We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

El Nicho

Making Sense of Sound
In 2016, elnicho and Buró-Buró curated a panel as part of the "SOMA Wednesday" program in the context of the elnicho#5 festival. The theme revolved around the relevance of sound in art and the relationship between them. From a socio-cultural point of view, sound is around us and has historically been a vast territory of exploration. How have anthropological, folkloric and vernacular elements influenced our current listening experiences? Music not assimilated in the past is now revisited through …
Sound Before Meaning
This booklet is an attempt to employ incidental movements that are often overlooked or ignored, those winding conversations that inevitably occur between friends who share a passion for a common theme. Over the course of nearly a year, this conversation blossomed out of friendship among the participants. The three of us worked in different fields approaching avant-garde and experimental practice. Therefore, we believe that sharing aspects of these experiences and the conclusions they draw could …
Making Room for Sound
Sound and music seem to have been underwhelmingly part of contemporary museums. However, they are shyly making their way in the area of contemporary art, often via visual artists keen on using sound in their work or inviting musicians or sound-focused artists to collaborate. But how are visual arts curators situated both within and outside the boundaries of institutions, and how do galleries and museums deal with the increasing importance of sound? Does its lack of tangible value make it a less …
Limitless Listening
Keith Rowe explores the nagging questions that the field of visual arts began to interrogate in the 20th century, bringing them to the musical universe under the counter. These inquiries are about the ways we experience modifications to the notion of space in music, the preponderance of the role of listening in the resignification of sonic events, and the timbric exploration translated to the whole world, beginning with everyday life. (...) Keith ignores the disciplinary boundaries that separate…
1