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First vinyl by Long Swan Tongues, the improvised drone duo of Alex Wilson (Gnod, Ghold) and Edd Sanders (Kalkin, Red River Dialect): two long, thunderous pieces for four-stringed instruments on 180g vinyl, mastered by Miles Whittaker.
First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.
First vinyl edition of Nick Dunston's 2019 debut Atlantic Extraction, on translucent yellow vinyl limited to 200 copies: a quintet of double bass, flutes, violin and viola, guitar and drums.
Two-CD set of works by Gerald Eckert, mostly for orchestra and often with live electronics, performed by Ensemble Reflexion K and the norddeutsche sinfonietta, with the composer as cellist and conductor.
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971 and released in January 1972. Perhaps the least characteristic album of their output, it features no synthesizers, the instrumentation being largely electric guitar, bass guitar, flute and violin. On the second side, the more rock-oriented origins of the group still cling on, mostly without any percussion whatsoeve…
Big Big Tip! Certainly one of the most obscure and perhaps one of the most fascinating work of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. Chitinous is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we …
Six first recordings for solo percussion by Luis Tabuenca, each named after a work by Paul Klee, played acoustically with no electronics beyond amplification, with liner notes by Steven Schick.
"It is one of the finest documents of how improvisation is made that this listener has heard, on par with the two astounding The Life of a Trio albums (by Paul Bley, Jimmy Giuffre and Steve Swallow)" - George Grella, New York City Jazz Records
The meeting between Terry Riley the father of American Minimalism and free jazz pioneer Don Cherry. Two contemporary luminaries who always shared an ear for non Western music and philosophies. Joined here by Stein Claeson on violin and el. bass, and Bengt Berger on percussion, these two giants give us an example of deep organic music based on the full integration of various materials. A beautiful example of true extended sonic democracy.
*200 copies limited edition.* «13 Visions» is a series of compositions by Clara Lévy, performed by herself on violin. They are conceived as an imaginary meeting between two composers whose musical aesthetics share many common traits, despite the centuries separating them: Hildegard Von Bingen (c. 1098 – 1179) and Pauline Oliveros (1932 – 2016). The two composer's respective visions are thus intertwined by Levy in a cycle of thirteen pieces for solo violin. Somewhere between composition, arrangem…
'A Coiled Form' by UK-based composer Bryn Harrison. The piece was originally composed as a shorter solo in 2020, and then revised and expanded in collaboration with violinist Sarah Saviet, who gives an astonishing virtuosic performance, to become a 50-minute solo work. It was released on CD by Another Timbre in November 2022.
Loud Object is the second solo release from artist Billy Steiger, following his self released 'Recordings, drawings and photographs from in and around Frîdd Newydd' in 2016. Both a visual artist and a musician, Steiger’s Loud Object plays as a two sided experiment in markmarking and sound, as a kind of writing by ear - metallic, brushed, wooden - lines imprinted and pressed circular.
The record takes its name from the discarded title of the several-hundred-page draft of Clarice Lispector’s ev…
*In process of stocking.* Famous and incredible violin virtuoso Mark Feldman and phenomenal cellist Katinka Kleijn joined forces and recorded their first duo recital. Both have great experience and long careers in the classical, contemporary, jazz, and improvised music world. Mark is well known for his music as a leader as well as for long-distance collaboration with such musicians as John Zorn, Erik Friedlander, Evan Parker, Sylvie Courvoisier, and others. Katinka established shes position both…
Other Minds is excited and proud to bring you a near-unheard early composition by legendary American Maverick composer Lou Harrison, Sonata for Unaccompanied Violin (1936), performed by our friend Kate Stenberg. This short piece was written by the precocious composer when he was barely out of high school, still a teenager, but already a year deep into studies under Henry Cowell, studies that occurred during Cowell's stint in San Quentin State Prison.
The piece was entirely unheard from its comp…
*In process of stocking. 2022 stock.* Music for Violin Alone is the debut date as leader for virtuoso violinist Mark Feldman, who has performed as a sideman with countless musicians, in genres ranging from country to avant-garde jazz. Here he performs original, classically styled pieces that exude high drama. The violin arcs over small measures of time, plummets into hurt, soars back up into the air, then lands lightly spinning. Feldman bows out grit and texture with ribbed vibratos, and achieve…
Chamber works by Irish composer Gerald Barry for solo piano, violin and piano, piano trio and piano quartet, played by the Fidelio Trio with Rose Redgrave and the composer. All but In the Asylum are first recordings.
Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.
Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.