new transfer.
Early works by Gavin Bryars from 1969-71: first recordings of Pre-Mediaeval Metrics and Made in Hong Kong, plus 1, 2, 1-2-3-4 and The Squirrel and The Ricketty Racketty Bridge, played by Ulrich Kreiger, Seth Josel and others.
First volume of Mode's Scelsi Edition and of the traversal of his piano works: Giacinto Scelsi's Sonatas No. 2 and No. 4 and the nine-movement suite Ttai, played by Louise Bessette.
Yves Daoust's 1991 disc of works built on fragments of the classical repertoire: pieces for piano, flute and accordion with tape on the theme of the performer's solitude, a baroque suite for a harpsichordist-actress, and the Bourges-winning Quatuor.
Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.
Song album by Kristín Anna Valtýsdóttir of múm, pieces for piano and voice written 2005-2017, produced by Kjartan Sveinsson and released in 2019 by Bel-Air Glamour Records with The Vinyl Factory.
Reissue of Robert Normandeau’s album of four acousmatic and mixed works from 1995 to 1999, including the Golden Nica winner Le renard et la rose, built from voices of a Little Prince radio play, and Figures de rhétorique with pianist Jacques Drouin.
Duo album by Manfred Schoof (trumpet, flugelhorn) and Rainer Brüninghaus (piano, keyboards), six original pieces recorded in October 1987 and May 1988 at Tonstudio Cornet, Cologne.
First recordings of Enno Poppe's Feld, the jointly composed Tonband by Poppe and Wolfgang Heiniger, and Heiniger's Neumond, played by Yarn/Wire (Ian Antonio, Russell Greenberg, Laura Barger, Ning Yu) with Sam Torres on live electronics.
Double album of solo and duo works by organist-composer Gerd Zacher, all first recordings, including 75 Event(ualitie)s for organ with Juan Allende-Blin's Siebeneinhalb Dezennien, played by Matthias Geuting, Hasti Molavian, Evelin Degen, Allende-Blin and others.
Works for saxophone, piano and percussion by Helmut Lachenmann, Martin Schüttler, Yu Kuwabara, Martin Smolka and Michael Finnissy, played by Trio Accanto (Marcus Weiss, Nicolas Hodges, Christian Dierstein), with Lachenmann as voice. An SWR production, 2020.
Piano music for two and four hands by Erwin Schulhoff, 1919 to 1927: Piano Sonata No. 3, Ironien op. 34, 10 Klavierstücke op. 30, Musik für Klavier op. 35 and 11 Inventionen op. 36, played by Monica Gutman with Erika Le Roux.