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Editions Piednu

The Gratitude Of Sediment
An adventurous sonic exploration of the voice, cello and electronics. A large component of Audrey Chen music is improvised, is completely un-processed and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
Stick Slip
First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.
dR
"By the time you read this Jerome Noetinger is no longer the boss/face/director of Metamkine, the French mail-order for all sorts of unusual music, music along the lines of what we write about, in case you might be wondering where to purchase any (http://www.metamkine.com/ and no we don’t get paid for this ad). After many years of making parcels Noetinger and his pals decided it was time for a new face (say hello to Franck Laplaine) and now Noetinger can work more on his music. His work has been…
Uno Todo Tres
A beautiful drone like a line shaping in time, from silence to silence. Clara de Asís is an electroacoustic music composer and experimental guitarist, born in 1988 in Spain and based in France. Her musical practice is held away from any formal academicism, aiming to transcend conventional instrumental approaches. She works mainly on prepared electric guitar, focuses on exploring the specificities of her instrument, and develops them both in live situations and throughout electroacoustic composit…
Tautologos III / Havresac
Tautologos III' (1969) from Luc Ferrari performed by GOL (Jean-Marcel Busson : electronics (Metacrackle, Luxonic), charango. Frédéric Rebotier : voice, clarinet, objects. Ravi Shardja : bass, electric mandoline, flute, sanza) and Brunhild Meyer-Ferrari, voice, cardboard. 'Havresac' (2012) by Gol & Brunhild Meyer-Ferrari. 
The cigar that talks
Michel Doneda (saxophones), John Russell (guitar) and Roger Turner (percussion). Recorded at Studio Honolulu in France (2009). 'What story can a non-figurative music tell if not that of the men that made it ? The memory is adjusted to the shape of the present, the space is open to the need to communicate; the transparency of brass, steel and wood, of the flesh and of the soul, through which passes the evidence of an unfinished ancestral sound. The substance is fleeting and the incessant gestures…
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