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Futura Records

This Feeling of Blue
* 2022 stock * This new trio proposes a gritty and daring jazz, around the melancholy and the evil of homo urbanus... The singer Caroline Faber, known for her rhythmic energy and her contagious good mood (with DeNduM, BA-YA), explores here a blues space: She interprets her texts "written from the tip of her soul" (Pierre Gros, Culture Jazz) on compositions by Richard Bonnet (recently acclaimed for his work with Hasse Poulsen and Tony Mallaby) or great classics borrowed from Afro-American music. …
Jade New Spiritual Music
* 2022 stock * Jade is an ambitious blend of jazz, abstract improvisation, and classical sacred music. Recorded at the Organ Studio at Sweden’s University of Gothenburg, the album features sax and trombone echoing regally against a backdrop of honest-to-goodness choral hymns, performed by a church organ and the 10-woman Volcanic Choir, led by mezzo-soprano Maria Forsström. In slow movements, as if to cherish the sounds and moods being created, the album blends its influences beautifully, conveyi…
On The New Jersey Road
* 2022 stock * Futura Records presents On the New Jersey Road: Dany Doriz (vibraphone), Philippe Duchemin (piano) & Patricia Lebeugle (contrebasse) – Invité sur trois titres : Enrico Granafei (harmonica) Paterson (New Jersey – USA) Recorded on 26th and 27th september 2005 at Bioya Recording Studios, Paterson (New Jersey - USA)
Autumn Leaves
* 2022 stock * Futura Records presents Autumn Leaves: Ben Webster (saxophone ténor), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (drums)  Recorded 5th june 1972 at studio Europasonor, Paris
Under Paris Skies
* 2022 stock * This recording of a 1971 date pairs legendary hard bop pianist Freddie Redd with an obscure French rhythm section. Didier Levallet and Didier Carlier on bass and drums, respectively, are certainly good musicians; they comp and center very well around the changes Redd sets out in his original tunes such as "Diane I Love You," "Bleeker Street Blues," "To Bud With Love," "This Heart of Mine," "You," and "My God Is Love." Their backing is tight and organized, and that's the problem. R…
Parisian Concert
* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.
Live Again
* 2022 stock * Futura Records presents Live Again: Georges Arvanitas (piano & piano électrique), Jacky Samson (contrebasse) & Charles Saudrais (drums). Recorded on 13th jan 1973 in Levallois (France) Contrabass – Jacky Samson Drums – Charles Saudrais Engineer – Christian Boulnois Mixed By – Jef Gilson Piano, Electric Piano, Liner Notes – Georges Arvanitas Producer – Gérard Terronès
For (And More)
Futura Records presents For (and More): Daniel Beaussier & Manu Pékar with Jean-Lou Descamps & Pierre Marcault.Daniel Beaussier (saxophones, hautbois, cor anglais, clarinette, clarinette basse, flûtes en ut & sol), Manu Pékar (guitares), Jean-Lou Descamps (violon & objets sonores) & Pierre Marcault (percussion).Recorded 10th jan, 2nd jul & 20th nov 2016 at studio EDIM, Cachan (France).
Chris Meets Paris Meets Chris
* 2022 stock * Futura Records presents Chris meets Paris meets Chris : Chris Woods (saxophone alto & flûte), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (batterie) Recorded on 24th octobre 1973 at Bilboquet, Paris. Crédits Alto Saxophone, Flute – Chris Woods Bass – Jacky Samson Coordinator – Marianne Fernel Cover [Drawing], Design – Pierre Delgado Drums – Charles Saudrais Edited By, Mastered By – Alexis Frenkel Engineer – Jef Gilson Photography By – Christian Fauchar…
La Marche Dans Le Désert
* 2022 stock * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the other, Pharoah Sanders and Alice Coltrane, Pierre Henry and Karlheinz Stockhausen... Oh yes, and one other thing, …
Le Massacre Du Printemps
* 2022 stock * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrogate through a wild ‘noise’ session evoking as much John Cage as Pierre Henry, John Coltrane as the Percussions de Strasbourg, the Art Ensemble of Chicago as the Tacet by Jean Guérin. Le Massacre du Printemps, (the Massacre of Spring) is a strange kin…
Solos, Volume 2
Joachim Kühn (piano & piano électrique). Solos, vol. 2 (Inédit). Recorded 19th march 1971 at studio Europasonor Paris.
Live At The Jazz'Inn
*2022 stock* Futura Records presents Jaki Byard Trio's Live at the Jazz'inn. Jaki Byard (piano & saxophone alto), Gus Nemeth (contrebasse) & Jean-My Truong (batterie), invited on a title: Gerald Byard (batterie / drums). More two unpublished titles with Siegfried Kessler on piano, and Jaki Byard on alto saxophone. Recorded live on July 26th 1971 in Paris. Digipak.
From In To Out
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie)  Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
Basse Barre
Bass solo by Barre Phillips recorded out of a 3 hour session in St James Norlands church, London 30 nov 1968.
Piano Dazibao
*2022 stock* French avant-garde pianist François Tuskques's solo work released in 1970 is now available on CD for the first time with additional bonus tracks. This is a high quality work that c an be said to be the flowering of his creative and original sound world, which he has penetrated through repeated trial and error in various styles, further sharpened in the form of home recording and solo.
Blood And Guts
*2022 stock* Pianist Mal Waldron first ever live album has been released in 1970 on tiny French Futura label. It contains four longish (each - over ten minute long)compositions, recorded in May 1970 at American Cultural Center in Paris. Mal plays in his most comfortable format - trio,two other members are local musicians who will never record with Waldron again. Twenty-four years old bassist Patrice Caratini will play on Kenny Clarke's French-released album " Kenny "To Day"" in 1980 and will col…
Alors !!!
*2022 stock* Tip! Michel Portal, a brilliant clarinetist, saxophonist and performer from the world of contemporary classical music, became one of the most important actors of the new European improvised music in the early 1960s.While pursuing a parallel career in classical music, he multiplied his encounters with the most active creators of the new European jazz, as well as with various foreign musicians visiting France. This album, recorded on the Futura label in 1970, was made possible thanks …
Se taire pour une femme trop belle
Mindblowing brand new legit remastered reissue! Mysterious group from the French experimental underground of the early '70s: it opens with six minutes of trippy spacerock (sounding somewhere between Agitation Free, Ash Ra Tempel and the French band Nyl). After a short, repetitive twinkling of piano notes, a strange, rumbling track evolves for percussion and guitar.  At the beginning of "Esplanade" a female voice recites a text supported by barking dogs, followed by an undetermined, repetitive, n…
Récital Paris 1971
Beautiful solo work from Anthony Braxton -- recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" -- one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton -- but things really go out …
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