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Faust unbound, curated by keyboardist Hans-Joachim Irmler. Drones, grooves and collage roam free, another founder's window onto the collective's fearless, uncategorisable body of work.
The Faust vaults through Jean-Herve Peron's eyes. Songs, sabotage and tender strangeness sit side by side, a personal cut of the krautrock legends' boundless, unruly tape archive.
More from the Faust archive, chosen by drummer Zappi Diermaier. Rhythm-driven fragments, noise and studio mischief, the collective's fearless early spirit heard through a founder's own ear.
Faust's vaults, opened by the band itself. Co-founder Gunther Wusthoff curates unheard tapes and fragments, motorik grooves, collage and pure invention from krautrock's great disruptors.
The third dig into Germany's synth-wave underground, 1981-86. Cold drum machines, cheap keyboards and DIY nerve from the NDW margins, a trove of minimal-wave obscurities rescued from the cassette age.
Ex-Birth Control synthesist Zeus B. Held goes solo and electronic. 'Attack Time' pulses with early-'80s synth-pop drive and studio sheen: melodic, propulsive and slyly futuristic. A producer's-ear gem from the German new wave.
A map of the new German cosmic underground. 'Echo Neuklang' gathers neo-kraut, kosmische and motorik sounds across four decades: a generation carrying the Cluster and Neu! lineage forward, sequencers humming into the present.
'Dreamland': more sunlit Berlin-school reverie from Tyndall. Interlocking sequencer patterns and glowing melody drift in gentle motion, private-press cosmic music of great warmth and innocence.
'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.
Acid, but tender. Tin Man coaxes emotion from the 303, letting soft-focus melody and deep, humming pulse blur techno and ambience. 'Arles' is warm, hypnotic and unmistakably his: melancholy dancefloor minimalism.
Estonian electronic pioneer Sven Grünberg reaches for the cosmos. 'Hingus' fuses shimmering synthesis with Eastern spiritual leanings: meditative, melodic and quietly euphoric. A Soviet-era kosmische treasure surfaced at last.
Chemist by day, synth explorer by night. Rüdiger Lorenz's 'Southland' glides on sunlit sequencer patterns and melodic warmth, homemade Berlin-school music of great charm, a cult private-press favourite reborn.
'Island music': Trostel maps a private electronic paradise. Warm sequencer motifs and glowing synth melody drift in unhurried loops, solitary, serene Berlin-school reverie from a cult German synthesist.
German synth mystic Rolf Trostel at the sequencer. 'Der Prophet' unfurls stately, hypnotic electronic patterns: solemn, melodic and deeply Berlin-school. A private-press cosmic gem returned to the light.
'Wide country': Roedelius and Alexander Czjzek paint expansive, cinematic soundscapes. Synth, piano and open space combine in music of pastoral grandeur, meditative, melodic and gently widescreen.
'Water in the wind': Roedelius conjures flowing, weightless keyboard music of great delicacy. Melodies drift and eddy like the title, serene, warm and quietly transporting. Solo kosmische at its most graceful.
The sixth Selbstportrait, a musical diary. Roedelius revisits fragile keyboard improvisations, each a small remembered moment: intimate, melodic and deeply personal. The ongoing self-portrait of a kosmische master.
From the vaults: essential early tapes, 1973-78, from Cluster and Harmonia's melodic soul. Home experiments and sketches reveal Roedelius inventing his gentle electronic language in real time, a treasure for the devoted.
Roedelius at the keyboard, alone and unguarded. 'Piano Piano' offers spare, melodic sketches of great intimacy: neoclassical in feeling, ambient in spirit. The quiet, human centre of a pioneering body of work.